Alumni Events Around the World
Internationally acclaimed New York-based Chinese artist and ACC Fellow, Cai Guo-Qiang, curated an exhibition featuring 15 contemporary Chinese artists working across disciplines and multiple media. What About the Art? presents each artist in individual galleries, a curatorial approach exemplifying each artist's unique language and methodology and highlighting the distinctive creative pursuit of each individual participant.
Afterwork is a project aimed at engaging the domestic worker community through collaboratively organized public programs and commissioned artist research. The exhibtion looks at Hong Kong's largest minority group, the migrant domestic worker community, and tells their stories of migration, labor, and displacement.
Grantee: Sin Kwok Beatrix Pang
Innovative artist Yao Jui-Chung, also a curator, art critic and art historian, experiments with a broad variety of mediums, including installation, performance, photography, video and painting, creating works that are both aethetically beautiful and conceptually challenging.
Often appropriating imagery from the canon of Chinese art history, Yao's works question and contest Taiwan's complex politcal and historical past.
Grantee: Jui-Chung Yao
Beyond the Frame: New Media Arts from Taiwan is an innovative exhibition featuring new media artists who continually evolve their creative practice with rapid advances in media technology. The exhibition includes works from six Taiwanese artists, including ACC Fellows Lin Jiun-Ting and Wu Chi-Tsung. These artists navigate the line between artistic tradition and modern technology conceptually as well as in form and medium.
Water Quintessence, a solo exhibition by Zhang Jian-Jun, centers on the subject of water - both its physical forms and its connotations as the epitome of classical Chinese philosophy. The show features the artist's latest oil and ink painting, and it will also comprehensively showcase an array of mixed media works, sculpture pieces, and archival documentations dating from the 1980s to the present.
Grantee: Jianjun Zhang
A New Dynasty – Created in China is a visual, thought-provoking, and inspiring encounter with China as a present-day superpower. The works of art will give visitors unique keys to the understanding of a world which is both familiar and strange at the same time; the complex and multi-faceted phenomenon of China.
Grantee: Dong Song
This exhibition focuses on Tanaka's activity after 2010, when he started to be interested in the activities of collaboration, with his new work at the center along with his recent works.
The new work produced for this exhibition is based on the six-day lodging and a series of workshops conducted during that time, in which general participants, facilitators and camera crews stayed together under one roof.
Grantee: Koki Tanaka
The first solo museum exhibition for Los Angeles-based artist Keiko Fukazawa features recent work from her three residencies in Jingdezhen, China—known as the porcelain capital of the world. By merging cast ceramic forms with iconic images of Chairman Mao Zedong, luxury brand logos, and historic glazing techniques, the past and present collide in Fukazawa’s works creating ironic and playful observations on consumerism in China and worldwide.
The exhibition brings together twelve artists of different generations who live and work in mainland China. The artists establish links and contrasts between a wide variety of techniques and media, drawn from both local tradition and culture and cutting-edge technologies, to reveal the complexities of a society in a permanent state of change.
The Daiwa Anglo-Japanese Foundation presents Like A Prime Number, the solo exhibition by Japanese-Italian visual artist Enrico Isamu Oyama.
Oyama is best known for the signature style Quick Turn Structure (QTS): minimal, free-flowing motifs of repetitive lines, developed from the visual language of graffiti culture and contextualized in the realm of contemporary art.
Grantee: Enrico Isamu Oyama
The Colony is loosely based on nineteenth century depictions of a cluster of islands off the west coast of Peru, rich in guano, a powerful fertilizer. Lê’s narratives touch on aspects of the islands’ history such as the nineteenth century imperial wars between Spain and its former colonies Peru and Chile, and the US Guano Act of 1856.
This exhibition of Murakami’s unique collection, with its overwhelming quantity and diversity, will provide an insight into the sources of the artist’s aesthetic ideas, the nature of art and desire, and the mechanisms that create value in contemporary society, while also encouraging viewers to question art's conventional context.
Taking place in traditional and alternative performance venues, studios, and classrooms, the work is conceived as a public “conversation” between the artists’ respective aesthetics (butoh and hip-hop), cultural backgrounds (Japanese-American and African-American), and personalities.
Grantee: Michael Sakamoto
Culture Clash spans a period of approximately 30 years and seeks to represent a broad view of this fascinating artist who moves from culture to culture, assimilating ideas and techniques while simultaneously poking fun at the present-day sacred cows she encounters.
This landmark exhibition is part of the highly successful Global Prudential Eye Programme and a key highlight of Singapore Art Week. In its third edition, the exhibition showcases 15 of Asia’s emerging contemporary artists.
Grantee: Sutthirat Supaparinya
Curated by Judy Hussie-Taylor & Lydia Bell in collaboration with Eiko, A Body in Places (February 17-March 23) is Danspace Project’s tenth Platform, a month-long multi-disciplinary program that will illuminate and expand Eiko’s solo project of the same title.
Grantee: Eiko Ishioka
Yuki Okumura is an artist whose practice resembles that of a translator, ghostwriter or mediator, subjectively interpreting, reenacting or sometimes radically rewriting works by other artists that tackle the issue of the artist’s selfhood. While his work is presented in the media of video, text, curatorial and workshop projects, its underlying form is performance, where his behind-the-scenes gestures catalyze or manipulate visible narratives.
Grantee: Yuki Okumura