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Japan Society

to support the participation of Japanese experimental artist Otomo Yoshihide in a collaborative residency at Japan Society in May 2016.

to support the participation of Japanese motion-graphic artist Nobuyuki Hanabusa in two creative residencies with his U.S. collaborators, with whom he will work on the multidisciplinary production of Yukio Shiba’s play Our Planet

provide support for couriers and other museum professionals from Japan who will be bringing painting from Japan for the exhibition Awakending: Zen Figure Painting in Medieval Japan

support the participation of curator Takashi Murakami and three assistants in the installation of the exhibition: Little Boy: the Arts of Japan's Exploding Subculture in spring 2005

support the participation of three American choreographers in the U.S./Japan Exchange Residencies Project II in Japan in 2005

support for scholars from Korea and Japan to participate in the "Early Buddhist Art from Korea and Japan" exhibition in New York April 9 through June 22, 2003

Participation of two dance artists in the US/Japan Exchange Residencies Project

support for scholars from Korea and Japan participating in a planning seminar for the exhibition, Early Buddhist Art from Korea and Japan in June 2001

To support the Toru Takemitsu memorial concert held at Japan Society in May 1996.

To enable guest curator Robert Moes to undertake research in Japan in fall 1995 in connection with preparations for an exhibition and catalogue on the work of ceramic artist Kanjiro Kawai.

To support the participation of artists from Japan in 1994-95 performing arts programs at the Japan Society.

to support a Japan Society concert program featuring shakuhachi player Hozan Yamamoto in November 1992

To support the participation of Japanese archaeologist Karoku Miwa in a symposium on Japanese archaeological ceramics held at the Japan Society in January 1991.

to support a performance of Water Station by the contemporary Japanese theater group Tenkei Gekijo as part of the New York International Festival of the Arts in June 1988.

To support the film series and symposium entitled "Japan at War: Rare Films from World War II," presented at Japan Society in fall 1986

To support performances and educational programs presented by the Japanese classical music ensemble Nagauta To-on-Kai at Japan Society in New York in May 1986.

Provide support for the exhibition Sound on Paper: Music Notation in Japan held at the Japan Society in summer 1981.

to provide support for the exhibition "Nara Ehon" held at the Japan House Gallery, New York, September 1978, in conjunction with an international symposium on Nara Ehon.

to provide support for the production of a documentary film entitled "Shinton: Nature, Gods and Man in Japan."

Japan Society Exhibition Study To the Japan Society, New York, to enable Rand Castile, director of exhibitions, Japan House Gallery, to survey art collections and exhibitions techniques in Japan and the United States in preparation for the opening of the Japan House Gallery.

Japan Society Kabuki Program To the Japan Society, New York, to provide for the production and distribution in the eastern United States, in collaboration with Channel 13, New York, of a color videotape on Kabuki techniques as demonstrated by the Grand Kabuki Theater, Tokyo, while on tour in the United States.

To support the showing in New York of the exhibition The Japan Expedition of 1852-55 of Commodore Matthew Calbraith Perry, February-March 1969, organized by the Smithsonian Institution.

To enable the Nomura troupe of Kyo-gen actors to present performances in cities and universities in the United States, January - March 1968.

To provide support for a performance and lecture-demonstration tour by the Hosho troupe of Noh actors to thirty-one cities in the United States, October 1966

To provide support for a concert tour by the Japan Philharmonic Orchestra to thirty cities in the United States, October-November 1964

To enable the Toho Gakuen String Orchestra, Tokyo, to perform in San Francisco and to present a series of concerts at Philharmonic Hall, New York, July 1964.

to provide support in collaboration with the Ford Foundation for a three-year program of fellowships to promote cultural exchange between Japan and the United States in which the following individuals participated: From Japan: Kenji Aikoh, art editor; Hiroshi Hamaya, photographer; Susumu Hani, film director; Yoshio Hara, doctoral candidate in sociology; Saeko Ichinohe, dancer and choreographer; Masuo Ikeda, printmaker; Mitsuo Kano, printmaker; Yasuo Kazuki, painter; Yurichiro Kojiro, professor of architecture; Takehisa Kosugi, composer; Shin Kuno, artist; Sadamasa Motonaga, painter; Takeshi Muramatsu, writer and critic; Minoru Niizuma, sculptor; Daiyu Nishi, sculptor; Shinjiro Okamoto, painter; Morio Shinoda, industrial designer; Akiko Shirai, printmaker and lecturer in architecture; Hisao Sugahara, curator; Takashi Suzuki, editor; Hitoshi Tada, editor; Keisuke Tanaka, mosaicist; Shuntaro Tanikawa, poet and writer; Soichiro Tomioka, painter; Hideo Tomiyama, curator; Yoshiaki Tono, art critic; Shindo Tsuji, sculptor and ceramist; Masakazu Yamazaki, playwright, Masanobu Yoshimura, sculptor; Joji Yuasa, composer. From the United States: R. Miriam Brokaw, editor; Paul J.R. Desjardins, professor of philosophy; Yayoi Kusama, artist; Patricia Murray, translator; Meyer Schapiro, professor of art.

to provide for the production and distribution in the United States, in collaboration with NET-TV, of ten thirty-minute films of performances by Japanese artists

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Miyauchi Yasuno

for a six-month grant to conduct research on contemporary music, meet artists and curators, and observe performing arts activities in the U.S.

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Music From Japan

to enable composer Misato Mochizuki and musicologist Yuji Numano to participate in public programs in connection with Music From Japan’s 41st season

to enable four musicians from Japan to participate in Music from Japan’s Resonances of the Kugo concert in New York and Washington, DC, in February 2012.

to enable Sukeyasu Shiba and the Reigakusha gagaku orchestra to participate Music from Japan's 35th Anniversary Season Festival in February 2010.

support for composer Hikaru Hayashi and three musicians participating in Music from Japan's Festival 2000

to support the summer 1996 lecture-demonstration tour of the Reigakusha ensemble.

To support the participation of Japanese composers and musicians in Music from Japan's twentieth anniversary concert and seminar programs in the United States in 1994-95.

Provide travel support for usicians and composers from Japan participating in Music from Japan's fifteenth anniversary concert season in New York.

To enable composers and musicians from Japan to participate in Music from Japan's concert and symposium programs in New York in June 1986

Provide support to enable composers and musicians from Japan to participate in Music from Japan's 1985 concerts in New York and Washington D.C.

Provide support for participation of composers and musicians from Japan in a concert of contemporary Japanese music at Carnegie Hall in February 1984.

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Spoleto Festival

to support the participation of Lihe Xiao in the world premiere of Paradise Interrupted in the 2015 season of Spoleto Festival.

to enable Ong Keng Sen to direct the American premiere of Michael Nyman's Facing Goya in the 2014 festival season

to support in its 2013 season Spoleto Festival USA’s first Japanese opera production, Toshio Hosokawa’s opera Matsukaze.

To support the 2012 production at Spoleto Festival USA of Guo Wenjing’s chamber opera Fengyiting, to be directed by acclaimed Armenian-Canadian film director Atom Egoyan.

to bring Hiroaki Umeda to Spoleto from May 22-June 7, 2009.

to support the participation of performing artists from the Contemporary Legend Theatre of Taiwan in the company's production of Kingdom of Desire at Spoleto Festival USA in spring 2005

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Asia / America New Music Institute

to support travel between Japan and Singapore for musicians and composers participating in a series of collaborative concert programs in fall 2014

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Cleveland Museum of Art

to enable Japanese conservator Sukesaku Wakiya to travel to the Cleveland Museum of Art, in order to lead the restoration of a masterpiece of Korean painting, Gibbons on a Landscape

Cleveland, Ohio: to support participation of two representatives from the Nanjing Museum in overseeing the retrospective exhibition The Art of Fu Baoshi at the Cleveland Museum of Art from September 2011 through April 2012.

Support travel to American museums and collections by Guoquiang Shan, curator of Chinese paintings, Palace Museum, Beijing.

Enable Shinichi Miyajima and Naoya Adachi, Fine Arts Division, Agency for Cultural Affairs, Tokyo, to accompany the exhibition Reflections of Reality in Japanese Art held at the Cleveland Museum in spring 1983.

Provide support for Asian participation in the International Symposium on Chinese Painting held at the Cleveland Museum in March 1981 in conjunction with the exhibition Eight Dynasties of Chinese Painting organized jointly by the Cleveland Museum and The Nelson-Adkins Museum of Art, Kansas City.

to enable Ling-yün Shih Liu, art historian, Taipei, to conduct research for a catalogue of the Chinese painting collection of the Cleveland Museum of Art and to prepare an exhibition catalogue to accompany a show of Chinese painting being organized jointly by the Cleveland Museum of Art and the William Rockhill Nelson Gallery and Atkins Museum of Fine Arts, Kansas City, scheduled to open in Cleveland in July 1979

to provide support for the organization of the exhibition Masterpieces of World Art from American Museums, selected under the auspices of the Museum Interchange Subcommittee of the United States-Japan Conference on Cultural and Educational Interchange (CULCON) and shown at the National Museum of Western Art, Tokyo, and the Kyoto National Museum, September-December 1976, in celebration of the bicentennial of the United States.

to provide support for a symposium held in conjunction with the exhibition Chinese Art Under the Mongols, October 1968, and to enable the following specialists in Chinese art to participate in the symposium: James Cahill, Department of Art, University of California, Berkeley, Unites States; Margaret Medley, Percival David Foundation of Chinese Art, London, England; Kei Suzuki, the Institute of Oriental Culture, Tokyo University, Japan; Beatrix von Ragu.

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Kanagawa Arts Theatre

to support former ACC grantee Miwa Yanagi (1998) and 16 members of the theater production team to travel to the U.S. for Yanagi Miwa Theater Project “Zero Hour”- Tokyo Rose's Last Tape, a multimedia theater piece that will be presented in six different cities in the U.S. in winter 2015 under the management of the Japan Society in New York

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