Le Dinh Q.Vietnam
Grants Awarded2010 | Visual Art | Vietnam
to enable four Vietnamese-American artists to participate in exhibitions and public programs at San Art in Ho Chi Minh City, Vietnam2008 | Literature | United States
to enable four Vietnamese-American artists to participate in exhibitions and public programs at San Art in Ho Chi Minh City, Vietnam.2008 | Visual Art | Japan
to enable Japanese artist Goh Ideta to participate in a residency at San Art
Rewind: Selections from the Harold and Ruth Newman New Media Collection comprises a selection of new media works from the Museum’s collection; Asian contemporary art.
This exhibition commemorates the 50th anniversary of ASEAN (Association of Southeast Asian Nations) by showcasing the contemporary art of the region and aims to be one of the largest Southeast Asian contemporary art exhibitions in history. The exhibition consists of 80 artworks by 86 artist groups from 10 ASEAN member countries and will be held simultaneously at 2 museums: National Art Center and Mori Art Museum. 19 ACC grantees are participating in this exhibition!
This exhibition explores the transformation of Asian popular culture during the 1960s and 1970s, a time when rapid economic development had the continent under its spell. As male actors were writing this history, the lives and voices of real women were being obscured by sociopolitical smokescreens, postcolonial experiences of the Cold War, and dictatorship. Many women shared similar experiences, regardless of location, during this period of rapid urbanization and economic growth. Here, the exhibition presents a comprehensive look at their forgotten discourse through a prism of Asian diva songs and popular cultural signals documented along trajectories inked in postcolonial modernity.
The Scrolls: Distortion is a new body of work and a cumulative exploration of Lê’s oeuvre to date, putting his series such as Persistence of Memory, From Vietnam to Hollywood, A Quagmire This Time, and Remnants, Ruins, Civilization, and Empire in conversation with one another. Key to this body of work is Lê’s attention to memory. Whereas previously Lê’s work dealt with fragmented memory and processes of piecing together or reconciling painful and traumatic histories, here he is presenting memory as landscape.
ACC grantee Dinh Q. Lê revisits this historical event to create stunning photo-montages where he weaves photographic strips into a tapestry of images, a continuation of his artistic practice in the medium of print and paper. From elaborate cyanotypes to exquisite foiling works, Lê examines and captures the splendour and darkness of Cambodian history through its enduring legacy of architectural monuments and photographic memorials. His works encapsulate the common human experience of loss and redemption, merging Eastern and Western cultures, as well as personal and fictional realities.
Dress Up, Speak Up is a multimedia exhibition exploring the role of costuming, iconography, and performance in constructing Identity and confronting history. With over 35 participating artists representing 22 nationalities, Dress Up, Speak Up delivers a global investigation of these concepts, while reconfiguring, reimagining, and reconstituting history to explore the legacy of European colonialism.
ACC grantee and Vietnamese-American artist Dinh Q. Lê creates a new series of woven photographs exploring the sexual revolution in Vietnam through the internet, investigating the factors driving society's moral attitude toward sexuality and the liberation of stigmas.
The exhibition remembers the past and captures the diversity and transformation of the current Vietnamese American community. VIET STORIES incorporates the history of refugees and immigrants from Vietnam through historical photographs, documents, artifacts, oral history interviews, and original artwork by prominent Vietnamese American artists.
Then and Now includes an array of commissioned works by Asian American artists focused on exploring community-building and community-engaged arts with and within the Asian/American community in Philadelphia. The closing reception will feature live performances by Eiko Fan, and Saya Woolfalk with Annielille Gavino.
The largest solo exhibition in the United States in more than a decade of the work of internationally-renowned artist Dinh Q. Lê, this exhibition of five major video and photography installations entwines rarely heard narratives of war and migration from people in North Vietnam, the Vietnamese diaspora, and refugees who, like Lê, have returned to live in their home country. Assembling these obscure stories through the collection of found photographs, artists’ war sketches, and oral histories, Lê presents a multifaceted story about Vietnamese life before, during, and after the Vietnam War. In the process, he questions the viability of collective memory and reveals the effects of trauma on the cultural imagination.
ACC has provided support to the San Jose Museum of Art for this exhibition.