Mary Lucier
with Leanne Mella, to undertake a collaborative research project on contemporary art and landscape architecture practices in Japan
了解更多with Leanne Mella, to undertake a collaborative research project on contemporary art and landscape architecture practices in Japan
了解更多Support to enable playwright Nicholas D. Pichay from the Philippines to serve as an artist in residence with Ma-Yi Theater Company
Support for Director Ralph Pena and writer/editor Josephine Barrios LeBlanc to participate in the Virgin LabFest at the Cultural Center of the Philippines and an associated Ma-Yi book launch in June/ July 2008
support to bring The Romance of Magno Rubio to the Sangandaan Festival in Manila in July 2003
Invitation to Rodolfo Vera to be an artist in residence in summer 1999
Support for tour of Flipzoids to Philippines in June 98.
了解更多Support for Yasuko Yokoshi to return to Japan in summer 2009 to continue work with Mayumi Seyama and for a residency by four dancers from Japan prior to Tyler Tyler's premiere in March 2010
了解更多with John Pirozzi, to support research and recording time for a soundtrack of traditional Cambodian music to accompany their documentary film, Don't Think I've Forgotten
了解更多to travel to Japan and Cambodia in fall 2009 in connection with international exchange programs between the United States and Asia
了解更多To travel to Asia to interact with artists and cultural commentators through studio visits and interviews
了解更多to enable you to complete dissertation research in India.
four-month fellowship to undertake dissertation research on seventeenth-century Hindu architecture in India
了解更多For doctoral dissertation research on contemporary musical narrative performance in Taiwan
了解更多To support the participation of theater director Anne Bogart in a master class in Shanghai in spring 2009
support for Richard Schechner and actors Jennifer Lim and Benjamin Mosse in the Shanghai Theatre Academy's production of Hamlet: That is the Question
To undertake research in university libraries in the United States, beginning in fall 1994, on the connections between Chinese drama and Western theater in the twentieth century.
To observe current arts activities in New York for eight days in March 1993
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