Dinh Q. LeVietnam
Grants Awarded2010 | Visual Art | Vietnam
to enable four Vietnamese-American artists to participate in exhibitions and public programs at San Art in Ho Chi Minh City, Vietnam2008 | Literature | United States
to enable four Vietnamese-American artists to participate in exhibitions and public programs at San Art in Ho Chi Minh City, Vietnam.2008 | Visual Art | Japan
to enable Japanese artist Goh Ideta to participate in a residency at San Art
Rewind: Selections from the Harold and Ruth Newman New Media Collection comprises a selection of new media works from the Museum’s collection; Asian contemporary art.
This exhibition commemorates the 50th anniversary of ASEAN (Association of Southeast Asian Nations) by showcasing the contemporary art of the region and aims to be one of the largest Southeast Asian contemporary art exhibitions in history. The exhibition consists of 80 artworks by 86 artist groups from 10 ASEAN member countries and will be held simultaneously at 2 museums: National Art Center and Mori Art Museum. 19 ACC grantees are participating in this exhibition!
Grantees: Apichatpong Weerasethakul, Araya Rasdjarmrearnsook, Aye Ko, Daravuth Ly, Dinh Q. Le, Gridthiya Gaweewong, Luong Tran, Lyra Teresa Abueg Garcellano, Mella Jaarsma, Montien Boonma, Navin Rawanchaikul, Robert R. Chabet, Roslisham Ismail, Sutthirat Supaparinya, Tiffany Chung, Uthit Atimana, Vasan Sitthiket, Htein Lin, Wen Lee
This exhibition explores the transformation of Asian popular culture during the 1960s and 1970s, a time when rapid economic development had the continent under its spell. As male actors were writing this history, the lives and voices of real women were being obscured by sociopolitical smokescreens, postcolonial experiences of the Cold War, and dictatorship. Many women shared similar experiences, regardless of location, during this period of rapid urbanization and economic growth. Here, the exhibition presents a comprehensive look at their forgotten discourse through a prism of Asian diva songs and popular cultural signals documented along trajectories inked in postcolonial modernity.
The Scrolls: Distortion is a new body of work and a cumulative exploration of Lê’s oeuvre to date, putting his series such as Persistence of Memory, From Vietnam to Hollywood, A Quagmire This Time, and Remnants, Ruins, Civilization, and Empire in conversation with one another. Key to this body of work is Lê’s attention to memory. Whereas previously Lê’s work dealt with fragmented memory and processes of piecing together or reconciling painful and traumatic histories, here he is presenting memory as landscape.
Grantee: Dinh Q. Le