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Fine Arts Department of Thailand

to enable Buckminster Fuller, designer, Philadelphia, and Shoji Sadao, architect, New York, to develop a design for a structure to cover and protect archaeological sites in Thailand

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Banchong Kosalwat

to complete a program of study leading to the M.F.A. degree in cinematography at Temple University

to complete a program of study in cinematography leading to the M.F.A. degree at Temple University

to continue to study cinematography in a program leading to the M.F.A. degree at Temple University

to study printmaking at the Pratt Graphics Center, New York, to study filmmaking at New York University, to pursue painting activities, and to observe contemporary art developments in the United States.

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Pisit Charoenwongsa

to complete a program of study leading to the M.Sc. Degree in antropology at Upenn and to participate in archaelogical conferences sponsored by the Smithsonian Institution an the National Bureau of Standards, Washington D.D., and by Upenn in March 1977.

to study archaeology in a program leading to the M.Sc. Degree in anthropology at the University of Pennsylvania, and to participate in the UNESCO Symposium on Bronze Culture in East and Southeast Asia held in Bangkok, June 1976

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National Museum, Thailand

to provide support in collaboration with the Fine Arts Department, Bangkok, and the Freer Gallery of Art, Washington, D.C., to establish a twelve-month project at the National Museum under the supervision of W. Thomas Chase, head conservator, Freer Galler

to enable Chira Chongkol, curator, to survey museum collections and to meet with museum professionals in the United States, and to enable Ake Chareepolakon, technician, to survey exhibition design and installation techniques in the United States.

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Pricha Arjunka

to pursue painting activities, and to observe contemporary art developments in the United States.

to pursue painting activities, and to observe contemporary art developments in the United States.

to study at the Skowhegan School of Painting and Sculpture, Skowhegan, Maine, summer 1968, to pursue painting activities, and to observe contemporary art developments in the United States.

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