Alumni Events Around the World
The play A Doll's House, part 2, picks up after Henrik Ibsen's A Doll's House concludes and explores, in uproarious fashion, the emotional chaos that results when Nora Helmer returns to the home from which she exited fifteen years earlier.
The New York Times, Los Angeles Times, W Magazine and Time Out New York all call A Doll's House, Part 2 "the best play of the Broadway season."
A Doll's House, Part 2 is written by Tony Award nominee Lucas Hnath, directed by Tony Award winner Sam Gold with lighting design by Jennifer Tipton. Jesse Green of The New York Times raves, “The best play of the year. I love A Doll's House, Part 2. This is a great comedy." Peter Marks of The Washington Post cheers, "I want do nothing but talk about A Doll’s House, Part 2 for the rest of my life.”
Grantee: Jennifer Tipton
This exhibition is a major symbolic event representative of the emergent Chinese avant-garde artists who influence the art scene in China today. This generation of artists no longer relies on the political history background and they have become the players of a larger scene, global in every sense. It shows an understanding of Chinese art as a vital and outstanding way of dealing with political, social and aesthetic issues. Curated by Ami Barak. Out of the 18 artists exhibiting, 4 are ACC grantees.
Moving Mountains is inspired by the ancient tale of a man, whom some called foolish, for seeking to move a mountain. Yang Fudong makes this story a poetic reflection upon human nature and the shifting values to which it can be subject, presented in a 46-minute black-and-white film, Moving Mountains, complete in November 2016 at the invitation of the Rolls-Royce Art Programme.
Grantee: Fudong Yang
Throughout the summer at OCAT Personal Space is dedicated to the work of the young Beijing-based animation artist Lei Lei, and to the premiere of his latest moving image project Coming Soon. A feature-length animation, Coming Soon is the result of five years of hard work beginning in 2012. This stunning hand-crafted work of moving image takes its narrative from the life-story of Lei Lei’s grandfather Lei Ting. Combining drawing, collage, archival film and photos as well as footage of Lei Lei’s grandfather, Coming Soon is a remarkable feat of research and imagination, as the artist explores a complex historic era through the eyes of his generation and his own singular perspective. Both Lei Ting and Lei Lei’s father, Lei Jiaqi, were involved in this animation’s production, which lends the piece a subtle intimacy and great emotional force.
Grantee: Lei Lei
Almost 250 years ago, the Royal Academy’s founding members agreed to hold an “Annual Exhibition of Paintings, Sculptures and Designs … open to all Artists.”
Everything you’ll see at the Summer Exhibition represents the art being made today. Expect to find a panorama of art in all media, from painting, printmaking, film and photography to sculpture, architectural works and performance art.
Grantee: Arata Isozaki
The exhibition “Crisscrossing East and West: The Remaking of Ink Art in Contemporary East Asia ” is curated by Mr. Cha Chi Jason WANG and consists of works by 27 artists from China and other countries. The artists achieve conceptual transformation creatively through the use of heterogeneous materials, concepts, and formal techniques. “Crisscrossing East and West” as the theme of the exhibition also calls for broader visions and insights to widen the realm of ink art.
Wu Chi-Tsung received a six-month ACC Fellowship in 2013 for creative research in New York City.
Grantee: Chi-Tsung Wu
Floating above Brookfield Places' Winter Garden, The Roof is a site-specific suspended sculpture by Thai artist, Pinaree Sanpitak that celebrates collaboration and coexistence. The Roof is composed of translucent canopies hanging among the Winter Garden palm trees that create a literal but temporary ‘roof.’ Made from raw silk, glass fiber, non-woven fabric, wires, hooks, chains and aluminum modular truss, The Roof was constructed to interact with the architecture of Brookfield Place — as well as the palms and the people who pass through each day, forming a delicate, surreal shelter within the walls of the Winter Garden.
Pinaree Sanpitak,from Thailand, was in a residency at Headlands Center for the Arts in 2000 with support from ACC.
Grantee: Pinaree Sanpitak
Bangkok Art and Culture Centre and the Japan Foundation Asia Center present Mode of Liaisons exhibition as a part of "Condition Report", a collaborative art project with curators from Japan and Southeast Asian countries with the objectives to incubate young curators through working in collboration with senior curators. The Condition Report Project is composed of 2 parts of the curatorial works under the main theme “What is Southeast Asia?”. The first part is 4 exhibitions curated by the senior curators in 4 cities: Jakarta, Kuala Lumpur, Manila, and Bangkok to demonstrate their concepts, phenomenons, and contents of contemporary art as well as to employ the exhibition as an opportunity to train young curators. The second part is 14 separated exhibitions curated independently by young curators.
Sonata: Print Series by Nam June Paik offers a series of prints, including Paik’s musical compositions, drawings, photographs, performances, events and video sculptures. Nam June Paik, the Korean-American artist who died in 2006 at age 73, is widely known as the father of video art. He produced a large body of work while exploring the influence of electronic media on the arts.
Nam June Paik received ACC Fellowships in 1965 and 1970 for research in the United States.
Grantee: Nam June Paik
Hi! Houses art project is carried out in 4 significant historic sites in Hong Kong, bringing audience a journey into the century-old houses. Wilson Shieh, Lam Tung-pang, Fiona Wong and Jaffa Lam, are invited to pay tribute to the long tradition and historical legacies of 4 selected monuments namely Dr Sun Yat-sen Museum, Old House at Wong Uk Village, Law Uk Folk Museum and Sam Tung Uk Museum respectively. The 4 artists develop interpretative works together with their artist teams using their own visual vocabularies, based on field research, historical narratives, regional context as well as their personal experience.