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Alifiyah Zulfiqar Imani

To engage with women’s pedagogical roles and embodied knowledge systems within the musical form of Dhrupad, while extending the inquiry to encompass broader sound traditions, oral practices, and instrument-making cultures embedded within Nepal’s plural cultural landscape.

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Steven Parker

To expand the field of instrument design and sculpture through SOUND CONSTRUCTION, a project creating an ensemble of hybrid instrument sculptures that combine instrument craftsmanship from the U.S. and Taiwan.

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Pharel Silaban

To pursue a Doctor of Musical Arts at the University of Kentucky, continuing research to provide Indonesian audiences with an enriching experience of art.

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Endo Suanda

To complete a program of study leading to a Ph.d in ethnomusicology at the University of Washington

To continue to study ethnomusicology in a program leading to the Ph.D. degree at the University of Washington in summer 1994.

to continue to study ethnomusicology in a program leading to the Ph.D. degree at the University of Washington

To continue to study ethnomusicology in a program leading to the Ph.D. degree at the University of Washington during 1990-91.

Continue to study ethnomusicology in a program leading to the Ph.D. degree at the University of Washington during the 1989-90 academic year.

To continue to study ethnomusicology in a program leading to the Ph.D. degree at the University of Washington during the 1988-89 academic year.

Continue to study ethnomusicology in a program leading to the M.A. degree at Weslyan University, and attend performances and other cultural events in New York in fall 1982.

to continue to study ethnomusicology in a program leading to the M.A. degree at Wesleyan University and to attend performances and other cultural events in New York.

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Hideki Umezawa

To conduct research on sound sculptures, interact with the experimental and electronic music scene in New York, and examine the relationship between people and the environment.

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Yongyun Zhang

To pursue a Doctor of Musical Arts at UC San Diego and to participate in collaborative learning, innovative percussion recitals, commissioning new works, and research into Asian theater studies.

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Edward Herbst

To conduct research in Indonesia concerning repatriation strategies for the first published recordings of music in Bali

Next stage of research among older musicians and performing artists in Bali in connection with annotated study of archival recordings

to participate in a seminar on Indonesian performing arts to be held at the National Academy of the Arts in Solo and to undertake music research in Bali

to conduct resarch in Indonesia on the role of vocal music in the performing arts of Bali

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Hsu Chia-Ming

To learn the traditional Japanese art forms focusing on Tokiwazu style Shamisen and Nihon-buyo, and by understanding their cultural context, to find further possibilities for the contemporary developments of traditional Taiwanese theater and music.

To collaborate virtually to explore the intersection of contemporary and traditional music.

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Madoka Mori

To discover a new language of music through cultural exchange as well as to seek the possibility for innovative collaboration with diverse art and contemporary music in New York.

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