Alumni Events Around the World
Sonata: Print Series by Nam June Paik offers a series of prints, including Paik’s musical compositions, drawings, photographs, performances, events and video sculptures. Nam June Paik, the Korean-American artist who died in 2006 at age 73, is widely known as the father of video art. He produced a large body of work while exploring the influence of electronic media on the arts.
Nam June Paik received ACC Fellowships in 1965 and 1970 for research in the United States.
Grantee: Nam June Paik
Hi! Houses art project is carried out in 4 significant historic sites in Hong Kong, bringing audience a journey into the century-old houses. Wilson Shieh, Lam Tung-pang, Fiona Wong and Jaffa Lam, are invited to pay tribute to the long tradition and historical legacies of 4 selected monuments namely Dr Sun Yat-sen Museum, Old House at Wong Uk Village, Law Uk Folk Museum and Sam Tung Uk Museum respectively. The 4 artists develop interpretative works together with their artist teams using their own visual vocabularies, based on field research, historical narratives, regional context as well as their personal experience.
Out of Hand: Materialising the Digital examines the place and impact of new digital manufacturing technologies – 3D printing in its various forms, CNC machining, laser cutting, and digital knitting and weaving. The exhibition features works by more than 60 artists, designers and architects from around the world.
Aki is an artist from Japan who will begin her ACC fellowship in New York in spring 2017.
Grantee: Aki Inomata
Rewoven: Innovative Fiber Art is a collaboration between the Kaohsiung Museum of Fine Arts, Taiwan, Taiwanese American Arts Council, New York, the Godwin-Ternbach Museum, Queens College and the QCC Art Gallery / CUNY. The exhibition showcases twenty-four artists whose extraordinary creativity and commitment to nature, environmental, and social issues are addressed in a convergence of painted, woven, netted, sewn, assembled and installed artworks.
Visual artist Wen-Fu Yu is part of the exhibition. Wen-Fu Yu received an ACC Fellowship in 2002 to undertake a residency in the U.S. and for research in New York.
Grantee: Wen-Fu Yu
Embrace or Rebel? Traditional Asian Art Techniques in Contemporary Practice, a group exhibition curated by gallery director Hyewon Yi, presents works in various media by seven Contemporary East Asian artists who interpret traditional methods in innovative ways. Embrace or Rebel? considers long-established Asian techniques and styles that have taken a backseat to Contemporary East Asian art, partly due to their being viewed as antithetical to Modernism.
Enrico Isamu Oyama received an ACC Fellowship in 2011 to research contemporary art, meet artists and curators, and create new work while participating in an artist residency program in the United States.
Grantee: Enrico Isamu Oyama
Yayoi Kusama: Infinity Mirrors is a celebration of the legendary Japanese artist’s sixty-five-year career and promises to be one of 2017’s essential art experiences. Visitors will have the unprecedented opportunity to discover six of Kusama’s captivating Infinity Mirror Rooms alongside a selection of her other key works, including a number of paintings from her most recent series My Eternal Soul that have never been shown in the US. From her radical performances in the 1960’s, when she staged underground polka dot “Happenings” on the streets of New York, to her latest Infinity Mirror Room, All the Eternal Love I Have for the Pumpkins, 2016, the Hirshhorn exhibition will showcase Kusama’s full range of talent for the first time in Washington, DC. Don’t miss this unforgettable sensory journey through the mind and legacy of one of the world’s most popular artists.
Yayoi Kusama received ACC Fellowships in 1964 and 1996 for travel in the United States.
Grantee: Yayoi Kusama
During the early years of Tom Haar’s residence in New York, from 1968 to 1983, he learned of a large group of Japanese artists. intrigued by their exciting lifestyle in New York, and having grown up in Japan himself, he decided to capture their creative lives in a photo essay, "Japanese Artists in New York - 1971."
“New York was very stimulating in the early 1970s—in areas gritty and seedy—especially in lower Manhattan, where many of the artists lived. soho and the artists’ housing, westbeth, were still in their infancies.”
It has been forty-six years since Haar worked on this project. today, many of these artists are still creatively active in new york. one of the photographed artists, Yayoi Kusama, now a well-known artist with international celebrity status, will be highlighted at this year’s Honolulu Biennial, March 8th to May 8th.
Tom Haar received ACC Fellowships in 1983 and 1985 for travel to Korea and Japan for photograph is documentation.
Grantee: Tom Haar
Sandra Lee’s installations incorporate sculptural, photographic, and drawing traditions to consider ways in which place is created among changing urban and environmental conditions. The sculptures and installations she constructs are informed by her observations of daily life and through the collecting and reconfiguring of the materials that pass through it.
Sandra Eula Lee received an ACC Fellowship in 2009 to travel to Korea.
Grantee: Sandra Eula Lee
In his new photographic series Between Blossoms, New York-based Chinese photographer Shen Wei has taken a meditative journey across continents, from the United States to Europe and Asia. His seductive photographs capture a unifying sense of other-worldliness within the changing landscape, generating an abstracted sensation of place that he describes as “deeply connected to my inner melancholy, a dream-like state of mind.”
Shen Wei received an ACC fellowship in 2012 to explore and document Buddhist temple life in Thailand.
Grantee: Shen Wei, Photographer
Curated by Yoshiko Shimada, From Nirvana to Catastrophe: Matsuzawa Yutaka and his 'Commune in Imaginary Space' focuses on the period 1969 - 1973, which has been the most active years of Matsuzawa's activities. Reflecting on the exhibition Nirvana (1970), the pioneer of international exhibitions on Conceptualism in Japan, the exhibition traces the formation of Matsuzawa's thoughts and his idea of 'free commune' in a chronological order through nine document and material bodies.
Grantee: Yoshiko Shimada
STUPIN is a platform for artist residencies where individual artists network in the form of studio swaps. STUPIN.ORG, Kuo’s solo exhibition at TKG+ Projects, is the first embodiment of the studio-swap residency. Kuo investigates the relationship between the artist, the work, and the space it occupies. For this exhibition, Kuo swaps studios with Portuguese artist Filipe Cortez, who works across such mediums as performance, oil painting, sculpture, and installation in surveying the ephemeral landscape of memory, time, and the city through his site-specific work. Cortez and Kuo will continue their respective practices in each other’s hometown — Cortez in Taipei, Taiwan and Kuo in Porto, Portugal — and connect the two cities through their experiences of cultural exchange and networking.
Kuo I-Chen undertook his ACC residency in 2012 in New York.
Grantee: I-Chen Kuo
Hiding in the Island is an exhibition that aims to explore the unique aesthetic and authenticity of existence through three paradoxes. Artists who live deep in East Taiwan and young artists who arrive during the travels in their studies come together to share their mindset and work, hoping to highlight the idea that “any location is a place for nature and the world, freedom and culture.”
Visual artist Idas Losin received an ACC Fellowship in 2014 to research contemporary art, meet artists, participate in an artist residency program in New York and to visit Native American communities in the U.S.
Grantee: Idas Losin
The second feature by Nepalese filmmaker Deepak Rauniyar sensitively explores the damage done to the fabric of Nepalese society by the decade-long civil war between the Maoists and Nepal’s monarchical government. On the occasion of his father’s funeral, Chandra returns to the village he left years earlier to join the Maoists, and finds himself united with the daughter he never met and revisiting uneasy relations with family members and neighbors. Past traumas return and cause tensions to boil over. Finding the political within the everyday, White Sun uses one village’s complex tribulations to speak to an entire national history. A KimStim release.
Deepak Rauniyar received an ACC Fellowship in 2013 to travel to the U.S. and collaborate with a New York-based screenwriter on the development of this feature film.
Grantee: Deepak Rauniyar
I Don’t Know the Mandate of Heaven is the first major survey of Song Dong’s work in mainland China in 8 years. The exhibition will include some of the artist’s best-known works that have been fundamental in establishing his career, as well as several rarely exhibited works. Among the works on display, some pieces have been specially commissioned for this exhibition by RAM such as At Fifty, I Don't Know the Mandate of Heaven and Back Image, manifesting the museum’s long-term commitment to support the creativity and production of contemporary art through exhibition projects.
For the 2017 Castlemaine State Festival, Leeroy is creating a temporary sculptural installation, La Puerta Del Laberinto, for the exterior of the Castlemaine Art Museum. In keeping with Leeroy’s preferred installation method, La Puerta Del Laberinto (The Door of the Labyrinth), responds to the unique characteristics and context of place and will be made with recycled materials collected from the local area.
Leeroy’s works often intertwine the visual arts with fashion, film and theatre, as he takes his inspiration from mythology, film and video games. Leeroy has been recognised and awarded consistently throughout his career, with his artworks featured beyond the Philippines in Singapore, Japan, Australia and in American pop culture, with one of his creations worn by Lady Gaga for her music video ‘Marry the Night.'
Leeroy received an ACC Fellowship in 2015 to observe best practices in contemporary arts, developing technologies, and public art processes in the United States.
Grantee: Jan Leeroy New
Yao Jui-Chung turns daily experiences into the subject matter of his painting, where against the backdrop of idyllic landscape, the concurrence of his children's formative years and his andropause becomes an important chapter in their lives. Rather than a picture of family life, this body of work is more like the fantasia of a reclusive father, comprising one illusory image after another that may happen in the real world.
Eight Days a Week is inspired by the artist's life for the past eight years as a middle-aged man who`s been taking care of his daughters while making art at home, therefore losing touch with the friends.
Jui-Chung Yao undertook his ACC residency at the Headlands Center for the Arts in California in 1998.
Grantee: Jui-Chung Yao
Before the onset of a downpour there is a moment of heavy humidity that hangs low in the air. Building over time it signals the inevitability of a deluge that will interrupt and intercept patterns of normality. For Hong Kong, a city defined by humidity, the deluge that began on September 28 2014 was the result of a long and steady buildup of uncertainty, anxiety and the long held need to articulate a cohesive identity for the city. Before the Rain addresses the tensions that precipitated the recent political and civil urgency in Hong Kong and the city’s pressing need to reimagine its future.
Sit down for dinner with the Wongs, a typical Hong Kong family, at three vital Hong Kong moments. A Floating Family is a funny and poignant trilogy of plays that portrays four siblings and their extended family over three dinners in the course of two decades, charting their lives as they ebb and flow alongside Hong Kong through political, economic and social changes.
Poon Chan-Leung undertook his ACC Fellowship in 2006 to study acting and directing, observe performances and rehearsals, and meet with drama professionals in the United States.
Grantee: Chan Leung Poon