Alumni Events Around the World
Sonata: Print Series by Nam June Paik offers a series of prints, including Paik’s musical compositions, drawings, photographs, performances, events and video sculptures. Nam June Paik, the Korean-American artist who died in 2006 at age 73, is widely known as the father of video art. He produced a large body of work while exploring the influence of electronic media on the arts.
Nam June Paik received ACC Fellowships in 1965 and 1970 for research in the United States.
Grantee: Nam June Paik
Hi! Houses art project is carried out in 4 significant historic sites in Hong Kong, bringing audience a journey into the century-old houses. Wilson Shieh, Lam Tung-pang, Fiona Wong and Jaffa Lam, are invited to pay tribute to the long tradition and historical legacies of 4 selected monuments namely Dr Sun Yat-sen Museum, Old House at Wong Uk Village, Law Uk Folk Museum and Sam Tung Uk Museum respectively. The 4 artists develop interpretative works together with their artist teams using their own visual vocabularies, based on field research, historical narratives, regional context as well as their personal experience.
Out of Hand: Materialising the Digital examines the place and impact of new digital manufacturing technologies – 3D printing in its various forms, CNC machining, laser cutting, and digital knitting and weaving. The exhibition features works by more than 60 artists, designers and architects from around the world.
Aki is an artist from Japan who will begin her ACC fellowship in New York in spring 2017.
Grantee: Aki Inomata
Embrace or Rebel? Traditional Asian Art Techniques in Contemporary Practice, a group exhibition curated by gallery director Hyewon Yi, presents works in various media by seven Contemporary East Asian artists who interpret traditional methods in innovative ways. Embrace or Rebel? considers long-established Asian techniques and styles that have taken a backseat to Contemporary East Asian art, partly due to their being viewed as antithetical to Modernism.
Enrico Isamu Oyama received an ACC Fellowship in 2011 to research contemporary art, meet artists and curators, and create new work while participating in an artist residency program in the United States.
Grantee: Enrico Isamu Oyama
Yayoi Kusama: Infinity Mirrors is a celebration of the legendary Japanese artist’s sixty-five-year career and promises to be one of 2017’s essential art experiences. Visitors will have the unprecedented opportunity to discover six of Kusama’s captivating Infinity Mirror Rooms alongside a selection of her other key works, including a number of paintings from her most recent series My Eternal Soul that have never been shown in the US. From her radical performances in the 1960’s, when she staged underground polka dot “Happenings” on the streets of New York, to her latest Infinity Mirror Room, All the Eternal Love I Have for the Pumpkins, 2016, the Hirshhorn exhibition will showcase Kusama’s full range of talent for the first time in Washington, DC. Don’t miss this unforgettable sensory journey through the mind and legacy of one of the world’s most popular artists.
Yayoi Kusama received ACC Fellowships in 1964 and 1996 for travel in the United States.
Grantee: Yayoi Kusama
During the early years of Tom Haar’s residence in New York, from 1968 to 1983, he learned of a large group of Japanese artists. intrigued by their exciting lifestyle in New York, and having grown up in Japan himself, he decided to capture their creative lives in a photo essay, "Japanese Artists in New York - 1971."
“New York was very stimulating in the early 1970s—in areas gritty and seedy—especially in lower Manhattan, where many of the artists lived. soho and the artists’ housing, westbeth, were still in their infancies.”
It has been forty-six years since Haar worked on this project. today, many of these artists are still creatively active in new york. one of the photographed artists, Yayoi Kusama, now a well-known artist with international celebrity status, will be highlighted at this year’s Honolulu Biennial, March 8th to May 8th.
Tom Haar received ACC Fellowships in 1983 and 1985 for travel to Korea and Japan for photograph is documentation.
Grantee: Tom Haar
Sandra Lee’s installations incorporate sculptural, photographic, and drawing traditions to consider ways in which place is created among changing urban and environmental conditions. The sculptures and installations she constructs are informed by her observations of daily life and through the collecting and reconfiguring of the materials that pass through it.
Sandra Eula Lee received an ACC Fellowship in 2009 to travel to Korea.
Grantee: Sandra Eula Lee
STUPIN is a platform for artist residencies where individual artists network in the form of studio swaps. STUPIN.ORG, Kuo’s solo exhibition at TKG+ Projects, is the first embodiment of the studio-swap residency. Kuo investigates the relationship between the artist, the work, and the space it occupies. For this exhibition, Kuo swaps studios with Portuguese artist Filipe Cortez, who works across such mediums as performance, oil painting, sculpture, and installation in surveying the ephemeral landscape of memory, time, and the city through his site-specific work. Cortez and Kuo will continue their respective practices in each other’s hometown — Cortez in Taipei, Taiwan and Kuo in Porto, Portugal — and connect the two cities through their experiences of cultural exchange and networking.
Kuo I-Chen undertook his ACC residency in 2012 in New York.
Grantee: I-Chen Kuo
Hiding in the Island is an exhibition that aims to explore the unique aesthetic and authenticity of existence through three paradoxes. Artists who live deep in East Taiwan and young artists who arrive during the travels in their studies come together to share their mindset and work, hoping to highlight the idea that “any location is a place for nature and the world, freedom and culture.”
Visual artist Idas Losin received an ACC Fellowship in 2014 to research contemporary art, meet artists, participate in an artist residency program in New York and to visit Native American communities in the U.S.
Grantee: Idas Losin
Yao Jui-Chung turns daily experiences into the subject matter of his painting, where against the backdrop of idyllic landscape, the concurrence of his children's formative years and his andropause becomes an important chapter in their lives. Rather than a picture of family life, this body of work is more like the fantasia of a reclusive father, comprising one illusory image after another that may happen in the real world.
Eight Days a Week is inspired by the artist's life for the past eight years as a middle-aged man who`s been taking care of his daughters while making art at home, therefore losing touch with the friends.
Jui-Chung Yao undertook his ACC residency at the Headlands Center for the Arts in California in 1998.
Grantee: Jui-Chung Yao
I Don’t Know the Mandate of Heaven is the first major survey of Song Dong’s work in mainland China in 8 years. The exhibition will include some of the artist’s best-known works that have been fundamental in establishing his career, as well as several rarely exhibited works. Among the works on display, some pieces have been specially commissioned for this exhibition by RAM such as At Fifty, I Don't Know the Mandate of Heaven and Back Image, manifesting the museum’s long-term commitment to support the creativity and production of contemporary art through exhibition projects.
Sit down for dinner with the Wongs, a typical Hong Kong family, at three vital Hong Kong moments. A Floating Family is a funny and poignant trilogy of plays that portrays four siblings and their extended family over three dinners in the course of two decades, charting their lives as they ebb and flow alongside Hong Kong through political, economic and social changes.
Poon Chan-Leung undertook his ACC Fellowship in 2006 to study acting and directing, observe performances and rehearsals, and meet with drama professionals in the United States.
Grantee: Chan Leung Poon
Before the onset of a downpour there is a moment of heavy humidity that hangs low in the air. Building over time it signals the inevitability of a deluge that will interrupt and intercept patterns of normality. For Hong Kong, a city defined by humidity, the deluge that began on September 28 2014 was the result of a long and steady buildup of uncertainty, anxiety and the long held need to articulate a cohesive identity for the city. Before the Rain addresses the tensions that precipitated the recent political and civil urgency in Hong Kong and the city’s pressing need to reimagine its future.
With a passion for the interpretation and production of images, Wu has been working across the mediums of photography, video, and installation, to create artworks which challenge our perceptions of our physical and natural worlds. The exhibition presents a diverse range of artworks from various series, representing ten years of development in the artist’s work. Brand new works on display will include Wu’s Drapery Studies series (2014-2016), never seen before by the public, as well as recent video works and a large sculpture created specifically for this exhibition. Also on display will be the artist’s renowned Cyanotype works and a large scale, site-specific installation Crystal City 007.
Wu Chi Tsung undertaook his ACC Fellowship in New York in 2014.
Grantee: Chi-Tsung Wu
A Body in Fukushima, (Eiko's collaborative work with historian and photographer William Johnston) will be on view at the Cathedral of Saint John Divine as a part of the Cathedral's larger art exhibition, The Christa Project. Eiko is named as an artist in residence for the year and co-curates her photo exhibition, performances, and other activities, all of which explore the dignity and transcendence inherent in the ordinary and the disregarded.
Grantee: Eiko & Koma Otake
ACC provided support to The Spencer Museum of Art for the exhibition Temporal Turn: Art and Speculation in Contemporary Asia. This major international exhibition at the University of Kansas features 26 contemporary artists from across Asia whose work explores ideas about time, history and memory. In addition to works from the museum’s permanent collection, “Temporal Turn” includes international loans and site-specific commissions by four artists-in-residence.
The focus of Yuko Mohri’s debut UK solo will be an installation of her project Moré Moré [Leaky], a long-term research project into the Tokyo metro. Mohri exhibited her first iteration of the project at the prestigious Nissan Art Award 2015, which she consequently won. Mohri’s work is responsive to the built environment. Her kinetic installation at White Rainbow will be in the form of a circuit, with found materials ‘wired’ together to contain flowing water, mimicking makeshift water repairs she noticed in the Tokyo metro. Mohri’s Moré Moré [Leaky] series is characterised by extensive fieldwork, including a range of photographic documentation of the repairs. A selection of these photographs will be produced and displayed for the first time at White Rainbow, and will connect Mohri’s research and work with photography to her installation work, for which she is best known.
This play is an inquiry into the relationship of religion and folk narratives featuring Dulaang UP under the direction of Jose Estrella with lighting design by Barbie Tan-Tiongco and adaptation by playwright Rody Vera, all ACC grantees.
Asia TOPA: Asia-Pacific Triennial of Performing Arts is an artistic celebration of Australia's relationship with contemporary Asia. Vital, fresh and always unpredictable, Asia TOPA offers a city-wide window onto the creative imaginations fuelling the many cultures of the region.
The Asia Triennial of Performing Arts features numerous dance works from all over the region. China’s avant-garde Tao Dance Theatre performs two pieces from Tao Ye’s Straight Line Trilogy; in Eko Supriyanto’s Balabala, women combine dance with martial arts while his Cry Jailolo is a paean to endangered nature; Javanese music duo Senyawa together with Dancenorth and Lucy Guerin Inc present Attractor, a “trance-noise odyssey”; and in Dancing with Death, Thai choreographer Pichet Klunchun creates a space between life and afterlife inspired by the Phi Ta Khon ghost festival; and and the world premier of Wang Chong's "Little Emperors." Jen Shyu will have a solo recital on February 18.
Tatsuo Miyajima, one of Japan’s most renowned contemporary artists, is known for his sculptures and room-scale installations incorporating light and numbers.
Tatsuo Miyajima: Connect With Everything encompasses his sculptural works, rooms and environments, and performance videos. Time and its passage are explored through the works and represented visually by multiple, small digital counting devices. Miyajima developed his first customised digital counters in the late 1980s, using light emitting diodes or LEDs. These ‘counter gadgets’ remain central to his art today, their red and green palette expanding in the mid-1990s to include blue, then white, as LED technology developed in and beyond Japan.
Grantee: Tatsuo Miyajima
The exhibit features seven visual artists from UP Diliman, 3 of whom are ACC grantees (Gerry Leonardo, Anton del Castillo, Leeroy New, Junyee, Rita Gudiño, Leo Abaya and Reg Yuson) depicting Philippine stories about the origin of the sansinukob (universe). The exhibit is a glimpse of the ethno-astrology and ancient cosmology of Philippine cultures. Free and open to the public.
This exhibition, curated by Helly Minarty, interweaves various archives to show the complexity of historical trajectories of Orientalism in dance as both a historical construct and artistic resonance found in contemporary practice through its many guises. One can start from the les petites danseuses javanaises performing at the Dutch East Indies pavilion at the Paris Colonial Exhibition (Exposition Universelle) to American Ruth St Denis choreographing Radha in 1906. The on to the Oriental Tour of Denishawn - Ruth St Denis and Ted Shawn, the mother and father of American modern dance - in mid 1920s that preceeded with the making of the iconic Kecak dance by Walter Spies and I Wayan Limbak. It then detour back to Paris with the Balinese troupe from Peliatan village of Ubud in 1931 that catapulted Antonin Artaud's "Theater of Cruelty" whilst on the island, Kecak was well on the way to its amplified spectacularization as Bali most iconic dance.
Helly Minarty received an ACC Fellowship in 2011 to research American modern dance history in the United States.
Grantee: Helly Minarti
Yebizu Image Festival is a unique festival that aims to reconsider the issue of how to inherit the development of the media and the media from the past to the present and the future, to repeatedly conduct dialogue, to become a place to share widely. Tokyo, the first photograph exhibition held after the renewal opening of the Tokyo Metropolitan Museum of Photography, will use the entire Tokyo Metropolitan Museum of Photography as the main venue again and add connections with the areas deepened during the closing and further enhancement.
Traditional & innovative virtuosi Jin Hi Kim (komungo/electric komungo) and Min Xiao Fen (pipa/voice) perform on fretted string instruments from Korea and China.
Min Xiao-Fen received an ACC Fellowship in 2009 to travel to Japan and China to research the pipa. Jin Hi Kim received ACC Fellowships in 2014 and 1992 for travel to Japan and Indonesia.
Cunningham and longtime partner/composer John Cage were renowned for their legendary collaborations with the most significant experimental musicians of the late 20th and early 21st centuries. Join us to celebrate this remarkable legacy over two historic evenings with a festival of music and sound performances curated by composer/guitarist John King.
Featured with King are electronic music pioneer and longtime Merce Cunningham Dance Company associate David Behrman, contemporary classical composer Christian Wolff, and composer/performers Joan La Barbara, Fast Forward, Ikue Mori, George Lewis, Zeena Parkins, and Radiohead’s Philip Selway with London multi-instrumentalist Quinta.
John King received an ACC Fellowship in 1991 to observe and participate in contemporary music activities in Japan.
Following Cry Jailolo, which was well-received at TPAM 2015, BALABALA re-interprets the traditional dance of Jailolo, a remote island in East Indonesia, with contemporary sensitivity. A vigorous performance by five young female dancers from the region that transcends the cultural and gender hierarchies in Indonesia.
Eko Supriyanto received ACC Fellowships beginning in 1998 for graduate studies in dance at UCLA.
Grantee: Eko Supriyanto
This exhibition “The World’s Three Major Round Things: the Sun, the Moon, the Eye” is composed of several dozen pieces of art such as three-dimensional artwork, texts, and performances, based on the works from the solo exhibition “Everything and Others” (LISTE 21, Basel, June 2016 (which received a great response) and the “Rolling Stone, Olympics, the Sun, the Moon, Cold Water” (TERATOTERA-Involve, Tokyo, October 2016).
Satoshi Hashimoto received an ACC Fellowship in 2007 for research in the United States.
Grantee: Satoshi Hashimoto
Nao Nishihara challenges the ears, exploring relation and disrelation between sound and human being. Performance group Tsumugine, founded by Yasuno Miyauchi, combines the audience, space and its acoustic, as becoming a background scenery themselves. Both of them use sound as their medium, sharing the keywords such as human, sound, music, communication and body. While Nishihara deconstructs music relying on ears, Tsumugine attempts to pick up each sound around the world to start constructing something new. Presenting their performances in parallel, audience will witness those kinds of performance/music that are most needed in today.
The experimental jazz vocalist Jen Shyu, whose parents are immigrants from Taiwan and East Timor, established a new type of identity drawing unrestrained inspiration from her research into folklore music of five Asian countries/regions — from the remote mountains of East Timor to the river communities of East Kalimantan, Indonesia. Directed by the renowned Indonesian filmmaker Garin Nugroho, this solo music drama invites audience to the musical pilgrimage in six languages through East Timor, Indonesia, Taiwan, Vietnam and South Korea of the artist named “one of the most creative vocalists in contemporary improvised music” by The Nation.
Jen Shyu received ACC Fellowships in 2007 and 2013 to research music in Taiwan and Indonesia.
Grantee: Jennifer Shyu
The province of Yunnan is home to more than 20 ethnic groups whose exquisites’ songs echo in snowy mountains and serene lakes. Meet the Yi women who take the traditional “treading buckwheat” steps while working in the fields, weaving poetry into their everyday life; the Lisu people who express their love for nature through dancing; Wa maidens perform the “Hair Dance” under the moonlight, celebrating 3,000 years of civilization; and the Dai men who strike the elephant foot drums to celebrate the harvest festival, amid an exciting lineup. Their dances reflect the millenary tales of ancient cities, where culture and heritage pass from generation to generation.
Yang Yuntao undertook his ACC fellowship in a residency program at Shen Wei Dance Art in October 2011.
Grantee: Yuntao Yang
Songs of the Phoenix Mirror explores the full range and cultural significance of internationally renowned artist Wei Ligang’s current calligraphic practice. Through documents and archival footage, the exhibition reviews Wei’s artistic and intellectual development from the late 1980’s onwards. It surveys his major calligraphic styles: his signature “magic squares” and its variations; his monumental continuous cursive script inspired by Fu Shan (1607-1684) and other 17th-century masters; and his cursive renditions of the engraved lines of seals, steles, and Oracle bones.
Wei Ligang undertook his ACC Fellowship in 2006 in New York.
Grantee: Ligang Wei
This year marks the twelfth year Taiwan has participated in the Glenfiddich Artists in Residence program. 12 is also the number of years it takes for Jupiter, an astrological symbol for faith and wisdom, good fortune and growth, to complete one orbital cycle. Over the past 12 years the Glenfiddich artist’s village has been home to many Taiwanese artists. These creative talents are now brought together for the first time in an exhibition at Kuandu Museum of Fine Arts, titled Springs Eternal: Glenfiddich Artists in Residence - 12 Years from Taiwan.
The much-anticipated Singapore debut of Cloud Gate 2, featuring many of Taiwan’s most talented young dancers and two award-winning choreographers.
Reputed for their potent technique and polished skill, the sister company of the internationally celebrated Cloud Gate Dance Theatre of Taiwan, presents three riveting dance works by innovative Taiwanese choreographers Cheng Tsung-lung and Huang Yi.
Jennifer will perform Beethoven: Violin Sonata in D Major, Op. 12, No. 1
Vijay Iyer: Bridgetower Fantasy
Beethoven: Violin Sonata in A Major, Op. 47, Kreutzer
Shai Wosner, piano
Jennifer Koh received an ACC Fellowship to travel to Korea, Cambodia and Vietnam in 2012.
Grantee: Jennifer Koh
Vanita Gupta’s Breathe In, Breathe Out: A Medley in Spatial Registers explores the relationship between continuity and rupture, gravity and lightness, and the potentially infinite extension of shape and the concrete finitude of mass. Experimenting with contrasting materials that bend and yield, and integrating multiple forms including drawing, video projection and the three dimensionality of a sculpture, Vanita realizes an artwork on a life-size scale that offers the observer an interactive and immersive experience.
Vanita Gupta received an ACC Fellowship in 2014 to research contemporary art in the United States.
Grantee: Vanita Gupta
Experience this multidisciplinary collaboration between composer and musician Wayne Horvitz, visual artist Barbara Earl Thomas, and two Japan-based artists: video artist and VJ Yohei Saito and dancer/choreographer Yukio Suzuki.
Using recordings of his work performed by the Seattle Symphony in 2015, Horvitz will compose a new electronic score with video created by Yohei Saito. Yukio Suzuki will perform several short dance improvisations daily.
Yukio Suzuki received an ACC fellowship in 2014 to observe and participate in contemporary dance activities in New York.
Grantee: Yukio Suzuki
This quirky, subtly funny play explores the hopes, dreams and minor transgressions of three bathroom attendants working in the lobby restroom of a Bali hotel. Indonesian playwright Joned Suryatmoko will join us for the post-show discussion in person.
Joned Suryatmoko is currently on his ACC Fellowship in the United States.
Group exhibition by artists Sam Penaso, Joel Quinones, Nasser Lubay, Demi Padua, Fitz Herrera, Melbourne Aquino, Wipo.
Sam Penaso received an ACC Fellowship in 2013 to research contemporary art, meet artists and curators, and participate in an artist residency program in the United States.
Grantee: Samuel Penaso