Grants Awarded2002 | Visual Art | Asia General
to observe contemporary arts activities, meet with artists and curators, and visit museums and galleries in the Mekong Region
This exhibition commemorates the 50th anniversary of ASEAN (Association of Southeast Asian Nations) by showcasing the contemporary art of the region and aims to be one of the largest Southeast Asian contemporary art exhibitions in history. The exhibition consists of 80 artworks by 86 artist groups from 10 ASEAN member countries and will be held simultaneously at 2 museums: National Art Center and Mori Art Museum. 19 ACC grantees are participating in this exhibition!
Grantees: Apichatpong Weerasethakul, Araya Rasdjarmrearnsook, Aye Ko, Ly Daravuth, Le Dinh Q., Gridthiya Gaweewong, Tran Luong, Lyra Teresa Abueg Garcellano, Mella Jaarsma, Montien Boonma, Navin Rawanchaikul, Ismail Roslisham, Sutthirat Supaparinya, Tiffany Chung, Uthit Atimana, Vasan Sitthiket, Htein Lin, Lee Wen, Roberto R. Chabet
Apichatpong Weerasethakul: The Serenity of Madness is a traveling exhibition curated by Gridthiya Gaweewong and produced by Independent Curators International (ICI), New York. This new solo exhibition uniquely presents a selected survey of rarely-seen experimental short films and video installations by Weerasethakul, alongside his photography, sketches, and archival materials that explore threads of socio-political commentary which has continually guided his practice. His passionate positions regarding class, labor, sexuality, and spirituality paint a portrait of an artist concerned with ethics, power, science, and liberation in equal measures.
Apichatpong Weerasethakul and Gridthiya Gaweewong both received ACC Fellowships, in 2004 and 2002 respectively, for creative research.
Apichatpong Weerasethakul: The Serenity of Madness, is a solo exhibition by visual artist and ACC grantee Apichatpong Weerasethakul and is curated by ACC grantee Gridthiya Gaweewong. A leading figure in contemporary film and art, Apichatpong Weerasethakul has developed a singular realist-surrealist style in which he portrays the everyday alongside supernatural elements, suggesting a distortion between fact and folklore, the subconscious and the exposed, and various disparities of power. The artist’s passionate positions regarding class, labor, sexuality, science, and spirituality have informed his practice from early in his career to the present, and his work reveals stories often excluded in history in and out of Thailand: voices of the poor and the ill, marginalized beings, and those silenced and censored for personal and political reasons.
Curated by Gridthiya Gaweewong, Apichatpong Weerasethakul: The Serenity of Madness, uniquely presents a selected survey of rarely seen experimental short films and video installations by Weerasethakul, alongside his photography, drawings, sketches, and archival material that explore threads of sociopolitical commentary. In tandem with the exhibition, the Oklahoma City Museum of Art will present a retrospective of the director’s theatrical releases in its Samuel Roberts Noble Theater. The exhibition will also feature a special opening event for the Museum’s recently launched Film Society.