Alumni Events Around the World
Dress Up, Speak Up is a multimedia exhibition exploring the role of costuming, iconography, and performance in constructing Identity and confronting history. With over 35 participating artists representing 22 nationalities, Dress Up, Speak Up delivers a global investigation of these concepts, while reconfiguring, reimagining, and reconstituting history to explore the legacy of European colonialism.
Grantee: Dinh Q. Le
NOW explores how the diversity of current female artistic practice transcends notions of gender difference to offer hybrid perspectives on their socio-political environment. ACC alumni Li Shurui, Ma Quisha and Yin Xiuzhen are some of the most exciting female artists working in mainland China.
From giant installations and elusive sculptural pieces challenging and exploring everyday objects to powerful and other-worldly visual narratives, the huge variety of artworks found throughout the NOW programme, reflects the many viewpoints of artists in the wake of feminist movements of the past.
This exhibition is based on the perception that radical avoidance of food on the one hand, and its excessive consumption on the other, are deviations from the middle way; the two meet up where fine taste ends. Abstaining entirely from food as a performative artistic act that has exceeded its own limits is the core of Franz Kafka’s Hunger Artist. The tale’s hero fasts before an audience of spectators for forty days, until the audience grows bored. The artist continues to fast in a circus cage containing only hay. One day an inspector finds the artist dying under the hay, and asks him why he did not eat.
Grantee: Tsuyoshi Ozawa
Contemporary artist Jean Shin (American, born South Korea 1971) transforms everyday objects—worn-out shoes, fashion remnants, military uniforms—to create dynamic works about connection and belonging. Her installations, often made from donated and discarded materials, raise provocative questions about what, and how, we consume.
On view in this exhibition are six large-scale installations and a video that tell powerful stories about the military, the fashion industry, and Shin’s own Asian American community.
Twenty years ago in 1998, ACC grantee Basil Twist debuted his boundary-breaking response to Berlioz’s 1830 “Symphonie Fantastique” to universal acclaim, inaugurating HERE’s intimate Dorothy B. Williams Theatre. In the two decades since Symphonie Fantastique’s premiere, Basil Twist has become an internationally recognized artist in opera, ballet, and on Broadway, and has won countless awards including the illustrious MacArthur Fellowship. Twist will revisit his legendary masterpiece as part of HERE’s 25th Anniversary Season. In this revival, accompanied live by the virtuosic pianist Christopher O’Riley playing the exquisite Liszt transcription, Symphonie floats and swirls in a 1,000-gallon water tank neatly disguised as a puppet stage. For the many who never saw it, and for those who relish seeing it again and again, the return of this tour de force to HERE is the event of the season.
Grantee: Basil Twist
The National Museum of Modern and Contemporary Art, Korea, presents <How Little You Know About Me> the first in MMCA's 2018-19 exhibition series revolving around the keyword 'Asia'. <How Little You Know About Me> is a question we pose to ourselves ("how do we understand Asia?"), and also one that we raise against the images portrayed and labeled as Asia throughout history. In <How Little You Know About Me> "Asia" does not simply refer to a geographical region or identity -- it is a multifaceted critical framework that enables a new way of perceiving the world.
ACC alumni Yusuke Kamata is one of the 15 participating aratists in this group exhibition.
Grantee: Yusuke Kamata
Seeing is something most of us take for granted. Yet, to consciously see is surprisingly difficult, and as a result, we tend to miss much of what there is to see. An art museum is a place for “seeing,” “admiring,” and “thinking about” artworks. To the visitors to this exhibition, whether they normally enjoy viewing artworks or find it difficult, we would like to say, “First of all, begin by seeing well.” The exhibition “Adventures in ‘Seeing’” starts there.Open yourself to the artwork a little more than usual. Stand and view it 10 seconds longer than usual. After viewing it thoroughly, relax and view it a little more. Doing so, you will begin to see details you had not noticed, and your imagination will have time to come into play. Discoveries, surprises, and new feelings will come to you in an experience really no different from an adventure story.
Grantee: Hiraku Suzuki
SUPERPOSITION: Equilibrium & Engagement, curated by Artistic Director Mami Kataoka, presents the work of 70 artists and artist collectives from 35 countries at the Art Gallery of New South Wales, Artspace, Carriageworks, Cockatoo Island, Museum of Contemporary Art Australia, Sydney Opera House and 4A Centre for Contemporary Asian Art.
The Biennale of Sydney is located on the traditional lands of the Gadigal people of the Eora nation. The Biennale acknowledges the traditional custodians of the land and pay respect to Elders, both past and present.
Leading 20th century photographer William Klein had a decisive influence on modern visual culture with his expression that went beyond genres such as photography, movies, design and fashion, and his works capturing the cities of the world, including New York, Rome, Moscow, Tokyo, Paris, etc. In this exhibition, 21_21 DESIGN SIGHT introduces the city vision of Klein and Japanese and Asian photographers trying to examine the cities and people of the 21st century with a fresh perspective and greatly transcend the frames of conventional photos.
The Shanghai-born, New York-based photographer and ACC grantee Shen Wei is the master of seductive intimate portraits, poetic landscapes, still-lives and erotic botanic images. His work is a fine balance between private and public spheres. He often challenges his traditional but conservative culture by explicit self-portraits and nudity. Following his series “Chinese Sentiment” being consistent with his sensual and emotional style, Shen turned the lens upon himself, producing “I Miss You Already”, a series of achingly sentimental nude self-portraits revealing his processes of self-reflection and discovery.
Grantee: Shen Wei, Photographer
Apichatpong Weerasethakul: The Serenity of Madness, is a solo exhibition by visual artist and ACC grantee Apichatpong Weerasethakul and is curated by ACC grantee Gridthiya Gaweewong. A leading figure in contemporary film and art, Apichatpong Weerasethakul has developed a singular realist-surrealist style in which he portrays the everyday alongside supernatural elements, suggesting a distortion between fact and folklore, the subconscious and the exposed, and various disparities of power. The artist’s passionate positions regarding class, labor, sexuality, science, and spirituality have informed his practice from early in his career to the present, and his work reveals stories often excluded in history in and out of Thailand: voices of the poor and the ill, marginalized beings, and those silenced and censored for personal and political reasons.
Curated by Gridthiya Gaweewong, Apichatpong Weerasethakul: The Serenity of Madness, uniquely presents a selected survey of rarely seen experimental short films and video installations by Weerasethakul, alongside his photography, drawings, sketches, and archival material that explore threads of sociopolitical commentary. In tandem with the exhibition, the Oklahoma City Museum of Art will present a retrospective of the director’s theatrical releases in its Samuel Roberts Noble Theater. The exhibition will also feature a special opening event for the Museum’s recently launched Film Society.
Internationally acclaimed composer and artist -- and ACC alumnus -- Shuta Hasunuma is known for his engagement in a wide variety of music-related activities, as a composer, producer, collaborator in genres like film, theater and dance, as well as his Hasunuma Philharmonic Orchestra, which presents concerts among musicians from different musical backgrounds. Hasunuma will present video, sound, sculpture and other works in which he has extracted the key elements of his creative process, namely, fieldwork, collaboration, and phenomena. The exhibition will consider new relationships and coexistences among people, and between humans and non-humans, while at the same time composing works for exhibition to create a singular harmony.
Grantee: Shuta Hasunuma
For his latest piece, titled Oscar Oiwa in Paradise – Drawing the Ephemeral, the artist used 120 black marker pens to adorn an entire inflatable dome with illustrations of imaginative pathways, mythical forests, and swirling skies. Created exclusively for JAPAN HOUSE São Paulo, the installation took two weeks to complete with the help of five assistants. Visitors are invited to enter the vinyl balloon, where they can experience Oiwa’s otherworldly, imaginary landscape. The colossal, monochrome drawing covers every surface of the 10 x 7 x 4 meter vinyl surface, and is influenced by the artist’s love of comic book art, and the Brazilian urban environment.
Grantee: Oscar Satio Oiwa
What would our world look like 32 years from now? Over fifty international and Taiwanese artists will seek to uncover the future through art at this first joint venture by the Royal Museums of Fine Arts of Belgium and the National Taiwan Museum of Fine Arts.
"2050: A Brief History of the Future," which was presented at the Louvre in 2016, will run in Taichung from March 24 through June 3 to elaborate on the concepts first proposed by French economist Jacques Attali in the 2006 bestseller "A Brief History of the Future."
Attali speculates on human and technological development in face of troubling population growth, overexploitation of resources, social inequality, and religious wars. Curator Pierre-Yves Desaive has expanded upon this framework to mount an exhibition with a Taiwanese perspective.
Grantee: I-Chen Kuo
The exhibition remembers the past and captures the diversity and transformation of the current Vietnamese American community. VIET STORIES incorporates the history of refugees and immigrants from Vietnam through historical photographs, documents, artifacts, oral history interviews, and original artwork by prominent Vietnamese American artists.
ACC alumnus Hiraku Suzuki's solo exhibition "Traffic" applies his methodology of ‘excavation’, in the sense that he seeks to express what is beyond time, but still occupying given space. His method has now gone on to a higher level. It is tempting to say his ‘excavations’ are conducted to dig out the crossroads between time and space.
Grantee: Hiraku Suzuki
Sandra Eula Lee’s work is inspired by the temporary structures built by residents in Beijing where neighborhoods underwent constant demolition and relocation of communities. These structures include make-shift stands, small ‘impromptu’ gardens, and improvised spaces. Her installation pays tribute to the enduring human spirit found in these everyday creative acts.
Grantee: Sandra Eula Lee
When "local" and "other" meet, it can stir the beginning of unrest. It overlaps, increases, and produces various kinds of insights. Thinking lines, the art exhibitions developed on this theme can be taken as an introduction, leaving open and free imagination space to watch the public.
The three decades from 1970s to 1990s may be brief in the grand scheme of history, but seeing from a global context for Taiwan, this span of time was a critical and important transitional period for Taiwan’s internal and international affairs, cross-strait development with China, and also socio-economical shifts and changes.
Under the intense social tension before and post martial law, Taiwanese photographers, from the main island of Taiwan and its outlying islands, up in the mountains or by the coastal shore, compared with those in other creative practices such as literature or painting, sought to use photography to portray and even interpret the different emotions and ups and downs unfolding in that era, as they engaged in society and interacted closely with various communities including Hokkien, Hakka, mainlanders, and indigenous groups, responding to external challenges in reality and extended inwards to examine life.
After decades of distillation and accretion, these photographic works have, in the interim, augmented the important ethos and practical foundation of photography internally in Taiwan, through the expansion of its format and phraseology. The transfixed and distinct ethic features in these artworks and also the continually overlapping and subtle contours of the islands not only serve as clues and memories for us to look back upon and use as references for constructing history; the viewpoints of the photographers have also become dignified reflective and direct “gazes” for the islands today and for this era of uproar.
Grantee: Chao-Liang Shen
“Songs for Sabotage,” the fourth New Museum Triennial, questions how individuals and collectives around the world might effectively address the connection of images and culture to the forces that structure our society.
The New Museum Triennial is the only recurring international exhibition in New York City devoted to emerging artists from around the world, providing an important platform for a new generation of artists who are shaping the current discourse of contemporary art and the future of culture. The first edition was initiated in 2009 with “Younger Than Jesus,” organized by Massimiliano Gioni, Laura Hoptman, and Lauren Cornell. The second Triennial, “The Ungovernables,” was organized by Eungie Joo in 2012. The third Triennial, “Surround Audience,” was organized by Lauren Cornell and Ryan Trecartin with Sara O’Keeffe and Helga Christoffersen in 2015.
Grantee: Ta Song
Chinese Folk Pottery: The Art of the Everyday exhibition explores contemporary folk pottery produced within the diversity of ethnic minorities and Han people across China. It examines pottery from three perspectives: production values, functions, and aesthetics.
Grantee: Marie Woo
In this exhibition, offering an exceptional combination of talents, ten contemporary artistic outlooks are brought together, expressing their visions in a range of languages, from painting to fashion, from digital design to music. They have drawn inspiration from the specifics of a unique medium, and have observed Alcantara® in all its various declinations and potential, exploring its invention and production processes, working with technicians and experts, be it along independent paths or through innovative collaboration projects.
The ten artists called upon to interpret nine different space-time expeditions launched by Alcantara from the Apartment of the Prince are: ACC alumna Li Shurui, Aaajiao, Andrea Anastasio, Caterina Barbieri, Krijn De Koning, Chiharu Shiota, Esther Stocker and Iris Van Herpen, Zeitguised, Zimoun.
Grantee: Shurui Li
ACC grantee Dinh Q. Lê revisits this historical event to create stunning photo-montages where he weaves photographic strips into a tapestry of images, a continuation of his artistic practice in the medium of print and paper. From elaborate cyanotypes to exquisite foiling works, Lê examines and captures the splendour and darkness of Cambodian history through its enduring legacy of architectural monuments and photographic memorials. His works encapsulate the common human experience of loss and redemption, merging Eastern and Western cultures, as well as personal and fictional realities.
Into its 41st year, Singapore International Festival of Arts 2018 presents diverse and distinctive works from Singapore and around the world that ignites the imagination, inspires myriad audiences, and provokes reflection and dialogue. Get ready for a plethora of theatre, music, dance, literary and visual arts at the pinnacle arts festival that will happen over three weekends from 26 April to 12 May, and across over ten performance spaces, including the Festival House, located at The Arts House.
ACC alumna and experimental filmmaker and poet Abigail Child premiere's one short and one feature length film on May 5.
Grantee: Abigail Child
“HARSH ASTRAL” is the conceptual continuation of the exhibition “The Radiants” presented by Bortolami Gallery in New York in 2015. While the theme there was radioactivity in the broadest sense set against the background of the fourth anniversary of the earthquake and resulting crisis in the Japanese nuclear power plant Fukushima Daiichi, which prompted the foundation of both the Green Tea Gallery and the UNITED BROTHERS, “HARSH ASTRAL. The Radiants 2” brings together works that revolve not only around radioactivity, but loosely and associatively follow the motif of radiation, transformation and energy in general, thus spreading out in different directions.
With enormous projects inside and outside Japan, world-class architect and ACC alumnus Kengo Kuma (b. 1954) is constantly on the move. This exhibition is a major survey of his projects from the past 30 years, projects underpinned by Kuma's intimate knowledge of Eastern and Western thought, both past and present, and his own innovative concepts, which include ideas on “makeru kenchiku (losing architecture)” and “shizen na kenchiku (natural architecture).” The exhibition focuses in particular on materials, which Kuma has dialoged with extensively through his work. It organizes his architecture, product designs and other achievements not chronologically but rather by the category of primary material, including bamboo, wood, paper, stone and earth, in an attempt to provide an overview of Kuma's work from the standpoint of “things.”
Grantee: Kengo Kuma
ACC grantee Elises Thoron adapted and directs THE BRIEF WONDROUS LIFE OF OSCAR WAO, the Pulitzer Prize-winning novel that chronicles the life of Oscar de León, an overweight Dominican boy growing up in Paterson, New Jersey. Oscar is obsessed with science fiction and fantasy novels, falling in love, and the curse that has plagued his family for generations. Performed by artist Elvis Nolasco (“American Crime”, “She’s Gotta Have It”), this production shows the importance of facing fear with love.
In collaboration with Literature to Life, each performance will feature a short pre- and post-performance discussion.
Grantee: Elise Thoron
In “Shadows” at Long March Space, Liu Wei shifts his interest from color-field abstraction to
how shadows land on materials imbibed with their own sensitivity. Liu Wei’s recent large-scale installations and paintings continue to reflect his sensitivity towards urban texture in China’s post-planning era. In his own abstract and streamlined fashion, he retains a certain material and affective tension which parallels the deliriousness of the landscapes around him. His 2015 solo exhibition “Colors” at the Ullens Center for Contemporary Art explored the politics inherent in abstract blocks of color: negating the image of things is in fact a violent process, leaving a strong physical impression.
Grantee: Wei Liu
ACC alumnus Tadashi Kawamata’s artisanal practice places him at a distance from the spotlight and the gossip columns of the art world. His work is always the result of a deep, personal commitment. Though he began his training as a painter, Kawamata soon turned to a more hands-on form of artistic practice. ‘I don’t trust things I can’t touch. Maybe that’s why I stick to tangible, concrete materials,’ he says. His installations and preparatory models are all made of wood. For Kawamata, this natural, easy to find material is the most democratic available.
Grantee: Tadashi Kawamata
CMS Workshops at GHMS feature three days of intensive workshops, master classes, intimate concerts and informal jam sessions that inspire active listening, personal expression, improvisation and musical exploration. Musicians of any instrument, including voice, are welcome as are non-musicians.
Grantee: Jennifer Shyu
There will be a film showing of “Dancing around the world – Manila” by Nejla Yatkin (German-American Choreographer), “Free” by Ea Torrado and (Mark Valino- Filipino Canadian Video Artist), a live performance of “Glitters” by Daloy Dance Company, a Movement workshop by Ea Torrado, then finally a Music and Movement Jam.
Ikue Mori and Ami Yamasaki will hold a duo performance, followed by performances by MV Carbon, Charmaine Lee, Julia Santoli, Vveiss, and Will Shore.
Grantee: Ami Yamasaki
The works of Japanese artists have occasionally been shown in Cuba through events such as the Havana Biennial, but this is the first exhibition to present a substantial collection of Japanese contemporary art. Rather than simply feature works by artists living in modern-day Japan, the exhibition is created through dialogue and collaboration between Japanese and Cuban curators, and with Japanese artists working together with Cuban artists and local communities. It presents mainly new works—including paintings, photographs, videos, and installations—by seven Japanese (and ACC alumna Yuko Mohri is one of the artists) and four Cuban artists at Cuba’s leading contemporary art museum, Centro de Arte Contemporáneo Wifredo Lam. The exhibition will travel to Tokyo, Japan in June, after it wraps up in Cuba.
Grantee: Yuko Mohri
ACC grantee and Vietnamese-American artist Dinh Q. Lê creates a new series of woven photographs exploring the sexual revolution in Vietnam through the internet, investigating the factors driving society's moral attitude toward sexuality and the liberation of stigmas.
On April 28 + 29, 2018, artists in DUMBO will open their doors to the public as a part of DUMBO Open Studios, giving visitors a look into studios and workspaces across the Brooklyn waterfront. This event is free and open to the public.
This unique concert presents Korean traditional music by artist, and ACC alumni, gamin, performed alongside active New York-based American wind and percussion instrument players Ned Rothenberg -- also an ACC alumnus -- Jeff Fairbanks, and Satoshi Takeishi. Artists play Korean traditional instruments such as piri, the Korean bamboo-oboe as well as saxophone, clarinet, trombone, and shakuhachi, the Japanese flute. This performance encourages the audience to learn about the Korean wind instrument piri and pungnyu, an artistic form of recreation, intrinsic to a tasteful lifestyle and relevant to Koreans’ collective and individual entertainment culture.
Build A Community On Street: Project House uses pop-up strategy to tackle the phenomenon of ground-level vacant shops and the social demand for community spaces, creating a win-win situation of which creates both commercial value for the landlord and social values for community development.
Grantee: Sarah Sze-wa Mui
This ember state is a voice and sound performance work created by Samita Sinha in collaboration with Dean Moss and Cenk Ergün. This Asia Society commission is a radical deconstruction of Indian classical music to investigate psyches of sexuality and gender. Sinha uses as a point of departure the myth of Sati—the Hindu goddess who self-immolates in sacrifice—and the idea of dark matter.
Sinha’s distinctive vocal work and Ergün’s live composing on self-built electronic instruments create a potent sonic environment. During this hour-long journey, sound travels within and outside her body and the gallery walls in which she performs, enveloping and transporting witnesses of the work. This piece was created in residency at Asia Society and is presented in an intimate gallery setting with a maximum capacity of 25 people per performance.
Grantee: Richard Dean Moss
The Wesleyan University Orchestra under the direction of Adjunct Assistant Professor of Music Nadya Potemkina performs the world premiere of Guggenheim Fellow composer and Visiting Assistant Professor of Music Jin Hi Kim's One Sky II (2018). The concert will be opened by Wesleyan's Korean Drumming and Creative Music Ensemble and cross-cultural performances by faculty and students from Korea, China, Japan, Iran, and the United States; and followed by a Q&A with the audience about their musical experiences.
Grantee: Jin Hi Kim
“A Colossal World” investigates the reciprocal channels of influence established between multiple generations of Japanese artists and the city of New York. While these artists absorbed elements of New York’s culture into new artworks, they also impacted and enriched New York’s culture itself. This exhibition, though not claiming to be a historical or academic in-depth study, aims to help trace the evolution of this vibrant exchange from Japan’s post-World-War-II economic boom to the present, from mid-century avant-gardes to emerging contemporary artists pushing new boundaries.
In The goddess and the god separate under the peach tree, Miwa Yanagi's solo exhibition, Ms. Yanagi associates Japanese mythology with Fukushima, Japan´s last major tragedy. The peach-trees photographed by Yanagi are located in the district of Fukushima and their fruits had been hit by harmful rumors. Now they are checked for radioactive contamination and that Fukushima's commercially available products are safe. They are the witnesses, as well as victims of this event.
Explore the art and culture of the Incas, the Aztecs, and their predecessors through the lens of contemporary artist and ACC alumna Teresita Fernández. This program is free.
Grantee: Teresita Fernandez
French bass virtuoso François Moutin and adventurous New York-born vocalist and ACC grantee Kavita Shah present "Interplay," their first duo record of jazz standards and original music adapted to this unique instrumentation. The 11 tracks include legendary guests and octogenarians Martial Solal on piano and NEA Jazz Master Sheila Jordan on vocals, who join Moutin and Shah on an improvisational journey across lyric-driven and wordless pieces alike.
Grantee: Kavita Shah
Kyungmi Kim, Kayla Farrish/Decent Structures Arts , Maleek Washington | Movement Research at the Judson Church
ACC grantee Kyungmi Kim, a dancer from Korea, is currently on her ACC New York Fellowship. She will be participating in the Movement Research Artists-in-Residence program -- a free, high visibility low-tech forum for experimentation, emerging ideas and works-in-progress held in the Fall and Spring seasons. Artists are selected by a rotating committee of peer artists, and join Movement Research Artists-In-Residence and international guests each season in performing at the historic Judson Memorial Church.
Grantee: Kyungmi Kim
Shuta Hasunuma’s Compositions features a selection of new works created both in Japan and during Hasunuma’s Pioneer Works residency in winter 2017. The exhibition is the artist’s first solo exhibition in the United States. It gathers together sculpture and videos centered on sounds from everyday life, which probe the circumstances and frameworks surrounding human existence.
Hasunuma’s sound works center on environmental and electronic sounds and extensive collaborations with diverse musicians including Akio Suzuki, Keiji Haino, and Fluxus member Mieko Shiomi. By molding, arranging, and visualizing sounds in time and space, Hasunuma’s practice seeks to answer the question: How can something intangible like sound or music be transferred between human beings in physical, material form? Hasunuma creates situations and environments that bring together people of different ages, genders, and ethnicities. Through their interaction they seek to illuminate afresh exactly what it is we call “sound” or “music.”
Grantee: Shuta Hasunuma
Jessica Grindstaff, a New York City-based artist who is currently on her ACC fellowship in Japan, will give a talk about her work and her fellowship experience. There will also be a developmental concepts showing of her upcoming theatre piece “FALLING OUT” as well.
Ms. Grindstaff is a co-founder and artistic director of Phantom Limb Company, which focuses on collaborative, multi-media theatrical productions based on puppetry. She has been on her fellowship since February conducting research on Bunraku and Butoh, and will visit the Fukushima region in order to capture visual, aural, and personal stories, which will inform “FALLING OUT”, a multi-disciplinary theatrical event exploring humanity’s relationship to water and climate change focused on Fukushima, Japan premiering at BAM in November 2018.
Grantee: Jessica Grindstaff
ACC grantee JUJU U, who is currently on her ACC New York Fellowship from Korea and is an artist-in-residence at Residency Unlimited in Brooklyn. JUJU U and Yukie Kamiya, Director of the Japan Society Gallery, will examine different strategies for visual representations of culture including the artist's expanded use of craft related techniques that vsual artist JUJU U applies to the study and exploration of a wide range of unconventional materials. The ongoing photographic series Super Museum Project is an example of this. Begun by the Seoul based artist in 2012, the photographs feature everyday items displayed in supermarkets from around the world and highlight how closely they align themselves to relics of fine art normally seen in museum contexts. The North, a more politicized body of work by JUJU U is another manifestation of her unique artistic methodology incorporating North Korean propaganda printed material.
Grantee: Juju U
‘Luminous Shadows’ is ACC grantee and Thai filmmaker and artist Apichatpong Weerasethakul’s first solo exhibition in the Baltic States. This exhibition is part of a larger project ‘Luminous Shadows: Selected Installations & Film Retrospective of Apichatpong Weerasethakul’.
In the artist’s own words, the project ‘reveals different memories of light. Some of the works are an investigation of my home-region of Isan in northeastern Thailand. Some are dreams. Some are simply looking. But all of them are personal.’ His films and video installations form a multi-layered universe where characters and themes travel from one work to another. The exhibition in the CAC’s Great Hall presents video works and installations the artist has created over the last fifteen years.
Grantee: Apichatpong Weerasethakul
Distant Observer: Tokyo/New York Correspondence is a collaboration between Japanese playwright/director Takeshi Kawamura and American playwright/director John Jesurun, both ACC alumni. The project is conceived as a play written and directed in collaborative partnership by both artists. Written in corresponding chapters by each playwright, it combines two established artists of the same generation, both with distinct voices and significant work, in a deep creative conversation across cultures.
Tainaner Ensemble is regarded as the role model in Taiwan modern theatre. Established in 1987, it is a professional troupe with the biggest size and longest history in southern part of Taiwan.
Led by the current art director, Lu Bo-shen, it continually develops different series, such as "Western Classics Translation Series" and "Unplug Shakespeare Series", and introduces the works of modern-day dramatists in Taiwan.
As a vigorous troupe in contemporary society, it is dedicated to create high-quality productions and always amazes the audience with innovative and experimental approaches.
In addition, it is dedicated to theatre education. For example, sometimes it holds theatre workshops for community. It opens actor school every summer. It began a youth theatre education program in 1999, and published Taiwan first professional periodical for theatrical comments named Theatre Matters.