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Bridge for the Arts and Education

To conduct a workshop series facilitated by five artists from Malaysia and Japan involving open rehearsals and artist's talks to explore the link between Asian performance and the theme of death and rebirth through philosophy, movement, and sound.

A music workshop and open forum for artists from Asia coming to Japan to participate in a production of the Mahabharata that will be held as part of the official cultural events for the 2021 Olympic Games in Tokyo.

A 6-month Organization/Project Grant to support a joint film project around Hiroshi Koike’s Mahabharata Series with participating artists from nine countries across Asia

to support cross-cultural workshops in Jogjakarta for performing artists from Japan and Southeast Asia to create a collaborative interpretation of the Mahabharata

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Don't Follow the Wind

To support American artist and curator contributions, conducting on-site research and interacting with displaced residents, for the Don't Follow the Wind exhibition through planning and development.

A 1-month grant supplement to adapt a disrupted project to enable U.S. and Japanese artists and curators to carry out research in Japan and through online meetings in connection with the English publication Don’t Follow the Wind, examining community and artistic responses to the ongoing crisis in the Fukushima Exclusion Zone

To enable three Americans to undertake research in Japan, in order to lay the groundwork for the first English publication on the the "Don't Follow the Wind" project

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Alexander Dubovoy

To collaborate and produce music with musician Katherine Whatley and sake brewer Kazuyo Fukao based on traditional sake production practices and field recordings.

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Benjamin Kimitch

To embody classical dance forms and shadow performing artists Yasuko Yokoshi and Fumiya Otonashi on their daily studio practice and artistic craft, grounded in Nihon Buyo recital dance and Gagaku court performance traditions.

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Akil Kumarasamy

To research how ancient spiritual practices co-exist in modern cities like Tokyo by understanding traditions of itakos (blind female seers) and energy reiki healers, and how they fit into remote and urban areas of Japan.

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Ausen Lee

To visit different communities involved in independent art in Indonesia, history, reflective architecture, and culture in Hiroshima and Okinawa, and contemporary art in Thailand to understand the spirit of collaboration in different political situations and cultures.

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Kimi Maeda

To transform an abandoned house (akiya) in Japan's rural Shimane Prefecture into an immersive performance piece and oral history collection for the project, "Ichi Oku House" (一憶ハウス ).

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Koto Maesaka

To visit Hokkaido Province, Iwate Prefecture, and Tokushima Prefecture connecting with universities, local organizations, wadaiko (traditional Japanese drums) makers, and experiencing local dance festivals to connect with artists and organizers.

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Cynthia Martin

To continue research on a documentary film exploring how centuries of colonization and patriarchy in the Philippines led to shattered Filipino identity and how scholars and the youth are piecing it back together.

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