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International Congress of Orientalists

To the Association for Asian Studies to enable the following individuals to attend the XXVII International Congress of Orientalists, Ann Arbor, Michigan, August 1967, and thereafter to travel in the United States, and to provide support for an exhibition of Asian art held in conjunction with the congress: P. Banerjee, National Museum, New Delhi, India; Akira Fujieda, Kyoto University, Japan; Fumio Koizumi, Tokyo University of the Arts, Japan; Anand Krishna, Bharat Kala Bhavan, Benares, India; Kei Suzuki, Tokyo University, Japan; Yoshiho Yonezawa, Tokyo University, Japan

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International Congress on Religion, Architecture, and the Visual Arts

To enable B. V. Doshi, architect, Ahmedabad, and Patwant Singh, architect and publisher, New Delhi, to attend the 1967 International Congress on Religion, Architecture, and the Visual Arts, New York, August-September 1967

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Juilliard School

To provide scholarship support for the following music students from Asia selected by the Juilliard faculty: From India: Mohan Dutt. From Japan: Hamao Fujiwara, Hirofumi Fukai, Hiroko Furusawa, Sumiko Hama, Koichiro Harada, Hidemitsu Hayashi, Akiko Ikuo, Nobuki Imai, Kazuhide Isomura, Ko Iwasaki, Midori Kugota, Kozue Kurebayashi, Teiko Maehashi, Katsurako Mikami, Naoyuki Miura, Yoshiko Nakura, Takako Nishizaki, Kineko Okumura, Nigo Sato, Takamichi Shiozawa, Akio Takada, Saiko Wakaari, Yuko Washio, HIroko Yajima, Jiro Yamaguchi, Yuko Yamaguchi. From Korea: Philip Cho, In Dal Choi, Chun Myung Kim, Hae Ja Kim, Joseph Kim, Kuem Mo Kim, Sung Kil Kim, Sung Sook Lee, Kun Woo Paik, Chung Ha Park, Kyu Do Park. From the Philippines: Adolovni Acosta, Evelyn Mandac. From the Republic of China: Rosy Tsang

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P. S. Rajan

To study architecture at the graduate level at Harvard University and to observe contemporary developments in architecture and methods of architectural training in the United States

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Tanjore Viswanathan

To study ethnomusicology in a program leading to the Ph.D. degree, to give instruction and participate in performances of Indian music in the World Music Program, and to serve as an artist-in-residence during 1967-68 at Wesleyan University

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Bal Bhavan and National Children's Museum

To the Museum of Modern Art, New York, to enable Prem Prakash Garga, instructor, Bal Bhavan, to study and observe art education and museum programs for children in the United States

to the Museum of Modern Art, New York, to provide training in the United States for Indian teachers for Bal Bhavan and to provide for the purchase of art materials.

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