PAN Hsinhua was born in Taimili of Taitung County in 1966. He graduated from the Department of Fine Arts at the National Institute of the Arts (currently known as Taipei National University of the Arts) in 1991 and held a teaching position at Taipei National University of the Arts as an assistant professor between 2011 and 2015. The exhibition “Arcadia Curiosities – Pan Hsinhua Solo Exhibition” at Asia Art Center is Pan Hsinhua’s third exhibition in 2017; Pan Hsinhua was invited to exhibit in “Crisscrossing East and West: The Remaking of Ink Art in Contemporary East Asia” curated by Chia-Chi Wang at Yinchuan Museum of Contemporary Art, as well as “Memories Interwoven and Overlapped: Post-Martial Law Era Ink Painting in Taiwan”, the grand exhibition at National Taiwan Museum of Fine Arts curated by Chao-Jen Wu.
As far as contemporary ink art in Taiwan, China, Hong Kong, Japan and Korea, or even considering the art development in the period since the lifting of martial law in Taiwan, Pan Hsinhua has become an irreplaceable force for his uniquely brilliant artistic language.
Grantee: Hsin-Hua Pan
Mipaliw, to practice the intention of beauty out of mutual assistance.
9 local and 2 international artists, after a month long residency in Fengbin Township and with the help from each other as well as from local habitants , completed their artworks in Shitiping and Fuxing, creating 11 eye-catching installations that bring a whole new scenery to the East Coast
Grantee: Sumi Dungi
Jodori Khiang is a community-engaged project that aims at revitalizing the Jodori District in Taipei City through art. Facilitating cultural activities in everyday living spaces is a way in which social responsibility of the arts can be practiced.
“Memories Interwoven and Overlapped: Post-Martial Law Era Ink Painting in Taiwan” features works of diverse categories and media, including ink and wash painting, meticulous heavy color painting, gouache painting, installation, video, and animation; in terms of style and expression, all the works manifest artists’ realizations and sentiments of life, social and cultural concerns, dialectics on history and reality, and the depth and breadth of ink art exploration, exhibiting vibrant creative energy and dynamics. Through interpretation of and dialogues with exciting works of 24 artists from different generations, this exhibition aims to investigate the intertwined relation between Taiwanese ink painting and politics, and present artists’ diverse creative visions inspired by overlapped and interwoven historical memories, as well as the splendid and exciting new look of ink art constructed on such visions, concretely, and in details, presenting and explaining the course of development of Taiwanese ink painting from the lifting of martial law up to the present time.
Grantee: Chien-Ying Tseng
This exhibition explores some of the current practices by artists working with printmaking who are approaching the form not specifically as printmakers but are in many cases using print as one of a number of forms of expression or in combination with other media. They represent new forms of engagement that is informed by current art practices and the impact of digital media, the relation to drawing and photo based media, as well as in some cases, durational, installation and performative practices. This is represented in the different cultural traditions in Taiwan, London and Madrid where most of the artists gravitate to or are based. It is possible to recognise some of the specific cultural conditions that inform the work from each country and the extent to which traditional forms of printmaking have been embraced or even rejected. The exhibition therefore highlights how these artists apply the concepts of print to their artistic expression. By presenting the prints created from different aspects and in different forms, the viewers will get a grasp of the new vision of printmaking which comes along with the departure from old traditions.
Grantee: Ming Yen Wang