Alumni Events Around the World
Cry Joy Park—Gardens of Dark and Light investigates the history and social landscape of Charleston, a cultural capital of the American South, and an exemplar of its complex opulence and beauty. The exhibition creates an immersive, multi-sensory experience that explores the juxtaposition of utopia and dystopia. Cry Joy Park is an ongoing series of work following Paradise Interrupted, an installation opera conceived, designed, and directed by ACC alumna Jennifer Wen Ma, which made its world premiere at Spoleto Festival 2015.
Grantee: Jennifer Wen Ma
"In this world, we" explores forms of visual representation of Chinese migrant workers who are largely excluded from political and cultural domains. Counter to a dominant tendency to portray them as a generic mass of former peasants and interchangeable “others,” this exhibition seeks to draw attention to fragments and traces of their everyday individual lives. In this world, we presents copies of archival images from Liu Chuang’s Love Story (2006-2015), the video installation Waterfall (2016) by Li Jinghu, and selected videos from Labour in a Single Shot (Hangzhou) (2014), part of a video documentation project initiated by Antje Ehmann and Harun Farocki. The exhibition also includes investigative materials from non-governmental organization China Labor Watch.
For a seat on the free chartered bus from New York City for the April 7 opening please call T +1 845 758 7598 or email firstname.lastname@example.org. Reservations are required.
Grantee: Zhu Jinglun
Civilization: The Way We Live Now presents nearly 300 works by more than 130 of the world’s most renowned photographic artists, offering a complex and sprawling vision of contemporary life. The images gathered here, produced in the past 25 years, speak to the changes brought about by globalization, and draw attention both to the increasing amount of complexity and conflict, and to the unprecedented degree of interdependence, that characterize life today. They attest, as well, to the development of the medium of photography, and its ability to document these sweeping changes. Organized in collaboration between UCCA and the Foundation for the Exhibition of Photography, the Beijing presentation of Civilization is curated by William A. Ewing and Holly Roussell.
In his 2011 book, Civilization, the historian Niall Ferguson notes: “These days most people around the world dress in much the same way: the same jeans, the same sneakers, the same T-shirts… It is one of the greatest paradoxes of modern history that a system designed to offer infinite choice to the individual has ended up homogenizing humanity.” This paradox lies at the core of “Civilization,” which strives to explain the “complex whole” that is modern society, in all its spiritual and material richness. The photographers in this exhibition depict, reveal, examine, criticize and otherwise reflect our hyper-modern and complex social terrain, from Edward Burtynsky’smassively transformed landscapesto Lauren Greenfield’s revealing urban portraits,from Toshio Shibata’s highly ordered tableaus to Xing Danwen’s electronic pollution.
The exhibition is divided into eight sections. “Hive” explores the systems of cohabitation and collaboration that have developed in urban settings. “Alone Together” documents the solidarities and estrangements found within communities, as well as the effect of the internet on sociality. “Flow” testifies to the accelerated production and widening wealth gap in the post-industrial world. “Persuasion” explores the power of symbolic capital, from marketing strategies to consumption habits, from religious beliefs to personality cults. “Control” examines humanity’s ability to create order, resolve disputes, and organize political and social structures. “Rupture” focuses on the breakdown of this order, and the conflicts between individuals and collectives. “Escape” follows the ascent of recreational culture, where relaxation, entertainment, adventure, and thrill-seeking offer freedom from the given. Finally, “Next” presents visions of the future, questioning teleological narratives of development.
Grantee: Xing Danwen
In addition to a number of scientists and artists, the Japanese artist and activist Yoshiaki Kaihatsu, an ACC alumni, was invited to design the central island of freedom for the ZU. Since Kaihatsu's works are always based on a cooperative formation and reinterpretation of a concrete social environment, his island of freedom will by no means correspond to the cliché of the lonely island. Rather, the Japanese activist creates a space that looks like a futuristic extra-terrestrial living room and invites you to grapple with questions of freedom in the 21st century in various formats. The result is a spaceship of free speech.
Grantee: Kaihatsu Yoshiaki
Set to the soundtrack by Icelandic avant-rock band Sigur Rós and Kjartan Holm, CHENG Tsung-lung’s new creation 22° Lunar Halo excavates our deepest fear toward ourselves as human beings. Commissioned by the three National Performing Arts Centers in Taiwan, 22° Lunar Halo is the last work ACC alumnus CHENG Tsung-lung premieres with Cloud Gate 2, before taking over the reins of Cloud Gate Dance Theatre of Taiwan from Lin Hwai-min at the end of 2019.
Grantee: Cheng Tsung-Lung
AliensofManila is an immersive site-specific installation by ACC alumnus and artist/designer Leeroy New and curated by Pintô director Luca Parolari. It will launch at Pintô International’s East Village headquarters at 431 East 12th Street on March 9, 2018. In the meantime, New’s Aliens of Manila will be making public appearances in New York City throughout this week. Keep an eye out for the Aliens as you navigate the streets of NYC!
Grantee: Jan Leeroy New
The largest solo exhibition in the United States in more than a decade of the work of internationally-renowned artist Dinh Q. Lê, this exhibition of five major video and photography installations entwines rarely heard narratives of war and migration from people in North Vietnam, the Vietnamese diaspora, and refugees who, like Lê, have returned to live in their home country. Assembling these obscure stories through the collection of found photographs, artists’ war sketches, and oral histories, Lê presents a multifaceted story about Vietnamese life before, during, and after the Vietnam War. In the process, he questions the viability of collective memory and reveals the effects of trauma on the cultural imagination.
ACC has provided support to the San Jose Museum of Art for this exhibition.
This exhibition presents new work created during Kuang-Yu Tsui's residency at the Chinese Culture Center of San Francisco, which is part of his Asian Cultural Council 2018 Program. The show includes video "Exercise Living: Stay Calm," documentation of an experiment conducted at Portsmouth Square in Chinatown, San Francisco. The present social and environmental factors have created a unique social sphere in this Square, but is this also a microcosm of our world?
Grantee: Tsui Kuang-Yu
Arrogance and inferiority are mutually exclusive yet they co-exist. The scourge of pride wreaks havoc, causing the sadness and joys of life to fall out of place. Jason and Tanya have fallen in love, yet they cannot move forward together. What makes Jason hang back? What taboo stands in the way of primal instincts?
Jason’s life is at a stalemate. He is stuck between East and West, his hometown and a foreign land, repression and explosion, the earth and the moon. His feet cannot touch the ground, his body afloat with no sense of direction…
No matter in love or friendship, society or politics, he cannot free himself from his own arrogance.
Award winning director Rocelia Fung work together with emerging playwright Wang Haoran (both ACC alumni), create a theatre piece that challenges our very thresholds.
Somnath Bhatt | Issam Kourbaj | Firoz Mahmud | Qinza Najm | Sahana Ramakrishnan | Sa’dia Rehman | Mohsin Shafi | Marcelino Stuhmer | Saira Wasim
Curated by Atif Sheikh
“Take it like a ...”; contemporary trends in the aesthetics of violence takes a look at violence as methodology and/or aesthetics in contemporary art, and the exploration of its connection to similar aesthetics in ancient art.
The show, curated by Twelve Gates’ Atif Sheikh, brings together a group of artists whose work responds to and explores the many aspects of violence in contemporary society. By referencing the aesthetics of the past, each in their own way, the tradition of depicting violence in art becomes evident; as applied to contemporary issues, the aesthetics call into question the tradition itself. As we as a global society become increasingly aware of the destructive, divisive outcomes and less convinced by the narrative in favor of the necessity of engaging in conflict, the tradition of depicting violence in art reflects this almost traumatized, fragmented reckoning. The pieces seem to seek to slow down the process of conflict enough to understand it and perhaps choose a different conclusion.
Sheikh says, “Ancient art offers a valuable insight into ancient societies and their aesthetics of violence. This is especially the case in the classical and medieval representation of the ‘Other’ as either monstrous or feminine (e.g. the ancient Greek representation of the masculine hero in juxtaposition to the feminine Barbarian enemy). Whereas war was considered noble in ancient times, it still needed justification through the representation of the enemy in art. Today, as we live in a time of multiple, simultaneous wars, violence is similarly justified by painting the ‘enemy’ as vile in the media, thereby engendering a sense of righteousness.
By exploring the resonances between the ancient and the contemporary world, the aim of my project is to stir up conversations about issues that are otherwise complacently accepted.”
Grantee: Firoz Mahmud