Events Around the World
The largest solo exhibition in the United States in more than a decade of the work of internationally-renowned artist Dinh Q. Lê, this exhibition of five major video and photography installations entwines rarely heard narratives of war and migration from people in North Vietnam, the Vietnamese diaspora, and refugees who, like Lê, have returned to live in their home country. Assembling these obscure stories through the collection of found photographs, artists’ war sketches, and oral histories, Lê presents a multifaceted story about Vietnamese life before, during, and after the Vietnam War. In the process, he questions the viability of collective memory and reveals the effects of trauma on the cultural imagination.
ACC has provided support to the San Jose Museum of Art for this exhibition.
Dress Up, Speak Up is a multimedia exhibition exploring the role of costuming, iconography, and performance in constructing Identity and confronting history. With over 35 participating artists representing 22 nationalities, Dress Up, Speak Up delivers a global investigation of these concepts, while reconfiguring, reimagining, and reconstituting history to explore the legacy of European colonialism.
Grantee: Le Dinh Q.
Japonismes 2018: les âmes en resonance, an unprecedented celebration of Japanese culture that will unfold across France starting in July. For eight months, Japan’s finest culture will be showcased in Paris, the city of art, and other parts of the country on an epic, all-embracing scale. This grand event represents the Government of Japan’s largest endeavor to share Japanese culture with the world, a flagship project for making culture a pillar of our country’s diplomatic engagement.
Grantee: Nawa Kohei
The international art exhibition will take place at 20 venues across various well-known sites, including ancient temples along Bangkok’s principle river, the Chao Phraya River, historic architectural sites and iconic landmarks, and art and cultural institutions. 75 artists and groups from 34 countries (half of them from Thailand) are selected by international curatorial team.
Under the theme of Beyond Bliss, the artists are invited to create the art works under the concept and interpret the seemingly unattainable happiness in different ways. Creating the art piece at the historical, cultural and spiritual landmarks, representing the pursuit for happiness, both physical and mental, or finding the end of suffering. They also reflect social, political and environmental issues through the art works that have great impact to human happiness.
In Jen Bervin’s large-scale installation River, a hand-sewn model of the Mississippi River in silver sequins, you see the river reversed, mapped from the geocentric perspective— from inside the earth’s interior looking up at the riverbed. The scale is one inch to one mile. It took twelve years to make, and the same amount of time to sew each section of river that it would to walk the real one. The artist sewed the 230 curvilinear feet long sculpture by hand, including each of the thousands of reflective, silver sequins that densely cover the surface. The archipelagoes of the delta, south of New Orleans in the Gulf of Mexico, are mirrored. Wherever the piece is exhibited, the people and the space around them will be reflected. The first exhibition of the entire piece will be installed on the ceiling of the I.M. Pei space at the Des Moines Art Center in October 2018, curated by Alison Ferris.
Grantee: Jen Bervin
Stemming out of installation opera ‘Paradise Interrupted,’ this series of new iconic work by ACC grantee Jennifer Wen Ma explores the notion of paradise and utopia. The exhibition features two newly commissioned works, two video installations and a multi-media painting installation. ACC grantee Xiaoyu Weng, Associate Curator at the Guggenheim Museum, contributes a critical essay that surveys the artist’s recent works,” says the gallery.
Almond Chu's photographs document the relationship between college and city; he looked at the traces the students have left, the marks that have been written; scrutinized the construction, both inside and out. It's a remnant of heritage, of history. It is also the collective memory of the inhabitants of Clermont.
Grantee: Chu Almond Tak Wah
In her first solo exhibition in New York in nearly a decade, Coyne conceives ambitious tableaux that evoke cross-cultural themes of vanity, grief, and tragedy. Her richly layered, deeply psychological sculptures evince a long-standing interest in literature and literary figures, from Bruno Schulz to Joan Didion, and Japanese literature and film in particular.
Petah Coyne received an ACC fellowship in 1990 to survey traditonal and contemporary arts, meet with artists and curators, and create new work in Japan.
Grantee: Petah Coyne
One Hand Clapping, the third and final exhibition of The Robert H. N. Ho Family Foundation Chinese Art Initiative, curated by ACC alumna Xiaoyu Weng,will present new commissions by Cao Fei, Duan Jianyu, Lin Yilin, Wong Ping, and Samson Young. These artists have been selected for their unconventional artistic practices, creative experimentation, and critical reflections on social conditions in a technologically mediated reality. Each will collaborate with the museum on individual site-specific projects that respond to interconnected ideas proposed by the curators of the initiative.
Grantee: Weng Xiaoyu
A journey into the myriad ways a daughter has "become" her late parents. She inherited "her father's nose, her mother's singing voice, her father's sarcasm, her mother's fragile bones"...but also a lifetime of their objects and even their thoughts, revealing a family's story. A poetic narrative, a dance, a play, an opera, a comic drama by internationally acclaimed artist Janis Brenner, winner of 2017 United Solo Award for Best Choreography.
Grantee: Janis Brenner
ACC grantee Tang-Wei Hsu's says of his solo exhibition: "The process of creation is like walking in a maze. Between this speculation, instead of getting out of the maze, I feel that I have found a road map of the maze, and gradually can grasp the position and leave the footprint in the path."
Grantee: Hsu Tang-Wei
Isa Ho’s solo exhibition Westbeth Project is a five-year photography project that began in 2013 while she was in New York on her ACC fellowship and portrays artists in their flats, thus blurring the line between artists and their home. Isa Ho, who studied painting, uses an editing technic which brings her photographs closer to portrait paintings, and sees her photographs as realistic. “For me, a photograph is a platform on which to create a scene, rather than capture a narrative”, says the artist. Her photographs offer a critical approach to art and growing old in a capitalistic society, alongside questions regarding memory and loneliness.
The exhibition follows the artist's winning the first prize of the prestigious Arte Lagunacompetition, last March. It is the result of the collaboration between Nira Itzhaki of Chelouche Gallery and the competition’s initiatives. Itzhaki served in the jury committee which awarded the first prize to the artist.
Grantee: Ho Meng-Chuan "Isa"
Renowned critic Barbara Pollack tells the story of how a visionary generation of young Chinese artists are coming to prominence in the art world. Building on the new frontiers opened up by the Chinese artists of the late 1980s and 1990s, artists such as Ai Wei Wei who came to the West and became household names, this new generation are provocative, exciting and bold. But what does it mean to be a Chinese artist today? And how can we better understand their work?