Events Around the World
The play A Doll's House, part 2, picks up after Henrik Ibsen's A Doll's House concludes and explores, in uproarious fashion, the emotional chaos that results when Nora Helmer returns to the home from which she exited fifteen years earlier.
The New York Times, Los Angeles Times, W Magazine and Time Out New York all call A Doll's House, Part 2 "the best play of the Broadway season."
A Doll's House, Part 2 is written by Tony Award nominee Lucas Hnath, directed by Tony Award winner Sam Gold with lighting design by Jennifer Tipton. Jesse Green of The New York Times raves, “The best play of the year. I love A Doll's House, Part 2. This is a great comedy." Peter Marks of The Washington Post cheers, "I want do nothing but talk about A Doll’s House, Part 2 for the rest of my life.”
Grantee: Jennifer Tipton
This exhibition is a major symbolic event representative of the emergent Chinese avant-garde artists who influence the art scene in China today. This generation of artists no longer relies on the political history background and they have become the players of a larger scene, global in every sense. It shows an understanding of Chinese art as a vital and outstanding way of dealing with political, social and aesthetic issues. Curated by Ami Barak. Out of the 18 artists exhibiting, 4 are ACC grantees.
Throughout the summer at OCAT Personal Space is dedicated to the work of the young Beijing-based animation artist Lei Lei, and to the premiere of his latest moving image project Coming Soon. A feature-length animation, Coming Soon is the result of five years of hard work beginning in 2012. This stunning hand-crafted work of moving image takes its narrative from the life-story of Lei Lei’s grandfather Lei Ting. Combining drawing, collage, archival film and photos as well as footage of Lei Lei’s grandfather, Coming Soon is a remarkable feat of research and imagination, as the artist explores a complex historic era through the eyes of his generation and his own singular perspective. Both Lei Ting and Lei Lei’s father, Lei Jiaqi, were involved in this animation’s production, which lends the piece a subtle intimacy and great emotional force.
Grantee: Lei Lei
Moving Mountains is inspired by the ancient tale of a man, whom some called foolish, for seeking to move a mountain. Yang Fudong makes this story a poetic reflection upon human nature and the shifting values to which it can be subject, presented in a 46-minute black-and-white film, Moving Mountains, complete in November 2016 at the invitation of the Rolls-Royce Art Programme.
Grantee: Yang Fudong
The exhibition re-iterates a well-known phrase used for safety warnings in automobile sectors in America. The rear-view mirrors carrying the phrase often makes the artistic minds wonder. The exhibition adopts the thought at its departure and captures the chord between sensibility and nearness. The works showcased in the exhibition explores the idea of nearness and it’s relation to the proximity. The phenomenological possibilities, the emotions and the imaginations explored in the exhibition quote on the probabilities of nearness as well as question our idea and approaches towards perception.
ACC grantee Tatsuo Miyajima is part of this group exhibition. He received an ACC fellowship in 1989 to travel to New York to observe contemporary art activities for six months.
Grantee: Miyajima Tatsuo
Almost 250 years ago, the Royal Academy’s founding members agreed to hold an “Annual Exhibition of Paintings, Sculptures and Designs … open to all Artists.”
Everything you’ll see at the Summer Exhibition represents the art being made today. Expect to find a panorama of art in all media, from painting, printmaking, film and photography to sculpture, architectural works and performance art.
Grantee: Isozaki Arata
The exhibition “Crisscrossing East and West: The Remaking of Ink Art in Contemporary East Asia ” is curated by Mr. Cha Chi Jason WANG and consists of works by 27 artists from China and other countries. The artists achieve conceptual transformation creatively through the use of heterogeneous materials, concepts, and formal techniques. “Crisscrossing East and West” as the theme of the exhibition also calls for broader visions and insights to widen the realm of ink art.
Wu Chi-Tsung received a six-month ACC Fellowship in 2013 for creative research in New York City.
Floating above Brookfield Places' Winter Garden, The Roof is a site-specific suspended sculpture by Thai artist, Pinaree Sanpitak that celebrates collaboration and coexistence. The Roof is composed of translucent canopies hanging among the Winter Garden palm trees that create a literal but temporary ‘roof.’ Made from raw silk, glass fiber, non-woven fabric, wires, hooks, chains and aluminum modular truss, The Roof was constructed to interact with the architecture of Brookfield Place — as well as the palms and the people who pass through each day, forming a delicate, surreal shelter within the walls of the Winter Garden.
Pinaree Sanpitak,from Thailand, was in a residency at Headlands Center for the Arts in 2000 with support from ACC.
Grantee: Pinaree Sanpitak
Bangkok Art and Culture Centre and the Japan Foundation Asia Center present Mode of Liaisons exhibition as a part of "Condition Report", a collaborative art project with curators from Japan and Southeast Asian countries with the objectives to incubate young curators through working in collboration with senior curators. The Condition Report Project is composed of 2 parts of the curatorial works under the main theme “What is Southeast Asia?”. The first part is 4 exhibitions curated by the senior curators in 4 cities: Jakarta, Kuala Lumpur, Manila, and Bangkok to demonstrate their concepts, phenomenons, and contents of contemporary art as well as to employ the exhibition as an opportunity to train young curators. The second part is 14 separated exhibitions curated independently by young curators.
Sonata: Print Series by Nam June Paik offers a series of prints, including Paik’s musical compositions, drawings, photographs, performances, events and video sculptures. Nam June Paik, the Korean-American artist who died in 2006 at age 73, is widely known as the father of video art. He produced a large body of work while exploring the influence of electronic media on the arts.
Nam June Paik received ACC Fellowships in 1965 and 1970 for research in the United States.
Grantee: Paik Nam June
Hi! Houses art project is carried out in 4 significant historic sites in Hong Kong, bringing audience a journey into the century-old houses. Wilson Shieh, Lam Tung-pang, Fiona Wong and Jaffa Lam, are invited to pay tribute to the long tradition and historical legacies of 4 selected monuments namely Dr Sun Yat-sen Museum, Old House at Wong Uk Village, Law Uk Folk Museum and Sam Tung Uk Museum respectively. The 4 artists develop interpretative works together with their artist teams using their own visual vocabularies, based on field research, historical narratives, regional context as well as their personal experience.
Sound artist and ACC grantee TERESA BARROZO invites friends in the UK to visit, listen, and experience her very first sound installation “THIS TOO SHALL PAST” for the SOUND + ENVIRONMENT 2017 conference and festival. A contemplation on the concept of ephemerality experienced through framed sounds in a performance structure, the event opens on June 30 (Fri), 1-6pm, at the Duality Studio Live Floor University of Hull, United Kingdom as part of the Sound + Environment 2017 Art | Science | Listening | Collaboration. Teresa received her grant in 2014 to observe and research current practices, processes, innovations, and philosophies in music and sound art in the United States.
ACC grantee Jen Shyu, the acclaimed avant-garde vocalist, composer, multi-instrumentalist, dancer, producer, 2016 Doris Duke Artist and Fulbright scholar premieres "Nine Doors," a solo ritual music drama, in eight languages. "Nine Doors" is a work that promises to evoke at levels both personal and global. Nine was inspired by the loss of Shyu’s friend Sri Joko Raharjo “Cilik,” a master of Javanese shadow puppetry who died with his wife and infant son in an automobile accident at the age of 30. His 6-year-old daughter, who survived the crash, is the central character.
Time stops as she encounters powerful female legends—from the Wehali Kingdom of Timor to the Korean folkloric myth of Baridegi, the mother of all shamans—who become her guides. Sung in Indonesian, Javanese, Taiwanese, Mandarin, Tetum, Korean, Japanese, and English, the work reflects the parallels that exist between life and death, different cultures, and the importance of empathy over destructive assumptions that divide humanity.
While focused on the performing arts, this workshop intensive is suitable for all artists interested in developing a feedback process for the creative development of their own work as well as for any producers, programmers or administrators who are involved in artist development.
Grantee: Liz Lerman
The Kent/Blossom Music Festival is an advanced training institute for professional music training operated by Kent State University in cooperation with The Cleveland Orchestra and Blossom Music Center presenting public performances by distinguished artist faculty and talented young musicians.
Jennifer Koh received an ACC Fellowship in 2011 for research and creative work in Korea, China, Cambodia, India, and Indonesia.
Grantee: Jennifer Koh
Out of Hand: Materialising the Digital examines the place and impact of new digital manufacturing technologies – 3D printing in its various forms, CNC machining, laser cutting, and digital knitting and weaving. The exhibition features works by more than 60 artists, designers and architects from around the world.
Aki is an artist from Japan who will begin her ACC fellowship in New York in spring 2017.
Grantee: Inomata Aki
Rewoven: Innovative Fiber Art is a collaboration between the Kaohsiung Museum of Fine Arts, Taiwan, Taiwanese American Arts Council, New York, the Godwin-Ternbach Museum, Queens College and the QCC Art Gallery / CUNY. The exhibition showcases twenty-four artists whose extraordinary creativity and commitment to nature, environmental, and social issues are addressed in a convergence of painted, woven, netted, sewn, assembled and installed artworks.
Visual artist Wen-Fu Yu is part of the exhibition. Wen-Fu Yu received an ACC Fellowship in 2002 to undertake a residency in the U.S. and for research in New York.
Grantee: Yu Wen-Fu
LOOK/17 presents a unique opportunity for trans-global sharing of images and ideas. Working with Hong Kong based curator Ying Kwok, the festival will focus on exchange with China, welcoming Chinese photographers to our city, and exploring images taken in Hong Kong and Liverpool – cities with a long history of exchange.
The exhibition Lesson Zero aims to elicit collective contemplation of key issues of contemporary life. The works on display pose questions about teaching and learning, and the customs and circumstances of education. They explore the fundamental premises of these acts along with the resulting cultural implications, provoking thought on how the working principles of these methods are manifested in society. Through artistic observation and ideation, the works of local and international artists question the idea of education, which shapes an individual, and at the same time remind the viewer of the individuals who resist group norms of socialization in classroom and school settings.
Vollak Kong received an ACC fellowship in 2012 to observe contemporary art activities and for creative residencies in the U.S.
Grantee: Kong Vollak
The Next Festival of Emerging Artists is an intensive and immersive residency for young professional string players focused on musical exploration, entrepreneurial thinking and Contemporary Performance Practice. Founded by Artistic Director Peter Askim in 2013, the festival provides a setting for the next generation of artists to hone their craft in a beautiful setting, with generous financial support and the opportunity to collaborate with world class guest artists, including cellist Matt Haimovitz, ETHEL, cellist Jeff Zeigler, violist Nadia Sirota and guitarist/composer Richard Thompson.
Grantee: Jennifer Koh
Known for her photographic works in portraiture, contemporary landscape, and installation, 2008 ACC Fellow Wawi Navarroza returns with a much-anticipated show that summons “the Medusa and the Gaze” that can turn the “seen” into stone. Spending the last two years in field work, photography, research and hours at sea, the artist alludes to searching for the philosopher’s stone, this time: in MARBLE—as material and muse. The exhibit comes together with large-format photographs, sculpture/installation, and a durational painting.
MEDUSA will be on view until June 3 2017. Opening Reception on May 6th, Saturday starts at 6:00pm. Walkthrough with the artist is on the 27th, Saturday at 3 pm.
Wawi Navarroza recieved an ACC fellowship in 2008 for research and creative work in the United States.
Grantee: Wawi Navarroza
Embrace or Rebel? Traditional Asian Art Techniques in Contemporary Practice, a group exhibition curated by gallery director Hyewon Yi, presents works in various media by seven Contemporary East Asian artists who interpret traditional methods in innovative ways. Embrace or Rebel? considers long-established Asian techniques and styles that have taken a backseat to Contemporary East Asian art, partly due to their being viewed as antithetical to Modernism.
Enrico Isamu Oyama received an ACC Fellowship in 2011 to research contemporary art, meet artists and curators, and create new work while participating in an artist residency program in the United States.
Grantee: Enrico Isamu Oyama