Alumni Events Around the World
Out of Hand: Materialising the Digital examines the place and impact of new digital manufacturing technologies – 3D printing in its various forms, CNC machining, laser cutting, and digital knitting and weaving. The exhibition features works by more than 60 artists, designers and architects from around the world.
Aki is an artist from Japan who will begin her ACC fellowship in New York in spring 2017.
Grantee: Inomata Aki
Sandra Lee’s installations incorporate sculptural, photographic, and drawing traditions to consider ways in which place is created among changing urban and environmental conditions. The sculptures and installations she constructs are informed by her observations of daily life and through the collecting and reconfiguring of the materials that pass through it.
Sandra Eula Lee received an ACC Fellowship in 2009 to travel to Korea.
Grantee: Sandra Eula Lee
ACC provided support to The Spencer Museum of Art for the exhibition Temporal Turn: Art and Speculation in Contemporary Asia. This major international exhibition at the University of Kansas features 26 contemporary artists from across Asia whose work explores ideas about time, history and memory. In addition to works from the museum’s permanent collection, “Temporal Turn” includes international loans and site-specific commissions by four artists-in-residence.
A Body in Fukushima, (Eiko's collaborative work with historian and photographer William Johnston) will be on view at the Cathedral of Saint John Divine as a part of the Cathedral's larger art exhibition, The Christa Project. Eiko is named as an artist in residence for the year and co-curates her photo exhibition, performances, and other activities, all of which explore the dignity and transcendence inherent in the ordinary and the disregarded.
Grantee: Eiko & Koma Otake
Tatsuo Miyajima, one of Japan’s most renowned contemporary artists, is known for his sculptures and room-scale installations incorporating light and numbers.
Tatsuo Miyajima: Connect With Everything encompasses his sculptural works, rooms and environments, and performance videos. Time and its passage are explored through the works and represented visually by multiple, small digital counting devices. Miyajima developed his first customised digital counters in the late 1980s, using light emitting diodes or LEDs. These ‘counter gadgets’ remain central to his art today, their red and green palette expanding in the mid-1990s to include blue, then white, as LED technology developed in and beyond Japan.
Grantee: Miyajima Tatsuo
Songs of the Phoenix Mirror explores the full range and cultural significance of internationally renowned artist Wei Ligang’s current calligraphic practice. Through documents and archival footage, the exhibition reviews Wei’s artistic and intellectual development from the late 1980’s onwards. It surveys his major calligraphic styles: his signature “magic squares” and its variations; his monumental continuous cursive script inspired by Fu Shan (1607-1684) and other 17th-century masters; and his cursive renditions of the engraved lines of seals, steles, and Oracle bones.
Wei Ligang undertook his ACC Fellowship in 2006 in New York.
Grantee: Wei Ligang
This year marks the twelfth year Taiwan has participated in the Glenfiddich Artists in Residence program. 12 is also the number of years it takes for Jupiter, an astrological symbol for faith and wisdom, good fortune and growth, to complete one orbital cycle. Over the past 12 years the Glenfiddich artist’s village has been home to many Taiwanese artists. These creative talents are now brought together for the first time in an exhibition at Kuandu Museum of Fine Arts, titled Springs Eternal: Glenfiddich Artists in Residence - 12 Years from Taiwan.
The collection from one of Japan’s leading collectors of contemporary art, Ryutaro Takahashi, contains over 2500 pieces and is continuing to expand on a large scale. The “Neoteny Japan Takahashi Collection”, which was displayed in seven art museums across the country between 2008 and 2010, contained many indispensible works which provided an overview of Japanese contemporary art since the 1990s, and was recognized as an extremely important collection, both nationally and abroad. This time, the exhibition “Mindfulness! 2016” showcases those who have driven Japan’s contemporary art, beginning with the center point of Takahashi’s collection, Yayoi Kusama, and following on with a range of artists, from Tadanori Yokoo, Yasumasa Morimura, Katsura Funakoshi, to Yoshitomo Nara, Takashi Murakami, Makoto Aida and Tomoko Konoike. This includes artists who have a connection with Kochi Prefecture, from Sawako Goda, Chiharu Shiota and Kazuyuki Takezaki, to notable young artists, including Erina Matsui and Asami Kiyokawa, allowing you to savor the delights of Takahashi’s collection in an exhibition arrangement.
We are what we eat. As the old saying goes, food/eating makes the core component of our life, with providing some fun and joy to us. It also serves as the simplest and essential form of communication that connects us with family and society, with nature, with belief, with culture or memories. Impacted by the development of industry and technology, any food is now available in and out of season, which has significantly altered the relationship between individual and food. Seeing such relationship afresh, extending from our body and memories to natural environment or universe, is surely important at a time of extraordinary change. ”Foodscape” is to reflect on the future of food/eating through artistic expressions. This is in part third of the exhibition series dedicated to the subject of “everyday life”, following “Wardrobe Memories” (2014) and “Living Locally” (2015).Since 2013,Arts Maebashi has been carrying on a dining project Kaze no Shokudo :The Wind Restaurant to explore the current situation of regional food and agricultural culture with Fenrando Garcia Dory, Nanpushokudo and HOO. Landscape and food works.
Grantee: Arts Maebashi
Solo exhibition by photographer Ching-Yao Chen.
Grantee: Chen Ching-Yao
NO MAN'S LAND is a major exhibition featuring 37 contemporary women artists from 16 countries exploring images of the female body and the physical process of making those images.
Three famous Mexican photographers are featured in this exhibition: Adam Wiseman, Juan Carlos Coppel, and Raul Gasque. They are experienced in artistic and interdisciplinary practices. Additionally, three Taiwanese artists in the field of photography, YANG Shun-Fa, SHEN Chao-Liang and YAO Jui-Chung are also joining in this show. These participating artists can be considered a dream team of the collaboration of photographic art of Taiwan and Mexico.
Nikki Luna is a multi-media artist who creates sculptures and installations that deal with a number of social issues. Through her studio practice and travels, Luna has explored and conceptualized situations that address domestic violence, inequality, gender roles and sexual exploitation against women in the Philippines. These complex narratives have been collected and symbolized through a range of materials such as resin, ceramics, blood, marble dust, sugar, neon, and sound.
Grantee: Nicolette Luna
Strange Oscillations and Vibrations of Sympathy features work by contemporary female artists that acknowledge or reference women writers. The exhibition's title is derived from a sentence Sylvia Plath underlined in her copy of Virginia Woolf's The Waves, and that Stephanie Brooks later appropriated for a text-based artwork. These multiple layers of mediation are integral to all of the included works. The exhibition features 34 works by 21 artists inspired by writers Octavia Butler, A. S. Byatt, María Elena Cruz Varela, Emily Dickinson, Zora Neale Hurston, Clarice Lispector, Gabriela Mistral, Toni Morrison, Alejandra Pizarnik, Mary Shelley, Rebecca Solnit, Gertrude Stein, Sylvia Plath, Mary Wollstonecraft, and Virginia Woolf.
Grantee: Jen Bervin
The voice, the original human instrument, is an eloquent language of the heart that delineates energy for which we don’t have words. This workshop offers a place where voice, movement and image intersect to create an opportunity for participants to discover their own personal richness. During the workshop, Meredith will also give a talk on the relationship she has crafted between her Buddhist practice and her art.
Grantee: Meredith Monk
The stage is a courtroom. The accused is “Richard”; the prosecutor, “Shakespeare.” Originally performed by playwright Hideki Noda's own theater company Yume no Yuminsha in the 1990s, Sandaime Richard is revived with a multinational cast by Asia’s leading director Ong Keng Sen. The play features a cast including kabuki actor Kazutaro Nakamura, kyogen performer Doji Shigeyama, former Takarazuka Revue member Seika Kuze, Junko Emoto of theater company Kegawazoku, an accomplished actress active in Singapore and Indonesia, and a Balinese shadow puppet master.
Grantee: Ong Keng Sen
Featuring choreography by Christopher Wheeldon, an updated story by Brian Selznick and a design team consisting of puppeteer Basil Twist and scenic designer Julian Crouch, this Nutcracker is set in Chicago during the 1893 World’s Fair. Tchaikovsky's beloved score will be performed live by Orchestra Iowa, and local children will once again take the stage with the Joffrey dancers as we usher in a new holiday tradition.
Grantee: Basil Twist
In celebration of its first anniversary, National Gallery Singapore has lined up a myriad of interactive installations and engaging programs for everyone. Ranging from film screenings to music performances, there will be film screenings, music and dance programs, exhibitions, and workshops that run from dawn to dusk over the next two weekends.
Grantee: Belarmino Vanini
What if worlds were actually run by women and queer folk? How do we see and materialize the existence of such a reality? In order to defeat the entities we now confront, we require new systems of every kind. We must decide how to rebuild from the ground up, and provide models to celebrate this process. Rin Johnson, Shaina Yang, Sarah Wang, Sessa Englund, Dava Frog Wing and Shanti Latita, provide propositions, celebratory ephemera and meditations for the rebuilding of a society which has been dismantled and has crumbled around their feet.
Grantee: Dava Frog Wing
The “Second Annual Yuansheng Indigenous Music and Dance Festival,” will once again be held in Kunming! At the moment, the “Yunnan Yuansheng Ethnic Minority Cultural Development Center” is in full swing selecting and preparing this year's program. There are already 250 artists and nearly 100 performances.