Lee Sun Ock
To teach, present workshops and develop new performance work at the Samulnori Institute in Seoul, Korea in 1996-97
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Search / Filter GranteesKim Kiyoung
To observe contemporary performing arts activities and the use of music in theater and dance performance in the United States, beginning fall 1995.
To observe contemporary performing arts activities and the use of music in theater and dance performance in the United States, beginning fall 1995.
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To observe contemporary theater activities and to intern in the lighting technique and design at La MaMa E.T.C. in New York in fall 1995 or spring 1996.
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To complete the requirements for the M.A. degree in dance education at Teacher's College, Columbia University, beginning September 1995.
To continue to study dance in a program leading to the M.A. degree at Columbia University in 1994-95.
To continue to study dance in a program leading to the M.A. degree at Teacher's College, Columbia University.
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To complete a program of study in theater leading to the Ph.D. degree at the University of Wisconsin, Madison, in 1994-95.
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to assist the International Theatre Institute in providing support services to theater artists from Asia
to enably Martha Coigney, president of ITI, to participate in a meeting of ITI's Cultural Identity and Development Committee held in Beijing in December 1991
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To observe contemporary arts activities, meet with artists and curators, and create new work in New York.
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To observe contemporary dance activities and to study modern dance in New York.
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To complete a program leading to the Ph.D. degree in art history at the University of California, Berkeley, during 1990-91.
to continue to study art history in a program leading to the Ph.D. degree at the University of California, Berkeley, during the 1988-89 academic year
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to complete a doctoral program in anthropology at the University of California, Berkeley, during the 1988-89 academic year
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to continue independent studies and creative work in the United States leading to the M.A. degree at Goddard College during the 1988-89 academic year
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to survey contemporary dance activities and meet with dancers and choreographers in Japan
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