Events Around the World
The play A Doll's House, part 2, picks up after Henrik Ibsen's A Doll's House concludes and explores, in uproarious fashion, the emotional chaos that results when Nora Helmer returns to the home from which she exited fifteen years earlier.
The New York Times, Los Angeles Times, W Magazine and Time Out New York all call A Doll's House, Part 2 "the best play of the Broadway season."
A Doll's House, Part 2 is written by Tony Award nominee Lucas Hnath, directed by Tony Award winner Sam Gold with lighting design by Jennifer Tipton. Jesse Green of The New York Times raves, “The best play of the year. I love A Doll's House, Part 2. This is a great comedy." Peter Marks of The Washington Post cheers, "I want do nothing but talk about A Doll’s House, Part 2 for the rest of my life.”
Grantee: Jennifer Tipton
Enrico Isamu Ōyama represents a contemporary generation with a distinctly global perspective. Child of an Italian father and a Japanese mother, Ōyama was born and raised in Tokyo, Japan, but also lived for extended periods in North Italy. In Tokyo, he immersed himself in an underground art scene infused with the street culture of the city and its global influences.
“Ubiquitous” surveys how Ōyama channeled his interests in the street cultures of Tokyo and American cities, Western abstract art, and Japanese calligraphy to create Quick Turn Structure (QTS), his signature expression. Through the QTS, Ōyama gives visual form to the mixed-race, multicultural, transnational experiences of people in today’s world of fluid borders and interconnectivity.
Enrico Isamu Ōyama received an ACC Fellowship in 2011 to research contemporary art, meet artists and curators, and create new work while participating in an artist residency program in the United States.
Grantee: Enrico Isamu Oyama
ACC grantee Anton del Castillo opens “The Given Order” with Jason Dy, S.J. The exhibit, curated by Ricky Francisco, offers a visual exploration of the different tangents of faith and tradition in our past and present lives. Religion as agent of social order and transformation is looked into by Fr. Dy, who uses art in conjunction with the spiritual life of communities he is connected with. While del Castillo’s works engage with the anxieties and violence in the perception and experience of the individual and collective faith.
Anton del Castillo received his ACC Philippine Fellowship in 2006 to observe contemporary art activities and undertake research on Byzantine icon paintings in American collections.
Grantee: Julius Anton del Castillo
This exhibition is a major symbolic event representative of the emergent Chinese avant-garde artists who influence the art scene in China today. This generation of artists no longer relies on the political history background and they have become the players of a larger scene, global in every sense. It shows an understanding of Chinese art as a vital and outstanding way of dealing with political, social and aesthetic issues. Curated by Ami Barak. Out of the 18 artists exhibiting, 4 are ACC grantees.
After a month-long residency, 9 local and 2 international artists work with communities in Shitiping and Fuxing to create installations along Taiwan's East Coast in Fengbin Township.
In 2010, the Forestry Bureau started a wetland ecology preservation project in Fengbin to revive the contour rice paddies. The community in Fengbin collaborated with the Hualien Forest Bureau to rebuild the irrigation system. Water flowed into the rice paddies once again, and rice grew along the shore of the Pacific Ocean.
While the landscape and crops had been restored in Shitiping, the first sets of questions challenging the local people were how could they reclaim their social and cultural structure and value? To address this, the Mipaliw Wetland Art Festivals began in 2011.
Grantee: Dungi Sumi
This exhibition commemorates the 50th anniversary of ASEAN (Association of Southeast Asian Nations) by showcasing the contemporary art of the region and aims to be one of the largest Southeast Asian contemporary art exhibitions in history. The exhibition consists of 80 artworks by 86 artist groups from 10 ASEAN member countries and will be held simultaneously at 2 museums: National Art Center and Mori Art Museum. 19 ACC grantees are participating in this exhibition!
Grantees: Apichatpong Weerasethakul, Araya Rasdjarmrearnsook, Aye Ko, Ly Daravuth, Le Dinh Q., Gridthiya Gaweewong, Tran Luong, Lyra Teresa Abueg Garcellano, Mella Jaarsma, Montien Boonma, Navin Rawanchaikul, Ismail Roslisham, Sutthirat Supaparinya, Tiffany Chung, Uthit Atimana, Vasan Sitthiket, Htein Lin, Lee Wen, Roberto R. Chabet
Asia Corridor Contemporary Art Exhibition will take place at Kyoto Art Center and Nijo Castle and includes work by 25 internationally renowned artists from Japan, China and South Korea. 7 of the aratist are ACC grantees.
This exhibition will allow visitors to experience the quality and intensity of contemporary art in the cultural city of Kyoto with work by artists that pioneer new frontiers and transcend national identities through the universal approaches of art.
This exhibition explores the transformation of Asian popular culture during the 1960s and 1970s, a time when rapid economic development had the continent under its spell. As male actors were writing this history, the lives and voices of real women were being obscured by sociopolitical smokescreens, postcolonial experiences of the Cold War, and dictatorship. Many women shared similar experiences, regardless of location, during this period of rapid urbanization and economic growth. Here, the exhibition presents a comprehensive look at their forgotten discourse through a prism of Asian diva songs and popular cultural signals documented along trajectories inked in postcolonial modernity.
“Memories Interwoven and Overlapped: Post-Martial Law Era Ink Painting in Taiwan” features works of diverse categories and media, including ink and wash painting, meticulous heavy color painting, gouache painting, installation, video, and animation; in terms of style and expression, all the works manifest artists’ realizations and sentiments of life, social and cultural concerns, dialectics on history and reality, and the depth and breadth of ink art exploration, exhibiting vibrant creative energy and dynamics. Through interpretation of and dialogues with exciting works of 24 artists from different generations, this exhibition aims to investigate the intertwined relation between Taiwanese ink painting and politics, and present artists’ diverse creative visions inspired by overlapped and interwoven historical memories, as well as the splendid and exciting new look of ink art constructed on such visions, concretely, and in details, presenting and explaining the course of development of Taiwanese ink painting from the lifting of martial law up to the present time.
Vocalisations - a performance of vocal actions, reactions, and interactions between man, nature and space, in a constantly changing environment - uses sound art to promote awareness of the auditory element of the environment, an aspect that is often overlooked in a world where what can be seen is given more privileges than what can be heard.
Teresa received her Philippine fellowship grant in 2014 to observe and research current practices, processes, innovations, and philosophies in music and sound art in the United States.
Grantee: Teresa Barrozo
Throughout the summer at OCAT Personal Space is dedicated to the work of the young Beijing-based animation artist Lei Lei, and to the premiere of his latest moving image project Coming Soon. A feature-length animation, Coming Soon is the result of five years of hard work beginning in 2012. This stunning hand-crafted work of moving image takes its narrative from the life-story of Lei Lei’s grandfather Lei Ting. Combining drawing, collage, archival film and photos as well as footage of Lei Lei’s grandfather, Coming Soon is a remarkable feat of research and imagination, as the artist explores a complex historic era through the eyes of his generation and his own singular perspective. Both Lei Ting and Lei Lei’s father, Lei Jiaqi, were involved in this animation’s production, which lends the piece a subtle intimacy and great emotional force.
Grantee: Lei Lei
Moving Mountains is inspired by the ancient tale of a man, whom some called foolish, for seeking to move a mountain. Yang Fudong makes this story a poetic reflection upon human nature and the shifting values to which it can be subject, presented in a 46-minute black-and-white film, Moving Mountains, complete in November 2016 at the invitation of the Rolls-Royce Art Programme.
Grantee: Yang Fudong
Kohei Nawa will exhibit works at two venues at the art, music and food festival, Reborn-Art Festival 2017, held in Ishinomaki City, Miyagi Prefecture― Oginohama, Oshika Peninsula and the Kyu Kankeimaru Shoten in Ishinomaki city.
Grantee: Nawa Kohei
ACC grantees NOEL SOLER CUIZON and DON M. SALUBAYBA are featured in “De-Route,” a unified installation together with visual artists Jef Carnay and Karen Ocampo Flores. A collaboration reminiscent of the four artists’ joint forays in community art, art education, and arts advocacy, the show revisits the artists’ routes of artmaking and re-imagines the ways of de-routing these activities from its mere outcomes. It presumes to state that the artist is continually a work in progress, integrated and sometimes colliding with other persons and matters in progress.
Noel received his ACC fellowship in 1998 while Don was able to participate in the International Residency Program of the Headlands Center for the Arts in Sausalito, California and observe contemporary art activities in New York during his fellowship in 2004.
Double Square Gallery is pleased to present Not the Chelsea Hotel - ISA HO solo exhibition, on view from July 29 to September 3. The exhibition will showcase Isa Ho’s ongoing series of the “Westbeth” project and the newly developed serial work “My Peony Pavilion.” While the subject matter of the two series seem to sit on the opposite end of a spectrum: the young and the elderly, the East and the West; the difference between the series embodies Ho’s continual focus on socio-cultural issues. The “Westbeth” series was inspired by and shot at the Westbeth Artists Housing in New York, where Ho spent over four years documenting the senior artists living there, their daily lives and environment. “My Peony Pavilion” utilizes and blends the traditional Chinese Kunqu Opera and Korean popular music K-pop to picture female self-identity in two juxtaposed temporal and spatial frameworks, by leveraging similar pop culture element. The exhibition title Not the Chelsea Hotel (Chinese Title: The Black Swan Effect) points to a key concept: the everyday mundaneness taken for granted might be overturned by a new piece of information – just as when a black swan was “discovered” by an explorer in Australia in 1697, only then people started to realize not all swans were white and their understanding was partial. The concept of the Black Swan Effect becomes the connecting thread: through presenting the two series together in this show, the artist wants to inform the audience’s preconceived notions of facts having the possibility to formulate utterly opposing meanings, once approached with a new angle with a new piece of information presented.
Grantee: Ho Meng-Chuan "Isa"
The exhibition re-iterates a well-known phrase used for safety warnings in automobile sectors in America. The rear-view mirrors carrying the phrase often makes the artistic minds wonder. The exhibition adopts the thought at its departure and captures the chord between sensibility and nearness. The works showcased in the exhibition explores the idea of nearness and it’s relation to the proximity. The phenomenological possibilities, the emotions and the imaginations explored in the exhibition quote on the probabilities of nearness as well as question our idea and approaches towards perception.
ACC grantee Tatsuo Miyajima is part of this group exhibition. He received an ACC fellowship in 1989 to travel to New York to observe contemporary art activities for six months.
Grantee: Miyajima Tatsuo
The CCP Choreographers Series launches with Koryolab – a presentation of short, but completed dance pieces by mid-career choreographers in a black box space, mentored intensively by the pioneers in contemporary dance. Six young choreographers will be premiering new and evocative works in this first-ever Koryolab.
2017 ACC grantee and performance artist Russ Ligtas, along with five dance artists, will premiere new and evocative works in “Koryolab”, which is directored by ACC alumnae Denisa Reyes (grantee 1995) and Myra Beltran (grantee 2011).
Mentors and Directors of the Choreographers Series are pioneers of contemporary dance in the Philippines led by ACC grantees DENISA REYES and MYRA BELTRAN. Like Denisa and Myra who embarked on their grants in 1995 and 2011, respectively, ACC grantee and performance artist Russ Ligtas also aims to make the best of his Philippine fellowship grant by meeting and learning from other multidisciplinary artists in New York City later this year.
TAO Dance Theatre, China’s most championed contemporary dance company which has taken Shanghai, Melbourne, London, Amsterdam and New York by storm, makes its first appearance in Malaysia with Tao 6 & 8 at George Town Festival 2017. Beijing-based acclaimed choreographer Tao Ye brings you the two of his “Straight Line Trilogy” Series, 6 and 8.
A ground breaking dance, and the last of its series, 8 has eight dancers lying on the ground, exploring the possibilities of the body movement when it is restricted to floor.
Formed in 2008 by Beijing-based choreographer Tao Ye, TAO Dance Theatre is known for its mixture of art forms, including film and visual art, creating work that has a mesmeric, trance-like quality.
Grantee: TAO Dance Theater