Alumni Events Around the World
Sonata: Print Series by Nam June Paik offers a series of prints, including Paik’s musical compositions, drawings, photographs, performances, events and video sculptures. Nam June Paik, the Korean-American artist who died in 2006 at age 73, is widely known as the father of video art. He produced a large body of work while exploring the influence of electronic media on the arts.
Nam June Paik received ACC Fellowships in 1965 and 1970 for research in the United States.
Grantee: Nam June Paik
Hi! Houses art project is carried out in 4 significant historic sites in Hong Kong, bringing audience a journey into the century-old houses. Wilson Shieh, Lam Tung-pang, Fiona Wong and Jaffa Lam, are invited to pay tribute to the long tradition and historical legacies of 4 selected monuments namely Dr Sun Yat-sen Museum, Old House at Wong Uk Village, Law Uk Folk Museum and Sam Tung Uk Museum respectively. The 4 artists develop interpretative works together with their artist teams using their own visual vocabularies, based on field research, historical narratives, regional context as well as their personal experience.
Out of Hand: Materialising the Digital examines the place and impact of new digital manufacturing technologies – 3D printing in its various forms, CNC machining, laser cutting, and digital knitting and weaving. The exhibition features works by more than 60 artists, designers and architects from around the world.
Aki is an artist from Japan who will begin her ACC fellowship in New York in spring 2017.
Grantee: Aki Inomata
Sandra Lee’s installations incorporate sculptural, photographic, and drawing traditions to consider ways in which place is created among changing urban and environmental conditions. The sculptures and installations she constructs are informed by her observations of daily life and through the collecting and reconfiguring of the materials that pass through it.
Sandra Eula Lee received an ACC Fellowship in 2009 to travel to Korea.
Grantee: Sandra Eula Lee
I Don’t Know the Mandate of Heaven is the first major survey of Song Dong’s work in mainland China in 8 years. The exhibition will include some of the artist’s best-known works that have been fundamental in establishing his career, as well as several rarely exhibited works. Among the works on display, some pieces have been specially commissioned for this exhibition by RAM such as At Fifty, I Don't Know the Mandate of Heaven and Back Image, manifesting the museum’s long-term commitment to support the creativity and production of contemporary art through exhibition projects.
Before the onset of a downpour there is a moment of heavy humidity that hangs low in the air. Building over time it signals the inevitability of a deluge that will interrupt and intercept patterns of normality. For Hong Kong, a city defined by humidity, the deluge that began on September 28 2014 was the result of a long and steady buildup of uncertainty, anxiety and the long held need to articulate a cohesive identity for the city. Before the Rain addresses the tensions that precipitated the recent political and civil urgency in Hong Kong and the city’s pressing need to reimagine its future.
With a passion for the interpretation and production of images, Wu has been working across the mediums of photography, video, and installation, to create artworks which challenge our perceptions of our physical and natural worlds. The exhibition presents a diverse range of artworks from various series, representing ten years of development in the artist’s work. Brand new works on display will include Wu’s Drapery Studies series (2014-2016), never seen before by the public, as well as recent video works and a large sculpture created specifically for this exhibition. Also on display will be the artist’s renowned Cyanotype works and a large scale, site-specific installation Crystal City 007.
Wu Chi Tsung undertaook his ACC Fellowship in New York in 2014.
Grantee: Chi-Tsung Wu
A Body in Fukushima, (Eiko's collaborative work with historian and photographer William Johnston) will be on view at the Cathedral of Saint John Divine as a part of the Cathedral's larger art exhibition, The Christa Project. Eiko is named as an artist in residence for the year and co-curates her photo exhibition, performances, and other activities, all of which explore the dignity and transcendence inherent in the ordinary and the disregarded.
Grantee: Eiko & Koma Otake
ACC provided support to The Spencer Museum of Art for the exhibition Temporal Turn: Art and Speculation in Contemporary Asia. This major international exhibition at the University of Kansas features 26 contemporary artists from across Asia whose work explores ideas about time, history and memory. In addition to works from the museum’s permanent collection, “Temporal Turn” includes international loans and site-specific commissions by four artists-in-residence.
The focus of Yuko Mohri’s debut UK solo will be an installation of her project Moré Moré [Leaky], a long-term research project into the Tokyo metro. Mohri exhibited her first iteration of the project at the prestigious Nissan Art Award 2015, which she consequently won. Mohri’s work is responsive to the built environment. Her kinetic installation at White Rainbow will be in the form of a circuit, with found materials ‘wired’ together to contain flowing water, mimicking makeshift water repairs she noticed in the Tokyo metro. Mohri’s Moré Moré [Leaky] series is characterised by extensive fieldwork, including a range of photographic documentation of the repairs. A selection of these photographs will be produced and displayed for the first time at White Rainbow, and will connect Mohri’s research and work with photography to her installation work, for which she is best known.
Grantee: Yuko Mohri
This play is an inquiry into the relationship of religion and folk narratives featuring Dulaang UP under the direction of Jose Estrella with lighting design by Barbie Tan-Tiongco and adaptation by playwright Rody Vera, all ACC grantees.
Asia TOPA: Asia-Pacific Triennial of Performing Arts is an artistic celebration of Australia's relationship with contemporary Asia. Vital, fresh and always unpredictable, Asia TOPA offers a city-wide window onto the creative imaginations fuelling the many cultures of the region.
The Asia Triennial of Performing Arts features numerous dance works from all over the region. China’s avant-garde Tao Dance Theatre performs two pieces from Tao Ye’s Straight Line Trilogy; in Eko Supriyanto’s Balabala, women combine dance with martial arts while his Cry Jailolo is a paean to endangered nature; Javanese music duo Senyawa together with Dancenorth and Lucy Guerin Inc present Attractor, a “trance-noise odyssey”; and in Dancing with Death, Thai choreographer Pichet Klunchun creates a space between life and afterlife inspired by the Phi Ta Khon ghost festival; and and the world premier of Wang Chong's "Little Emperors." Jen Shyu will have a solo recital on February 18.
Tatsuo Miyajima, one of Japan’s most renowned contemporary artists, is known for his sculptures and room-scale installations incorporating light and numbers.
Tatsuo Miyajima: Connect With Everything encompasses his sculptural works, rooms and environments, and performance videos. Time and its passage are explored through the works and represented visually by multiple, small digital counting devices. Miyajima developed his first customised digital counters in the late 1980s, using light emitting diodes or LEDs. These ‘counter gadgets’ remain central to his art today, their red and green palette expanding in the mid-1990s to include blue, then white, as LED technology developed in and beyond Japan.
Grantee: Tatsuo Miyajima
The exhibit features seven visual artists from UP Diliman, 3 of whom are ACC grantees (Gerry Leonardo, Anton del Castillo, Leeroy New, Junyee, Rita Gudiño, Leo Abaya and Reg Yuson) depicting Philippine stories about the origin of the sansinukob (universe). The exhibit is a glimpse of the ethno-astrology and ancient cosmology of Philippine cultures. Free and open to the public.
This exhibition, curated by Helly Minarty, interweaves various archives to show the complexity of historical trajectories of Orientalism in dance as both a historical construct and artistic resonance found in contemporary practice through its many guises. One can start from the les petites danseuses javanaises performing at the Dutch East Indies pavilion at the Paris Colonial Exhibition (Exposition Universelle) to American Ruth St Denis choreographing Radha in 1906. The on to the Oriental Tour of Denishawn - Ruth St Denis and Ted Shawn, the mother and father of American modern dance - in mid 1920s that preceeded with the making of the iconic Kecak dance by Walter Spies and I Wayan Limbak. It then detour back to Paris with the Balinese troupe from Peliatan village of Ubud in 1931 that catapulted Antonin Artaud's "Theater of Cruelty" whilst on the island, Kecak was well on the way to its amplified spectacularization as Bali most iconic dance.
Helly Minarty received an ACC Fellowship in 2011 to research American modern dance history in the United States.
Grantee: Helly Minarti
Yebizu Image Festival is a unique festival that aims to reconsider the issue of how to inherit the development of the media and the media from the past to the present and the future, to repeatedly conduct dialogue, to become a place to share widely. Tokyo, the first photograph exhibition held after the renewal opening of the Tokyo Metropolitan Museum of Photography, will use the entire Tokyo Metropolitan Museum of Photography as the main venue again and add connections with the areas deepened during the closing and further enhancement.
This exhibition “The World’s Three Major Round Things: the Sun, the Moon, the Eye” is composed of several dozen pieces of art such as three-dimensional artwork, texts, and performances, based on the works from the solo exhibition “Everything and Others” (LISTE 21, Basel, June 2016 (which received a great response) and the “Rolling Stone, Olympics, the Sun, the Moon, Cold Water” (TERATOTERA-Involve, Tokyo, October 2016).
Satoshi Hashimoto received an ACC Fellowship in 2007 for research in the United States.
Grantee: Satoshi Hashimoto
Nao Nishihara challenges the ears, exploring relation and disrelation between sound and human being. Performance group Tsumugine, founded by Yasuno Miyauchi, combines the audience, space and its acoustic, as becoming a background scenery themselves. Both of them use sound as their medium, sharing the keywords such as human, sound, music, communication and body. While Nishihara deconstructs music relying on ears, Tsumugine attempts to pick up each sound around the world to start constructing something new. Presenting their performances in parallel, audience will witness those kinds of performance/music that are most needed in today.