Pichet Klunchun X Chen Wu-kang
From a distance, both look alike.
He from Taiwan, he from Thailand.
Their bodies move eloquently, Splintered between past and present.
Their stories speak of being between worlds,
before memory, inside politics, beyond expectations.
One is lonely, two is better.
Half full, half empty. Finding oneself in the other.
Two rebellious choreographers－Pichet Klunchun, an innovator in classical Thai classical dance and Chen Wu-kang, founder of Taiwan’s first all-male dance company HORSE－encounter in Behalf. Through an eloquent body dialogue that transcends documented history, defined geography and social taboos, they go to great lengths in dance to dethrone any gods proclaiming to be!
Praised as “the master of creating surrealist imagination,” Hsiao-Mei Ho is the highly attention-attracting Taiwanese female choreographer, and her works are imbued with rich imagery and humanistic reflection. Selected and integrated from the various images of Ho’s previous works, New Paradise of Silent Island is a collective creation with the spirit of Taiwanese cosplay. Ho’s dance creates a golden ukiyo-e from the hybridization of the sense of Taiwan and the foreign, presenting a metaphor of modern society where gaudiness and loneliness are juxtaposed with the puppet aesthetics of Barbie dolls. The strong local art style stands out among other contemporary dance works in Taiwan.
New Paradise of Silent Island combines local Taiwanese cultural symbols with observations of social genders, and faithfully portrays the world in a time of change with ingenious surreal techniques. Blurring the boundary between reality and creation, the choreographer resonates with the audience deeply in a frame-breaking and interactive way, inviting them to wander around the stage under a diverse and chaos atmosphere of Taiwanese temple fairs.
Grantee: Ho Hsiao-Mei