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Asia Society

to support the participation of artists and performers from Japan in the production "Recycling: Washi Tales" in March 2016

To support the Shwe Man Thabin Zat Pwe performance at the Asia Society in New York on April 10 and 11, 2015.

to enable Mr. Muhammad Zamzam Fauzanafi and Mr. Muchamad Fajar Ismail to travel to the United States to receive the 2011 National Arts and Humanities Youth Program Award from The President’s Committee on the Arts and Humanities.

to support the participation of two speakers from Asia in the ACAW 2011 public symposium program entitled dialogues in Asian Contemporary Art.

to organize a survey of Indonesian arts and culture for American arts presenters and leaders in the field of performing arts

To enable Sardono Kusomo and two other dance artists to participate in the Baryshnikov Arts Center's presentation of "Tradition, Inventions, Exchanges" in June 2009.

support the fall 2006 American performance tour of the Chorus Repertory Theater

support a residency by dancer Mugiyono Kasido and the presentation of the multi-media installation piece Traditions/Invention/Exchange at the Asia Society in summer 2005

to support twelve artists from Burma in a ten-day performance residency at the Asia Society and Lotus Fine Arts in New York (from Ford donations D-8326 and D-89254)

support for Chris Milado and Benny Sokong in the Ma-Yi production of Nikimalika as part of the Asia Society's program Sheer Realities: A Celebration of Philippine Culture

support for U.S. tour of Ratan Thiyam's Chorus Repertory Theatre

to support participation of artists from Asia for new performance project "Forgiveness"

support for musicians from Indonesia participation in Empty Traditions/City of Peonies and new collaborative performance work by Yin Mei and Tony Prabowo

To enable Vishaka Desai, director, Asia Society Galleries, to undertake art historical research in China in summer 1994.

To enable Rhoda Grauer, director, department of media and performing arts, to survey arts activities in East and Southeast Asia in spring 1994 in connection with developing future program plans for the Asia Society.

to support the participation of two contemporary arts specialists from Asia in the Asian American Art Centre's exhibition programs in 1993

To provide travel and per diem support for film artist for Asia participating in the International Festival of Asian Film held at the Asia Society in October 1989.

to provide support for the production of Kazuo Ohno and Company presented at The Asia Society in June 1988 as part of the new York International Festival of the Arts.

To support artists from Asia participating in the Asia Society's performance programs in 1986-87

to support a dance workshop in North Indian Kathak conducted by Birju Maharaj at the Asia Society in September 1985

to support curatorial travel involved in planning an exhibition of the work of Ito Jakuchu, scheduled to open at the Asia Society in fall 1989

Provide support to enable tweleve Indian directors, writers, and other film specialists to participate in Film India, a series of film screenings, lectures, and symposia held in selected cities throughout the United States organized by The Asia Society, The Museum of Modern Art, and the Indo-U.S. Subcommission on Education and Culture, New York, in fall 1981.

to enable Dr. Pratapaditya Pal, curator of the Indian and Islamic art, Los Angeles County Museum of Art, to survey collections of Indian art in Europe in connection with the preparation of the exhibition Sculptural Styles of Gupta India and Their Influence, scheduled to be shown at the Asia House Galley, New york; the Art institute of Chicago; and the Kimbell Art Museum, Ft. Worth, beginning October 1978.

to enable Clark Worswick, photographer, New York, to conduct research and survey photographic collections in England and India in preparation for The Last Empire: Victorian Photographs of India, an exhibition of nineteenth and early twentieth-century photographs of the art and culture of India, shown at the Asia House Gallery, New York, July-September 1976, and circulated thereafter to other cities in the United States.

To provide support for the exhibition Photographs from the Himalayas: Abode of the Snows organized jointly by the Asia Society and the International Center of Photography, shown at the Asia House Gallery, New York, summer 1975, and circulated thereafter to other cities in New York by the Gallery Association of New York State.

To enable Henry Trubner, curator, Department of Asian Art, Seattle Art Museum, to visit Japan to select works of art for the exhibition Chinese Ceramics from Japanese Collections shown at the Asia House Gallery, New York; the Seattle Art Museum; the Kimball Art Museum, Fort Worth; and the Asian Art Museum of San Francisco, April-December 1977.

(The Asia Society Performing Arts Survey) To the Asia Society, New York, to provide support for a survey by William W. Lockwood, Jr., director of programming, Lincoln Center for the Performing Arts, New York, in connection with the proposed reestablishment of the Asia Society's Performing Arts Program

The Asia Society New York City Schools Program See 1964.

to provide support for a lecture-demonstration program on Asian dance for schools in the New York City area and for the production of a film on Asian performing artists, made in collaboration with the New York City Board of Education.

to provide support for a concert tour in the United States by Indian musicians and the sitarist, Ravi Shankar, September 1964-February 1965.

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Bond Street Theatre

New York, New York: to enable three members of Bond Street Theatre in New York to collaborate with the new resident theater company at the Gitameit Music Center in Yangon, Burma.

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William Ward Keeler

six-week fellowship to work with musicologist Philp Yampolsky, to document and record za pwe in Mandalay in June 2005

research and documentation on classical Burmese music. Applying with Rick Heizman.

to document and record classical song repertory in burma in May and June 1996, with the assistance of ethnomusicologist Philip Yampolsky.

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