Alumni Events Around the World
Sonata: Print Series by Nam June Paik offers a series of prints, including Paik’s musical compositions, drawings, photographs, performances, events and video sculptures. Nam June Paik, the Korean-American artist who died in 2006 at age 73, is widely known as the father of video art. He produced a large body of work while exploring the influence of electronic media on the arts.
Nam June Paik received ACC Fellowships in 1965 and 1970 for research in the United States.
Grantee: Nam June Paik
Hi! Houses art project is carried out in 4 significant historic sites in Hong Kong, bringing audience a journey into the century-old houses. Wilson Shieh, Lam Tung-pang, Fiona Wong and Jaffa Lam, are invited to pay tribute to the long tradition and historical legacies of 4 selected monuments namely Dr Sun Yat-sen Museum, Old House at Wong Uk Village, Law Uk Folk Museum and Sam Tung Uk Museum respectively. The 4 artists develop interpretative works together with their artist teams using their own visual vocabularies, based on field research, historical narratives, regional context as well as their personal experience.
Out of Hand: Materialising the Digital examines the place and impact of new digital manufacturing technologies – 3D printing in its various forms, CNC machining, laser cutting, and digital knitting and weaving. The exhibition features works by more than 60 artists, designers and architects from around the world.
Aki is an artist from Japan who will begin her ACC fellowship in New York in spring 2017.
Grantee: Aki Inomata
Rewoven: Innovative Fiber Art is a collaboration between the Kaohsiung Museum of Fine Arts, Taiwan, Taiwanese American Arts Council, New York, the Godwin-Ternbach Museum, Queens College and the QCC Art Gallery / CUNY. The exhibition showcases twenty-four artists whose extraordinary creativity and commitment to nature, environmental, and social issues are addressed in a convergence of painted, woven, netted, sewn, assembled and installed artworks.
Visual artist Wen-Fu Yu is part of the exhibition. Wen-Fu Yu received an ACC Fellowship in 2002 to undertake a residency in the U.S. and for research in New York.
Grantee: Wen-Fu Yu
Embrace or Rebel? Traditional Asian Art Techniques in Contemporary Practice, a group exhibition curated by gallery director Hyewon Yi, presents works in various media by seven Contemporary East Asian artists who interpret traditional methods in innovative ways. Embrace or Rebel? considers long-established Asian techniques and styles that have taken a backseat to Contemporary East Asian art, partly due to their being viewed as antithetical to Modernism.
Enrico Isamu Oyama received an ACC Fellowship in 2011 to research contemporary art, meet artists and curators, and create new work while participating in an artist residency program in the United States.
Grantee: Enrico Isamu Oyama
Yayoi Kusama: Infinity Mirrors is a celebration of the legendary Japanese artist’s sixty-five-year career and promises to be one of 2017’s essential art experiences. Visitors will have the unprecedented opportunity to discover six of Kusama’s captivating Infinity Mirror Rooms alongside a selection of her other key works, including a number of paintings from her most recent series My Eternal Soul that have never been shown in the US. From her radical performances in the 1960’s, when she staged underground polka dot “Happenings” on the streets of New York, to her latest Infinity Mirror Room, All the Eternal Love I Have for the Pumpkins, 2016, the Hirshhorn exhibition will showcase Kusama’s full range of talent for the first time in Washington, DC. Don’t miss this unforgettable sensory journey through the mind and legacy of one of the world’s most popular artists.
Yayoi Kusama received ACC Fellowships in 1964 and 1996 for travel in the United States.
Grantee: Yayoi Kusama
During the early years of Tom Haar’s residence in New York, from 1968 to 1983, he learned of a large group of Japanese artists. intrigued by their exciting lifestyle in New York, and having grown up in Japan himself, he decided to capture their creative lives in a photo essay, "Japanese Artists in New York - 1971."
“New York was very stimulating in the early 1970s—in areas gritty and seedy—especially in lower Manhattan, where many of the artists lived. soho and the artists’ housing, westbeth, were still in their infancies.”
It has been forty-six years since Haar worked on this project. today, many of these artists are still creatively active in new york. one of the photographed artists, Yayoi Kusama, now a well-known artist with international celebrity status, will be highlighted at this year’s Honolulu Biennial, March 8th to May 8th.
Tom Haar received ACC Fellowships in 1983 and 1985 for travel to Korea and Japan for photograph is documentation.
Grantee: Tom Haar
Sandra Lee’s installations incorporate sculptural, photographic, and drawing traditions to consider ways in which place is created among changing urban and environmental conditions. The sculptures and installations she constructs are informed by her observations of daily life and through the collecting and reconfiguring of the materials that pass through it.
Sandra Eula Lee received an ACC Fellowship in 2009 to travel to Korea.
In his new photographic series Between Blossoms, New York-based Chinese photographer Shen Wei has taken a meditative journey across continents, from the United States to Europe and Asia. His seductive photographs capture a unifying sense of other-worldliness within the changing landscape, generating an abstracted sensation of place that he describes as “deeply connected to my inner melancholy, a dream-like state of mind.”
Shen Wei received an ACC fellowship in 2012 to explore and document Buddhist temple life in Thailand.
Grantee: Shen Wei
Curated by Yoshiko Shimada, From Nirvana to Catastrophe: Matsuzawa Yutaka and his 'Commune in Imaginary Space' focuses on the period 1969 - 1973, which has been the most active years of Matsuzawa's activities. Reflecting on the exhibition Nirvana (1970), the pioneer of international exhibitions on Conceptualism in Japan, the exhibition traces the formation of Matsuzawa's thoughts and his idea of 'free commune' in a chronological order through nine document and material bodies.
Grantee: Yoshiko Shimada
STUPIN is a platform for artist residencies where individual artists network in the form of studio swaps. STUPIN.ORG, Kuo’s solo exhibition at TKG+ Projects, is the first embodiment of the studio-swap residency. Kuo investigates the relationship between the artist, the work, and the space it occupies. For this exhibition, Kuo swaps studios with Portuguese artist Filipe Cortez, who works across such mediums as performance, oil painting, sculpture, and installation in surveying the ephemeral landscape of memory, time, and the city through his site-specific work. Cortez and Kuo will continue their respective practices in each other’s hometown — Cortez in Taipei, Taiwan and Kuo in Porto, Portugal — and connect the two cities through their experiences of cultural exchange and networking.
Kuo I-Chen undertook his ACC residency in 2012 in New York.
Grantee: I-Chen Kuo
Hiding in the Island is an exhibition that aims to explore the unique aesthetic and authenticity of existence through three paradoxes. Artists who live deep in East Taiwan and young artists who arrive during the travels in their studies come together to share their mindset and work, hoping to highlight the idea that “any location is a place for nature and the world, freedom and culture.”
Visual artist Idas Losin received an ACC Fellowship in 2014 to research contemporary art, meet artists, participate in an artist residency program in New York and to visit Native American communities in the U.S.
Grantee: Idas Losin
Performing on stage as “the witch,” 2013 grantee MAGDA DE LEON joins ACC fellows IRMA ADLAWAN (2002) as “Senyora Macbeth” and GINO GONZALES (2000) for Production Design in the stage play MAKBET directed by Nonon Padilla. A treatise on how the human soul is corrupted by overwhelming ambition, violence and power, the production is in close collaboration with the Theater Arts, Production Design, and Arts Management Programs of Benilde's Arts And Culture Cluster (BACC), with support from DLS-CSB’s Office of the Vice Chancellor for Academics, School of Design and Arts Dean’s Office, PHINMA, and TAXI THEATER.