ACC 珍視由受獎人所組成的國際網絡，若您為 ACC 受獎人，歡迎來信至 alumnievents@accny.org ，分享您的活動資訊以刊登於 ACC 活動行事曆。請注意，僅限與 ACC 受獎人相關之活動內容方會發布。
搜尋/篩選活動With his "kitsch pastiche" artistic approach which includes compassion and humor for the world, Law Man Lok (ACC 2012, 2015) implemented a painting game of joy and anger by citing classics, and also led the audience to relive his own journey of jester aesthetics from Goya to Zunzi.
查閱活動Sofia Santiago (ACC 2020) and Ana Tamula (ACC 2020) through The Museum Collective work with Load na Dito Projects, Sa Sa Art Projects (ACC 2019), and Gerome Soriano to present Visualizing Histories in Manila at the National Commission of Culture and the Arts (NCCA) Gallery.
查閱活動Yumiko Furukawa (ACC 2004) presents her solo exhibition "Pressure" at the Guam Council on the Arts and Humanities Agency (CAHA) Gallery.
查閱活動Chaw Ei Thein (ACC 2008, 2009) presents WANTED, her first solo exhibition in New Mexico.
查閱活動Wu Chi-Tsung (ACC 2013) is having his first solo US Exhibition this summer that incorporates Eastern aesthetics with collage processes to reinterpret traditional Chinese Shan Shui landscape paintings.
查閱活動Dayang Yraola (ACC 2012) is a curator for The Listening Biennial 2023.
查閱活動Harvestworks Digital Media Arts Center announces The Process – an art and tech exhibition for the 2023 Art and Technology Program on Governors Island featuring Elico Suzuki (ACC 2022).
查閱活動Cai Guo-Qiang's (ACC 1995) exhibition “Ramble in the Cosmos—From ‘Primeval Fireball’ Onward” opens on June 29 at the National Art Center, Tokyo.
查閱活動Oscar Oiwa (ACC 2001) presents his exhibition, METROPOLIS at NowHere NYC.
查閱活動Join Wu Jiaru (Current Grantee) for their studio residence in Chinatown for two months that unravels the threads woven within the fast-paced urbanscape of New York.
查閱活動Hsin Hua PAN (ACC 2005) presents a solo exhibition of paintings, Garden of Mind (借景造園). An opening celebration will be hosted on May 27th from 4:30-6:30 PM PST.
查閱活動Join Lisa Ross (ACC 2016) for their solo photo-based exhibition, Poisonous Weeds, which explores a series of defaced propaganda murals created during the Cultural Revolution in China. Ross reinterprets these murals through manipulation of color, hue, and contrast to evoke distressed textures and saturated pigments to construct feelings of triumph, defeat, dissolution, and change.
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