Alumni Events Around the World

Exhibition / United States

DINH Q. LÊ: TRUE JOURNEY IS RETURN

September 14, 2018 - April 7, 2019

The largest solo exhibition in the United States in more than a decade of the work of internationally-renowned artist Dinh Q. Lê, this exhibition of five major video and photography installations entwines rarely heard narratives of war and migration from people in North Vietnam, the Vietnamese diaspora, and refugees who, like Lê, have returned to live in their home country. Assembling these obscure stories through the collection of found photographs, artists’ war sketches, and oral histories, Lê presents a multifaceted story about Vietnamese life before, during, and after the Vietnam War. In the process, he questions the viability of collective memory and reveals the effects of trauma on the cultural imagination.

ACC has provided support to the San Jose Museum of Art for this exhibition.

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Grantees: San Jose Museum of Art, Le Dinh Q.

Performance / United States

Dress Up, Speak Up: Costume and Confrontation

March 19, 2018 - March 1, 2019

Dress Up, Speak Up is a multimedia exhibition exploring the role of costuming, iconography, and performance in constructing Identity and confronting history. With over 35 participating artists representing 22 nationalities, Dress Up, Speak Up delivers a global investigation of these concepts, while reconfiguring, reimagining, and reconstituting history to explore the legacy of European colonialism.

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Grantee: Le Dinh Q.

Exhibition / India

Window without a Wall

January 28, 2019 - February 28, 2019

An experiential installation by ASCC alumni Vanita Gupta in collaboration with Naveen Mahantash.

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Grantee: Vanita Gupta

United States

I Can't Sleep: Homage to a Uyghur Homeland

January 17, 2019 - February 23, 2019

Women and children – posturing, gazing, playing on bed frames – become “coincidental subjects,” their vivid garments sharply accentuated against the muted earth tones of the vast Taklamakan Desert. This far west region of China (Xinjiang), home to the Uyghur people, is a place Lisa Ross has imaged and imagined for over 15 years. Recently, the Chinese state has amplified its efforts to forcibly assimilate minority populations, imbuing the artist with a sense of urgency to display these pictures.

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Grantee: Lisa Ross

Exhibition / United States

Innumerable Life / Buddha

January 10, 2019 - February 16, 2019

Tatsuo Miyajima opens his first solo exhibition in New York with Lisson Gallery, premiering his new series, Innumerable Life/Buddha. The exhibition will feature five works by the Japanese artist, introducing US audiences to his eastern philosophies and signature digital visual vocabulary. This new body of work, a series of glowing red installations, are inspired by a particular Buddhist teaching, reminding us of the power of the individual within a networked whole. A continuation of Miyajima’s meditations on time and its passage, these installations invite reflection, addressing the fundamental concepts of change, death, connection and eternity. The exhibition follows on from recent large-scale public commissions including Count Down Dialogue (2018) launched during West Bund Art & Design Fair, and comes ahead of Miyajima’s largest solo exhibition in Asia to date, opening at the new Shanghai Minsheng Art Museum in May 2019.

The five new works in the Innumerable Life/Buddha series are made up of glowing LED displays, with thousands of numbers counting down from nine to one at differing speeds, before going dark momentarily. These digits embody the human cycle and the eastern philosophy of change and renewal; each solitary, blinking diode signifying the individual body and soul. The counting sequence continues, as if everlasting, and yet ‘0’, implying death, is expressed solely by darkness. Through this allusion, the numbers – or ‘Life’ – are destined to an everlasting cycle of regeneration. This idea is also reflected in the colour of the new works: the radiant red of the installations denotes the blood of life, love, fire, passion, strength and joy.

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Grantee: Miyajima Tatsuo

Special Event / France

Japonismes 2018

July 15, 2018 - February 15, 2019

Japonismes 2018: les âmes en resonance, an unprecedented celebration of Japanese culture that will unfold across France starting in July. For eight months, Japan’s finest culture will be showcased in Paris, the city of art, and other parts of the country on an epic, all-embracing scale. This grand event represents the Government of Japan’s largest endeavor to share Japanese culture with the world, a flagship project for making culture a pillar of our country’s diplomatic engagement.

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Grantee: Nawa Kohei

Exhibition / Thailand

Bangkok Art Biennale 2018: Beyond Bliss

October 17, 2018 - February 3, 2019

The international art exhibition will take place at 20 venues across various well-known sites, including ancient temples along Bangkok’s principle river, the Chao Phraya River, historic architectural sites and iconic landmarks, and art and cultural institutions. 75 artists and groups from 34 countries (half of them from Thailand) are selected by international curatorial team.

Under the theme of Beyond Bliss, the artists are invited to create the art works under the concept and interpret the seemingly unattainable happiness in different ways. Creating the art piece at the historical, cultural and spiritual landmarks, representing the pursuit for happiness, both physical and mental, or finding the end of suffering. They also reflect social, political and environmental issues through the art works that have great impact to human happiness.

 

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Grantees: Apinan Poshyananda, Firoz Mahmud, Marina Abramovic

Exhibition / Thailand

Ligature

November 20, 2018 - February 3, 2019

Bamboo is celebrated by architects for its structural, economic, and ecological properties, but it retains troubling connotations. We associate it with “primitive” huts and kitschy tourist attractions.  It tends to reinforce an Orientalist fantasy of Southeast Asian architecture, distracting from the authentic contemporary vernacular of the region, which is a vibrant collage of cement and plastic, decorated by fluorescent lights and building-sized inkjet prints.

Savinee Buranasilapin and Tom Dannecker of thingsmatter, set out to invent a shape that is the opposite of a hut, in order to give bamboo an image makeover. Instead of small and enclosed, Ligature stretches out in three low-slung arches to form a wide, open pavilion. It defines space without containing it, framing eccentric, non-orthogonal views of its environment. It defies gravity by gripping the ground horizontally, rather than piercing the sky vertically.

Ligature is voluptuous and asymmetrical, its shape estimated with software, but executed by human hands with irregular, imperfect bamboo, in concert with steel pipes, wire ties, and plywood friction plates. Several thousand joints are fastened with the most important tool of our time: the nail gun. The result is neither a showcase of folksy handicraft nor a pristine example of CNC formalism, but an honest, contemporary, human artifact which reveals its own making.

(as a part of the Bangkok Art Biennale 2018)

 

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Grantee: Savinee Buranasilapin