Alumni Events Around the World
Sonata: Print Series by Nam June Paik offers a series of prints, including Paik’s musical compositions, drawings, photographs, performances, events and video sculptures. Nam June Paik, the Korean-American artist who died in 2006 at age 73, is widely known as the father of video art. He produced a large body of work while exploring the influence of electronic media on the arts.
Nam June Paik received ACC Fellowships in 1965 and 1970 for research in the United States.
Grantee: Nam June Paik
Hi! Houses art project is carried out in 4 significant historic sites in Hong Kong, bringing audience a journey into the century-old houses. Wilson Shieh, Lam Tung-pang, Fiona Wong and Jaffa Lam, are invited to pay tribute to the long tradition and historical legacies of 4 selected monuments namely Dr Sun Yat-sen Museum, Old House at Wong Uk Village, Law Uk Folk Museum and Sam Tung Uk Museum respectively. The 4 artists develop interpretative works together with their artist teams using their own visual vocabularies, based on field research, historical narratives, regional context as well as their personal experience.
Out of Hand: Materialising the Digital examines the place and impact of new digital manufacturing technologies – 3D printing in its various forms, CNC machining, laser cutting, and digital knitting and weaving. The exhibition features works by more than 60 artists, designers and architects from around the world.
Aki is an artist from Japan who will begin her ACC fellowship in New York in spring 2017.
Grantee: Aki Inomata
Sandra Lee’s installations incorporate sculptural, photographic, and drawing traditions to consider ways in which place is created among changing urban and environmental conditions. The sculptures and installations she constructs are informed by her observations of daily life and through the collecting and reconfiguring of the materials that pass through it.
Sandra Eula Lee received an ACC Fellowship in 2009 to travel to Korea.
Grantee: Sandra Eula Lee
I Don’t Know the Mandate of Heaven is the first major survey of Song Dong’s work in mainland China in 8 years. The exhibition will include some of the artist’s best-known works that have been fundamental in establishing his career, as well as several rarely exhibited works. Among the works on display, some pieces have been specially commissioned for this exhibition by RAM such as At Fifty, I Don't Know the Mandate of Heaven and Back Image, manifesting the museum’s long-term commitment to support the creativity and production of contemporary art through exhibition projects.
Before the onset of a downpour there is a moment of heavy humidity that hangs low in the air. Building over time it signals the inevitability of a deluge that will interrupt and intercept patterns of normality. For Hong Kong, a city defined by humidity, the deluge that began on September 28 2014 was the result of a long and steady buildup of uncertainty, anxiety and the long held need to articulate a cohesive identity for the city. Before the Rain addresses the tensions that precipitated the recent political and civil urgency in Hong Kong and the city’s pressing need to reimagine its future.
A Body in Fukushima, (Eiko's collaborative work with historian and photographer William Johnston) will be on view at the Cathedral of Saint John Divine as a part of the Cathedral's larger art exhibition, The Christa Project. Eiko is named as an artist in residence for the year and co-curates her photo exhibition, performances, and other activities, all of which explore the dignity and transcendence inherent in the ordinary and the disregarded.
Grantee: Eiko & Koma Otake
ACC provided support to The Spencer Museum of Art for the exhibition Temporal Turn: Art and Speculation in Contemporary Asia. This major international exhibition at the University of Kansas features 26 contemporary artists from across Asia whose work explores ideas about time, history and memory. In addition to works from the museum’s permanent collection, “Temporal Turn” includes international loans and site-specific commissions by four artists-in-residence.
Tatsuo Miyajima, one of Japan’s most renowned contemporary artists, is known for his sculptures and room-scale installations incorporating light and numbers.
Tatsuo Miyajima: Connect With Everything encompasses his sculptural works, rooms and environments, and performance videos. Time and its passage are explored through the works and represented visually by multiple, small digital counting devices. Miyajima developed his first customised digital counters in the late 1980s, using light emitting diodes or LEDs. These ‘counter gadgets’ remain central to his art today, their red and green palette expanding in the mid-1990s to include blue, then white, as LED technology developed in and beyond Japan.
Grantee: Tatsuo Miyajima
This exhibition “The World’s Three Major Round Things: the Sun, the Moon, the Eye” is composed of several dozen pieces of art such as three-dimensional artwork, texts, and performances, based on the works from the solo exhibition “Everything and Others” (LISTE 21, Basel, June 2016 (which received a great response) and the “Rolling Stone, Olympics, the Sun, the Moon, Cold Water” (TERATOTERA-Involve, Tokyo, October 2016).
Satoshi Hashimoto received an ACC Fellowship in 2007 for research in the United States.
Grantee: Satoshi Hashimoto
Songs of the Phoenix Mirror explores the full range and cultural significance of internationally renowned artist Wei Ligang’s current calligraphic practice. Through documents and archival footage, the exhibition reviews Wei’s artistic and intellectual development from the late 1980’s onwards. It surveys his major calligraphic styles: his signature “magic squares” and its variations; his monumental continuous cursive script inspired by Fu Shan (1607-1684) and other 17th-century masters; and his cursive renditions of the engraved lines of seals, steles, and Oracle bones.
Wei Ligang undertook his ACC Fellowship in 2006 in New York.
Grantee: Ligang Wei
This year marks the twelfth year Taiwan has participated in the Glenfiddich Artists in Residence program. 12 is also the number of years it takes for Jupiter, an astrological symbol for faith and wisdom, good fortune and growth, to complete one orbital cycle. Over the past 12 years the Glenfiddich artist’s village has been home to many Taiwanese artists. These creative talents are now brought together for the first time in an exhibition at Kuandu Museum of Fine Arts, titled Springs Eternal: Glenfiddich Artists in Residence - 12 Years from Taiwan.
Experience this multidisciplinary collaboration between composer and musician Wayne Horvitz, visual artist Barbara Earl Thomas, and two Japan-based artists: video artist and VJ Yohei Saito and dancer/choreographer Yukio Suzuki.
Using recordings of his work performed by the Seattle Symphony in 2015, Horvitz will compose a new electronic score with video created by Yohei Saito. Yukio Suzuki will perform several short dance improvisations daily.
Yukio Suzuki received an ACC fellowship in 2014 to observe and participate in contemporary dance activities in New York.
Group exhibition by artists Sam Penaso, Joel Quinones, Nasser Lubay, Demi Padua, Fitz Herrera, Melbourne Aquino, Wipo.
Sam Penaso received an ACC Fellowship in 2013 to research contemporary art, meet artists and curators, and participate in an artist residency program in the United States.
Grantee: Samuel Penaso
Firoz Mahmud will present his new film/video Blurred Reading, photographs, blood painting, mixed media works and drawing on paper. Firoz Mahmud is a Bangladeshi born artist who creates installation, video, photograph, sculptures, painting, urgent drawing (NinKi: UoPD) and mixed media. His process includes doodling on existing images, creating visual jokes on celebrity portraits, and play-drawing. His work often alludes to displaced habitats, ambiguous spatial relationships and dystopia. He examines the landmarks of his changing surroundings. His mixed media works and drawings produce look at the history of Bengal region.
Firoz undertook his ACC fellowship in the United States in 2011.
Grantee: Firoz Mahmud
Eva Lee is a visual artist and experimental filmmaker. She will present her Fulbright Research on 10th to 12th century Buddhist mandalas conducted in ancient Tibetan monasteries of Spiti, Lahaul, and Ladakh. Her talk will include showing photos of the astonishing mandalas discovered on her Himalayan journey, along with a video of the beautiful and rare interior of Tabo Monastery’s main temple, the famed Tsug Lhakhang. Also shown will be examples of contemporary mandalas, with discussion on their aesthetic structure, sacred purpose, and relevance for today.
Damien Jalet has travelled the world, infusing his dance with images of the myths, religions, and rituals of each country that he visits, and reflecting the conflict between body and mind in the dance. Kohei Nawa explores materials and techniques through his sculptures and installations that communicate an organic world view while successfully combining image and materiality. As the basic concept for this part of their collaborative project, Jalet and Nawa chose a Vessel as the background to everything that is subsumed by life and death, and the cycles of earth and life. Incorporating into the stage design a breadth of physical properties that extends to gases, liquids, and solids, they attempt to create a dynamic merger between the stage and the bodies of the dancers as they constantly transform their figures.
Kohei Nawa undertook his ACC Fellowship in a residency in New York in 2005.
Composer Neil Rolnick pioneered the use of computers in musical performance, beginning in the late 1970s. His music includes unexpected and unusual combinations of materials and media in his music, exploring combinations of digital sampling, interactive multimedia, and acoustic vocal, chamber and orchestral works. For this performance Neil Rolnick performs music from his latest recording, Ex Machina featuring cellist Ashley Bathgate and pianist Kathleen Supové.
Neil Rolnick received ACC Fellowships in 1994 to travel to Japan and in 2007 to travel to China.
The collection from one of Japan’s leading collectors of contemporary art, Ryutaro Takahashi, contains over 2500 pieces and is continuing to expand on a large scale. The “Neoteny Japan Takahashi Collection”, which was displayed in seven art museums across the country between 2008 and 2010, contained many indispensible works which provided an overview of Japanese contemporary art since the 1990s, and was recognized as an extremely important collection, both nationally and abroad. This time, the exhibition “Mindfulness! 2016” showcases those who have driven Japan’s contemporary art, beginning with the center point of Takahashi’s collection, Yayoi Kusama, and following on with a range of artists, from Tadanori Yokoo, Yasumasa Morimura, Katsura Funakoshi, to Yoshitomo Nara, Takashi Murakami, Makoto Aida and Tomoko Konoike. This includes artists who have a connection with Kochi Prefecture, from Sawako Goda, Chiharu Shiota and Kazuyuki Takezaki, to notable young artists, including Erina Matsui and Asami Kiyokawa, allowing you to savor the delights of Takahashi’s collection in an exhibition arrangement.
We are what we eat. As the old saying goes, food/eating makes the core component of our life, with providing some fun and joy to us. It also serves as the simplest and essential form of communication that connects us with family and society, with nature, with belief, with culture or memories. Impacted by the development of industry and technology, any food is now available in and out of season, which has significantly altered the relationship between individual and food. Seeing such relationship afresh, extending from our body and memories to natural environment or universe, is surely important at a time of extraordinary change. ”Foodscape” is to reflect on the future of food/eating through artistic expressions. This is in part third of the exhibition series dedicated to the subject of “everyday life”, following “Wardrobe Memories” (2014) and “Living Locally” (2015).Since 2013,Arts Maebashi has been carrying on a dining project Kaze no Shokudo :The Wind Restaurant to explore the current situation of regional food and agricultural culture with Fenrando Garcia Dory, Nanpushokudo and HOO. Landscape and food works.
Grantee: Arts Maebashi
Solo exhibition by photographer Ching-Yao Chen.
Grantee: Ching-Yao Chen
With highly curated light and staging, Yasuno Miyauchi transforms the Issue Project Room into a ritual space.
Her work explores the expressive potential of collective singing, with an emphasis on performative affect, spatial distribution of vocal spectra; and the ecstasy of extended repetition, featuring choreographed bodily movement—providing the musical timeline with an accompanying visual narrative—all with the ultimate goal of binding female bodies and their voices to a site of radical perceptual experience.
Poets Ari Banias, Mei-mei Berssenbrugge, and Souvankham Thammavongsa read selections of their work in honor of Agnes Martin in an evening curated by artist Jen Bervin. The program concludes with a reception and exhibition viewing of Agnes Martin.
Grantee: Jen Bervin
NO MAN'S LAND is a major exhibition featuring 37 contemporary women artists from 16 countries exploring images of the female body and the physical process of making those images.
Three famous Mexican photographers are featured in this exhibition: Adam Wiseman, Juan Carlos Coppel, and Raul Gasque. They are experienced in artistic and interdisciplinary practices. Additionally, three Taiwanese artists in the field of photography, YANG Shun-Fa, SHEN Chao-Liang and YAO Jui-Chung are also joining in this show. These participating artists can be considered a dream team of the collaboration of photographic art of Taiwan and Mexico.