Alumni Events Around the World

Exhibition / Japan

Adventure in “Seeing”

January 27, 2018 - June 24, 2018

Seeing is something most of us take for granted. Yet, to consciously see is surprisingly difficult, and as a result, we tend to miss much of what there is to see. An art museum is a place for “seeing,” “admiring,” and “thinking about” artworks. To the visitors to this exhibition, whether they normally enjoy viewing artworks or find it difficult, we would like to say, “First of all, begin by seeing well.” The exhibition “Adventures in ‘Seeing’” starts there.Open yourself to the artwork a little more than usual. Stand and view it 10 seconds longer than usual. After viewing it thoroughly, relax and view it a little more. Doing so, you will begin to see details you had not noticed, and your imagination will have time to come into play. Discoveries, surprises, and new feelings will come to you in an experience really no different from an adventure story.

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Grantee: Hiraku Suzuki

Exhibition / United States

Chinese Folk Pottery, The Art of the Everyday

January 20, 2018 - May 19, 2018

Chinese Folk Pottery: The Art of the Everyday exhibition explores contemporary folk pottery produced within the diversity of ethnic minorities and Han people across China.  It examines pottery from three perspectives: production values, functions, and aesthetics.

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Grantee: Marie Woo

The goddess and the god separate under the peach tree

January 13, 2018 - April 14, 2018

In The goddess and the god separate under the peach tree, Miwa Yanagi's solo exhibition, Ms. Yanagi associates Japanese mythology with Fukushima, Japan´s last major tragedy. The peach-trees photographed by Yanagi are located in the district of Fukushima and their fruits had been hit by harmful rumors. Now they are checked for radioactive contamination and that Fukushima's commercially available products are safe. They are the witnesses, as well as victims of this event. 

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Guangzhou Image Triennial 2017

December 15, 2017 - March 8, 2018

The theme of this Guangzhou Image Triennial--Interweaving Eidos·Overlapping Images--is based on such a position,or in other words,the transition from "photo"to "image," indicating the transition from the original "photography of humanities"to a more inclusive and disciplinary "photography of visual researc.h" Driven by modern technology, the concept of "image"we are talking today has entered into a larger dimension. The overlapping of static and dynamic,physical and non-physical as well as two dimensional and multidimensional elements begins to leap beyond the visual expression defined by "photography."

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Exhibition / France

Japanorama: A new vision on art since 1970

October 20, 2017 - March 5, 2018

Torn between a powerful cultural heritage and a national discourse on modernization, alternating between phases of openness and withdrawal, the cultural evolution of Japan in the early 1970s was marked by major social, political and natural events. Exhibition curator Yuko Hasegawa looks back on these turbulent decades during which Japan oscillated between globalisation and affirmation of its identity.

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Grantee: Yuko Hasegawa

The Spirit of Painting. Cai Guo-Qiang at the Prado

October 25, 2017 - March 4, 2018

Cai Guo-Qiang is the first contemporary artist to create on-site at the Prado. This is his first solo exhibition solely focused on painting in over 30 years.

This exhibition, which arises from Cai Guo-Qiang’s ongoing dialogue with El Greco and in which he establishes a relationship with the great masters represented in the Prado, comprises nearly 30 paintings made with gunpowder; eight of them ignited on-site at the Salón de Reinos. Also on view are an oil and an acrylic created at the start of his activities as a painter; and various sketches and drawings on matchboxes by his father, Cai Ruiqin, who steered him towards painting.

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Exhibition / United States

India's Rockefeller Artists

November 7, 2017 - March 3, 2018

India’s Rockefeller Artists: An Indo-U.S. Cultural Saga exhibits at the DAG Modern 41 East 57th Street at the Fuller Building in Midtown, Manhattan. The exhibition, from Nov. 6, 2017 to March 2018, showcases iconic works of some of the Indian painters and sculptors who received fellowships from either the Asian Cultural Council or its predecessor, the JDR 3rd Fund (1963-1979).

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Grantees: Arun Bose, Avinash Chandra, Bhupen Khakhar, Haku Shah, Jyoti Bhatt, K. G. Subramanyan, Natvar Bhavsar, Paritosh Sen, Ram Kumar, Rekha Rodwittiya, Satish Gujral, Shrikrishna Kulkarni, Vasudeo Gaitonde

Exhibition

Trans-figure

January 18, 2018 - February 25, 2018

Kohei Nawa's first solo exhibition in the United States, Trans-figure, draws on the physical and sensory properties of skin to question and explore the distinction between material and intangible experiences. 

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Grantee: Kohei Nawa

Exhibition / Taiwan

Kuo I-Chen Solo Exhibition

December 22, 2017 - February 25, 2018

STUPIN is founded by artist Kuo I-Chen in 2017. It is an artist studio residency platform where different fields of artists can share and link their studios and connection. Through two main functions-STUDIO and PIN, we expect to build a global studio residency network. STUPIN represents an attitude to explore the unknown without constraining by forms.

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Grantee: I-Chen Kuo

Exhibition / United States

Patty Chang: The Wandering Lake (2009-2017)

September 17, 2017 - February 18, 2018

"Patty Chang: The Wandering Lake, 2009-2017" presents a groundbreaking project by Chang, a uniquely important artist who emerged from New York’s alternative art scene of the mid-1990s. From her tough-to-take, boundary-busting performance-video work that explored the complex psychic narrative behind often visceral solo performances, to more recent experimental films and lecture-performances, Chang has challenged the parameters of performance and its power as a storytelling vehicle. The Queens Museum will present her most ambitious work to date, "The Wandering Lake (2009-2017)", a project that redefines the role of artist, image, object and performance in the construction of narratives through an exhibition that integrates video projection, photography, sculpture, publication, and performance as one expansive body of work. This exhibition is part of Asia Contemporary Art Week, October 5-26 in New York City.

Patty Chang received an ACC Fellowship in 2010 to carry out research and creative work in Laos.

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Grantee: Patty Chang

Performance / Philippines

RETIRE-MEN

January 27, 2018 - January 28, 2018

A humorous play about the trials and errors of Thai, Filipino, and Japanese people who share their countries with one another.
 

A young man is investigating the actual conditions of ‘Retire-men’, or Japanese people who move to southeast Asian countries. What lies behind their seemingly carefree and peaceful second lives? Then there are the people who struggle to accept “Retire-men”, and the harsh realities facing those who cross borders to find employment.

Can we all acknowledge our differences and live together?

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Grantees: Narumol Thammapruksa, Nikorn Sae Tang, Yayoi Shimizu, Yoji Sakate

Moscow Biennale of Contemporary Art

September 19, 2017 - January 18, 2018

Clouds⇄Forests is a proposition at a time of crisis to instigate the establishment of new relationships in our world. This proposition will be proposed by the artists and creators called "Creative Tribes", who gather in different sites all over the world, do not feel restricted to the notion of nation state and also surmount the dichotomy between globalism and localism.

Clouds⇄Forests focuses on artists as a creative tribe transitioning, expanding and dissipating, from forest to cloud, rebuilding the subjectivity of spectators and showing that creativity is vital to the creation of new environmental spheres. Taking into account perceptions on the generation of new subjective environmental spheres, the curatorial criteria for this exhibition includes giving life to new technologies as well as exploring ways to obtain animistic artistic languages and connect cultural roots, and leveraging the rhizome-based organic system to traverse history, genres, and media.

 

 

ACC grantee Yuko Hasegawa is curating the Moscow Biennale of Contemporary, and ACC grantees Nadim Abbas from Hong Kong and Nindityo Adipurnomo from Indonesia are participating artists.

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Performance / United States

A Doll's House, Part 2

April 27, 2017 - January 16, 2018

The play A Doll's House, part 2, picks up after Henrik Ibsen's A Doll's House concludes and explores, in uproarious fashion, the emotional chaos that results when Nora Helmer returns to the home from which she exited fifteen years earlier.

The New York Times, Los Angeles Times, W Magazine and Time Out New York all call A Doll's House, Part 2 "the best play of the Broadway season."

A Doll's House, Part 2 is written by Tony Award nominee Lucas Hnath, directed by Tony Award winner Sam Gold with lighting design by Jennifer Tipton. Jesse Green of The New York Times raves, “The best play of the year. I love A Doll's House, Part 2. This is a great comedy." Peter Marks of The Washington Post cheers, "I want do nothing but talk about A Doll’s House, Part 2 for the rest of my life.”

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Grantee: Jennifer Tipton

Art and China after 1989: Theater of the World

October 6, 2017 - January 7, 2018

The largest showcase of contemporary Chinese art from 1989 – 2008 in North America, surveying the development of Chinese experimental art from the end of Cold War to the age of globalization and China’s rise on the world stage. Works in the exhibition illustrate the role of artists as both agents and skeptics of China’s global presence against the political, social, and cultural transitions in the past two decades.

This exhibition is part of Asia Contemporary Art Week, October 5-26 in New York City. The work of six ACC grantees are included in this exhibition.

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Exhibition / United States

Modernism on the Ganges: Raghubir Singh Photographs

October 11, 2017 - January 2, 2018

"Modernism on the Ganges: Raghubir Singh Photographs" will situate Singh's photographic work at the intersection of Western modernism and traditional South Asian modes of picturing the world. It will feature 85 photographs by Singh in counterpoint with works by his contemporaries—friends, collaborators, fellow travelers—as well as examples of the Indian court painting styles that inspired him.

The exhibition will trace the full trajectory of Singh's career from his early work as a photojournalist in the late 1960s through his last unpublished projects of the late 1990s. Using a handheld camera and color slide film, he recorded India's dense milieu in complex frieze-like compositions teeming with incident, fractured by reflections, and pulsating with opulent color. This exhibition is part of Asia Contemporary Art Week, October 5-26 in New York City.

Raghubir Singh received an ACC Fellowship in 1990 to meet with photographers, curators, and critics, and to pursue creative work in photography in the United States.

This exhibition is part of Asia Contemporary Art Week, October 5-26 in New York City.

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Grantee: Raghubir Singh