As an immigrant from Seoul who was raised in America, Shin views the celadon fragments as a metaphor of the Korean diaspora, vibrant artifacts of the Korean people, their history and culture that are scattered all over the world to form new identities elsewhere.

The Biennale is now 120 years old, and year after year it moves forward and builds on its own history, everything here is exhibited against the backdrop of the Biennale’s 120-year history. Fragments of the past of various kinds may be found in every corner, given also the fact that the Biennale is active in Art, Architecture, Dance, Theatre, Music, and Cinema.

Jean Shin: Inclusions presents a selection of Shin’s work in video, installation, photography, and mixed media.  The title of the exhibition draws attention to the inclusive nature of her artistic practice, which relies heavily on accumulating large quantities of material or objects that would otherwise be considered humble remnants, useless cast-offs, or unnoticed entirely.

The exhibition is set against the background of hopes inspired by the interrupted Arab Spring, the significance of which has yet to be fully described and the profound consequences of which remain ambiguous.

With the support of Ambassador to the Philippines Mr. Jose L. Cuisia, Jr. and his wife, Mrs. Jose L. Cuisia, Jr., Zenith Gallery proudly presents a collection of jars, wall sculptures, vases, sculpture in the round, musical instruments and other ceramic works by Hadrian Mendoza.

Solo exhibition by Tang Kwok-hin which features everyday objects seen in his local barber shop, a space the artist uses for self-reflection. This is the inaugural exhibition for Am Space's annual project titled Object Project