Events Around the World
Dress Up, Speak Up is a multimedia exhibition exploring the role of costuming, iconography, and performance in constructing Identity and confronting history. With over 35 participating artists representing 22 nationalities, Dress Up, Speak Up delivers a global investigation of these concepts, while reconfiguring, reimagining, and reconstituting history to explore the legacy of European colonialism.
Grantee: Le Dinh Q.
One Hand Clapping, the third and final exhibition of The Robert H. N. Ho Family Foundation Chinese Art Initiative, curated by ACC alumna Xiaoyu Weng,will present new commissions by Cao Fei, Duan Jianyu, Lin Yilin, Wong Ping, and Samson Young. These artists have been selected for their unconventional artistic practices, creative experimentation, and critical reflections on social conditions in a technologically mediated reality. Each will collaborate with the museum on individual site-specific projects that respond to interconnected ideas proposed by the curators of the initiative.
Grantee: Weng Xiaoyu
NOW explores how the diversity of current female artistic practice transcends notions of gender difference to offer hybrid perspectives on their socio-political environment. ACC alumni Li Shurui, Ma Quisha and Yin Xiuzhen are some of the most exciting female artists working in mainland China.
From giant installations and elusive sculptural pieces challenging and exploring everyday objects to powerful and other-worldly visual narratives, the huge variety of artworks found throughout the NOW programme, reflects the many viewpoints of artists in the wake of feminist movements of the past.
Then and Now includes an array of commissioned works by Asian American artists focused on exploring community-building and community-engaged arts with and within the Asian/American community in Philadelphia. The closing reception will feature live performances by Eiko Fan, and Saya Woolfalk with Annielille Gavino.
On the Periphery of Vision is a group exhibition curated by ACC alumni Christopher Phillips. The exhibition features works in a variety of mediums – painting, drawing, sculpture, photography, film and video – by five artists: Apichatpong Weerasethakul, Bae Youngwhan, Michelle Charles, Koo Donghee, and Shimpei Takeda. The artworks have been selected for their power to suggest a variety of familiar yet elusive experiences that lie just beyond the boundaries of perception. A thread of recurring themes and references runs through the works, inviting viewers to enter into the dialogue that connects them.
This exhibition is based on the perception that radical avoidance of food on the one hand, and its excessive consumption on the other, are deviations from the middle way; the two meet up where fine taste ends. Abstaining entirely from food as a performative artistic act that has exceeded its own limits is the core of Franz Kafka’s Hunger Artist. The tale’s hero fasts before an audience of spectators for forty days, until the audience grows bored. The artist continues to fast in a circus cage containing only hay. One day an inspector finds the artist dying under the hay, and asks him why he did not eat.
Grantee: Ozawa Tsuyoshi
The American Dance Festival continues to draw a dizzying array of talent. This year's festival will feature 53 performances by 26 companies and choreographers in 7 different venues. That includes 14 ADF debuts, 11 ADF commissions and 10 world premieres. That also includes more women choreographers as well as a showcase for local talent. ACC has supported ADF since 1984.
A historic panel titled “Why Do They Fall Down? The Story of Modern Dance in China” will celebrate 30 years of modern dance in China on Sunday, June 17th, 2:00-3:30pm at White Lecture Hall on Duke University's east campus. Panelists include Director Emeritus of ADF Charles L. Reinhart, Yang Meiqi, the founder and former director of the first modern dance company in China, China’s foremost dance expert Ou Jian-Ping, Ralph Samuelson, former director of the Asian Cultural Council, Michelle Vosper, former director of the Asian Cultural Council in Hong Kong, internationally celebrated choreographer Shen Wei, and former José Limón Company dancer Sarah Stackhouse. The event is free and open to the public.
Twenty years ago in 1998, ACC grantee Basil Twist debuted his boundary-breaking response to Berlioz’s 1830 “Symphonie Fantastique” to universal acclaim, inaugurating HERE’s intimate Dorothy B. Williams Theatre. In the two decades since Symphonie Fantastique’s premiere, Basil Twist has become an internationally recognized artist in opera, ballet, and on Broadway, and has won countless awards including the illustrious MacArthur Fellowship. Twist will revisit his legendary masterpiece as part of HERE’s 25th Anniversary Season. In this revival, accompanied live by the virtuosic pianist Christopher O’Riley playing the exquisite Liszt transcription, Symphonie floats and swirls in a 1,000-gallon water tank neatly disguised as a puppet stage. For the many who never saw it, and for those who relish seeing it again and again, the return of this tour de force to HERE is the event of the season.
Grantee: Basil Twist
Contemporary artist Jean Shin (American, born South Korea 1971) transforms everyday objects—worn-out shoes, fashion remnants, military uniforms—to create dynamic works about connection and belonging. Her installations, often made from donated and discarded materials, raise provocative questions about what, and how, we consume.
On view in this exhibition are six large-scale installations and a video that tell powerful stories about the military, the fashion industry, and Shin’s own Asian American community.
Grantee: Jean Shin
The National Museum of Modern and Contemporary Art, Korea, presents <How Little You Know About Me> the first in MMCA's 2018-19 exhibition series revolving around the keyword 'Asia'. <How Little You Know About Me> is a question we pose to ourselves ("how do we understand Asia?"), and also one that we raise against the images portrayed and labeled as Asia throughout history. In <How Little You Know About Me> "Asia" does not simply refer to a geographical region or identity -- it is a multifaceted critical framework that enables a new way of perceiving the world.
ACC alumni Yusuke Kamata is one of the 15 participating aratists in this group exhibition.
Grantee: Kamata Yusuke
Two ACC alumni will collaborate! For more than 40 years, the Kronos Quartet has pursued a singular artistic vision, combining a spirit of fearless exploration with a commitment to continually re-imagining the string quartet experience. In the process, Kronos has become one of the most celebrated and influential groups of our time, performing thousands of concerts worldwide, releasing more than 60 recordings of extraordinary breadth and creativity, collaborating with many of the world's most intriguing and accomplished composers and performers, and commissioning more than 900 works and arrangements for string quartet.
Soo Yeon Lyuh is a haegeum (Korean two-string fiddle) player, composer and improviser. Rigorously trained in court and folk repertories from a young age, Lyuh is known for her masterful performances of new compositions for the haegeum. In Korea, she served as a member of the National Gugak Center’s new music troupe for over a decade. Deeply invested in exploring new musical possibilities via improvisation, Lyuh seeks to continually expand contemporary haegeum possibilities through work with new media and technology.
Seeing is something most of us take for granted. Yet, to consciously see is surprisingly difficult, and as a result, we tend to miss much of what there is to see. An art museum is a place for “seeing,” “admiring,” and “thinking about” artworks. To the visitors to this exhibition, whether they normally enjoy viewing artworks or find it difficult, we would like to say, “First of all, begin by seeing well.” The exhibition “Adventures in ‘Seeing’” starts there.Open yourself to the artwork a little more than usual. Stand and view it 10 seconds longer than usual. After viewing it thoroughly, relax and view it a little more. Doing so, you will begin to see details you had not noticed, and your imagination will have time to come into play. Discoveries, surprises, and new feelings will come to you in an experience really no different from an adventure story.
Grantee: Suzuki Hiraku
Danny Chen is the son of Chinese immigrants, and a proud American. He enlists in the US Army in 2011, eager to serve his country. In boot camp, Danny is welcomed by his band of brothers. But in Afghanistan, his own base becomes enemy territory as military hazing turns deadly. Based on a true story, this world premiere of the new two-act opera by composer Huang Ruo and playwright David Henry Hwang, both ACC grantees, asks powerful questions about what it means to be an American.
Photograher and ACC grantee Koichiro Kurita has been inspired by the writings of Henry David Thoreau, and his dream to increase the relationship between nature and humans, and by Henry Fox Talbot, a British scientist, inventor and photography pioneer who invented the salted paper and calotype processes, precursors to photographic processes of the later 19th and 20th centuries. Born in 1943, at age 40 Kurita began the pursuit of fine art photography as a way to describe his profound reverence for nature. Kurita became inspired to retreat to nature in order to learn by connecting to its beauty. The resulting photographs are large hand-coated platinum prints carefully printed on handmade Gampi vellum.
Grantee: Kurita Koichiro
Virtuosic composer/vocalist and ACC grantee Amirtha Kidambi continues her 2018 residency with Roulette to present the world premiere of Lines of Light. The piece is inspired by the title of the late Muhal Richard Abrams’s Levels and Degrees of Light and medieval composer Hildegard von Bingen’s reference to her vision of God as “The Shade of the Living Light” and brings together a group of female vocal powerhouses. Featuring Jean Carla Rodea, Anaïs Maviel, Emilie Lesbros, and Charmaine Lee, the quartet is a structured improvisation, intended to allow each vocalist to exercise maximum creativity within the larger framework of the piece.
180 Faces is the first exhibition of new work by ACC grantee and Chinese painter Liu Wei to be shown in the United States since 2000. Comprising 180 unique “portraits,” these paintings build upon an array of influences informing the artist’s work, from Chinese calligraphy to Expressionism, whilst marking an extraordinary foray into totally new territory. These paintings were first exhibited at the Ullens Center for Contemporary Art, Beijing in March 2018. In this series of paintings, made over the course of one year, Liu Wei demands that the viewer consider the works not as portraits of actual people, but as expressions of his own subconscious impulses.
Grantee: Liu Wei
SUPERPOSITION: Equilibrium & Engagement, curated by Artistic Director Mami Kataoka, presents the work of 70 artists and artist collectives from 35 countries at the Art Gallery of New South Wales, Artspace, Carriageworks, Cockatoo Island, Museum of Contemporary Art Australia, Sydney Opera House and 4A Centre for Contemporary Asian Art.
The Biennale of Sydney is located on the traditional lands of the Gadigal people of the Eora nation. The Biennale acknowledges the traditional custodians of the land and pay respect to Elders, both past and present.
Apichatpong Weerasethakul: The Serenity of Madness, is a solo exhibition by visual artist and ACC grantee Apichatpong Weerasethakul and is curated by ACC grantee Gridthiya Gaweewong. A leading figure in contemporary film and art, Apichatpong Weerasethakul has developed a singular realist-surrealist style in which he portrays the everyday alongside supernatural elements, suggesting a distortion between fact and folklore, the subconscious and the exposed, and various disparities of power. The artist’s passionate positions regarding class, labor, sexuality, science, and spirituality have informed his practice from early in his career to the present, and his work reveals stories often excluded in history in and out of Thailand: voices of the poor and the ill, marginalized beings, and those silenced and censored for personal and political reasons.
Curated by Gridthiya Gaweewong, Apichatpong Weerasethakul: The Serenity of Madness, uniquely presents a selected survey of rarely seen experimental short films and video installations by Weerasethakul, alongside his photography, drawings, sketches, and archival material that explore threads of sociopolitical commentary. In tandem with the exhibition, the Oklahoma City Museum of Art will present a retrospective of the director’s theatrical releases in its Samuel Roberts Noble Theater. The exhibition will also feature a special opening event for the Museum’s recently launched Film Society.
ACC grantee Bulareyaung Pagarlava collaborates with Luluna Bunun Choir, a tribal choir well known for its rich voice tradition, in bringing the pristine movements and sounds from the Mother Nature. Don't miss the rare chance to see the music and hear the dance from Taiwan.
Grantee: Pagarlava Bulareyaung
The Shanghai-born, New York-based photographer and ACC grantee Shen Wei is the master of seductive intimate portraits, poetic landscapes, still-lives and erotic botanic images. His work is a fine balance between private and public spheres. He often challenges his traditional but conservative culture by explicit self-portraits and nudity. Following his series “Chinese Sentiment” being consistent with his sensual and emotional style, Shen turned the lens upon himself, producing “I Miss You Already”, a series of achingly sentimental nude self-portraits revealing his processes of self-reflection and discovery.
Grantee: Shen Wei, Photographer
Leading 20th century photographer William Klein had a decisive influence on modern visual culture with his expression that went beyond genres such as photography, movies, design and fashion, and his works capturing the cities of the world, including New York, Rome, Moscow, Tokyo, Paris, etc. In this exhibition, 21_21 DESIGN SIGHT introduces the city vision of Klein and Japanese and Asian photographers trying to examine the cities and people of the 21st century with a fresh perspective and greatly transcend the frames of conventional photos.
Fragility: An Exploration of Polyrhythms is the world premiere of drummer/composer and ACC grantee Susie Ibarra’s new immersive performance. Drawing on deep knowledge of Asian and jazz percussive traditions, Ibarra leads audiences on a journey into a mesmerizing musical environment. An ensemble of seven musicians creates multi-layered, expansive sonic textures. Dancer Souleymane Badolo interacts with custom-built motion capture technology in which the dancer’s movements trigger recorded sounds to create a live rhythmic composition.
Grantee: Susie Ibarra
In this US premiere, acclaimed Australian composer Liza Lim dissolves boundaries to create holes in the world—perforations in which we might encounter more than one existence. Two-headed birds and layers of light conjure a magical world under ACC grantee and Director Ong Keng Sen (Facing Goya; 2014) in this dramatic work inspired by Jonathan Safran Foer’s art book by the same name. Two singers take on multiple characters as the Spoleto Festival USA Orchestra, led by John Kennedy, weaves a descriptive soundscape full of the intricate details that attract us to fantasy.
Grantee: Ong Keng Sen
Papermoon Puppet Theatre (ACC 2008) is a renowned collective based in Yogyakarta, Indonesia. To date, they have created more than 20 performances and visual art installations and exhibitions, which they have toured to more than 10 countries since 2006.
They are performing as part of the Southeast Asian Tour of their newest work, "Puno: Letters to the Sky." An original play for adults and children ages 7 and above, the work is an ode to losing our loved ones and is inspired by ACC fellow Don Salubayba.
La MaMa Moves! Dance Festival is presented at The Ellen Stewart Theatre and the Downstairs Theatre & Lounge. This season's programming continues to support La MaMa's commitment to presenting diverse performance styles that challenge audience's perception of dance, and will feature performance/installations, experimental film screenings & public symposiums which address dance artists' engagement with the current political climate, as well as honoring diasporic histories and legacy, ancestral inspirations and inter-generational dialogue.
Internationally acclaimed composer and artist -- and ACC alumnus -- Shuta Hasunuma is known for his engagement in a wide variety of music-related activities, as a composer, producer, collaborator in genres like film, theater and dance, as well as his Hasunuma Philharmonic Orchestra, which presents concerts among musicians from different musical backgrounds. Hasunuma will present video, sound, sculpture and other works in which he has extracted the key elements of his creative process, namely, fieldwork, collaboration, and phenomena. The exhibition will consider new relationships and coexistences among people, and between humans and non-humans, while at the same time composing works for exhibition to create a singular harmony.
Grantee: Hasunuma Shuta
What would our world look like 32 years from now? Over fifty international and Taiwanese artists will seek to uncover the future through art at this first joint venture by the Royal Museums of Fine Arts of Belgium and the National Taiwan Museum of Fine Arts.
"2050: A Brief History of the Future," which was presented at the Louvre in 2016, will run in Taichung from March 24 through June 3 to elaborate on the concepts first proposed by French economist Jacques Attali in the 2006 bestseller "A Brief History of the Future."
Attali speculates on human and technological development in face of troubling population growth, overexploitation of resources, social inequality, and religious wars. Curator Pierre-Yves Desaive has expanded upon this framework to mount an exhibition with a Taiwanese perspective.
Grantee: Kuo I-Chen
For his latest piece, titled Oscar Oiwa in Paradise – Drawing the Ephemeral, the artist used 120 black marker pens to adorn an entire inflatable dome with illustrations of imaginative pathways, mythical forests, and swirling skies. Created exclusively for JAPAN HOUSE São Paulo, the installation took two weeks to complete with the help of five assistants. Visitors are invited to enter the vinyl balloon, where they can experience Oiwa’s otherworldly, imaginary landscape. The colossal, monochrome drawing covers every surface of the 10 x 7 x 4 meter vinyl surface, and is influenced by the artist’s love of comic book art, and the Brazilian urban environment.
Grantee: Oiwa Oscar Satio
Join ACC grantees and artists Anne Percoco and Ellie Irons as they lead Interference Archive's Weed and Seed walk on Saturday, June 2nd for an afternoon weed walk through Gowanus. The neighborhood is the perfect place to explore plants growing on superfund sites and brown fields, out of the side of buildings or cracks in the sidewalk, or from other former or current sites of human infrastructure or activity. After exploring, everyone will head back to Interference Archive for a conversation about some of the material in their archival collection that helps to understand climate change and sustainability.
Interested in walking with? RSVP to firstname.lastname@example.org