A New Dynasty – Created in China is a visual, thought-provoking, and inspiring encounter with China as a present-day superpower. The works of art will give visitors unique keys to the understanding of a world which is both familiar and strange at the same time; the complex and multi-faceted phenomenon of China.

The first solo museum exhibition for Los Angeles-based artist Keiko Fukazawa features recent work from her three residencies in Jingdezhen, China—known as the porcelain capital of the world. By merging cast ceramic forms with iconic images of Chairman Mao Zedong, luxury brand logos, and historic glazing techniques, the past and present collide in Fukazawa’s works creating ironic and playful observations on consumerism in China and worldwide.

The exhibition brings together twelve artists of different generations who live and work in mainland China. The artists establish links and contrasts between a wide variety of techniques and media, drawn from both local tradition and culture and cutting-edge technologies, to reveal the complexities of a society in a permanent state of change.

 The exhibition shows the location where art and the “way of things” meet. It does not work just in the sound, electric and air fields, but it also expresses its multi-layered intention through art installations.

This exhibition of Murakami’s unique collection, with its overwhelming quantity and diversity, will provide an insight into the sources of the artist’s aesthetic ideas, the nature of art and desire, and the mechanisms that create value in contemporary society, while also encouraging viewers to question art's conventional context.

 The Colony is loosely based on nineteenth century depictions of a cluster of islands off the west coast of Peru, rich in guano, a powerful fertilizer. Lê’s narratives touch on aspects of the islands’ history such as the nineteenth century imperial wars between Spain and its former colonies Peru and Chile, and the US Guano Act of 1856.

This landmark exhibition is part of the highly successful Global Prudential Eye Programme and a key highlight of Singapore Art Week. In its third edition, the exhibition showcases 15 of Asia’s emerging contemporary artists.

This exhibition highlights a selection of photographs donated in honor of the 25th anniversary of the National Gallery’s photography's collection. The exhibition is accompanied by a major publication celebrating 25 years of photography at the National Gallery of Art.

Murakami's 100-meter-long painting, The 500 Arhats, one of the largest paintings ever produced in global art history, will be shown in Japan for the first time. The work was created as a token of gratitude to the nation of Qatar, one of the first to offer assistance in the wake of the 2011 Great East Japan Earthquake and Tsunami, and was unveiled in Doha in 2012. The exhibition will comprise The 500 Arhats and a number of new works in which he continues to offer up new challenges to the history of contemporary art.

This exhibition debuts at Wesleyan, and features works by Sun Xun, Jin Shan, Ma Qiusha, Lu Yang, Bo Wang, Pixy Liao, Liu Chuang, Shi Zhiying, Guo Xi, and Yan Xing that reflect the state of China today, and raise questions about the sustainability of national and cultural identity in an increasingly globalized world.

The Kitchen presenting the world premiere of Quicksand, an opera-novel for music, dance, and light, composed from a novel of the same name by the late Robert Ashley. This work, divided into three acts of 16 scenes each, combines separate and “moveable” sequences of choreography by Steve Paxton, electric orchestra composed by Tom Hamilton, and light environments by David Moodey to present a unified work without a linear narrative structure.

“The Human Body: Measure and Norms” features the works of seven Hong Kong artists in a variety of artistic media. The showcase seeks to highlight and question the social constraints imposed on the body as a physical, social and political entity, and explore the possibilities of freeing the body from the norms and representations against which it is gauged.

As a visual and performance artist, Sam Penaso’s new artworks represents the matrix – the jumble of letters and numbers – as an expression of how communication and technology when combined creates art. The works aim to portray the artist’s vision, and that is to create perfection in the absolute abstraction of symbols towards a logical pattern – the unification of language, science and mathematics through art.

Kohei Nawa’s solo exhibition “MOVEMENT” features works including “BEADS,” “Direction,” “Moment,” “Trans,” and a documentary of his performance piece “Vessel,” which was presented in summer 2015. Having the unique concept of PixCell as an axis, his works continue to unfold expressions in diversity.

Sweep, a brand new 2016 milestone in Chen Kai's Classifiable Movement series focusing on rolling movement. Body movements and stage designs are kept nearest to the level of the ground, a very fresh visual angle for you to feast the contemporary dance performance.