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Crossing Borders Music Collective

To travel to Kutupalong Refugee Camp in Bangladesh to meet Rohingya refugee musicians, learn about Rohingya music, and exchange ideas about music education.

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Bontaro Dokuyama

To learn about artistic practices in a multinational country, and research the history and cultural transmission of Japanese immigrants in the United States from the Meiji Restoration through World War II and the present.

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Don't Follow the Wind

To support American artist and curator contributions, conducting on-site research and interacting with displaced residents, for the Don't Follow the Wind exhibition through planning and development.

A 1-month grant supplement to adapt a disrupted project to enable U.S. and Japanese artists and curators to carry out research in Japan and through online meetings in connection with the English publication Don’t Follow the Wind, examining community and artistic responses to the ongoing crisis in the Fukushima Exclusion Zone

To enable three Americans to undertake research in Japan, in order to lay the groundwork for the first English publication on the the "Don't Follow the Wind" project

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Alexander Dubovoy

To collaborate and produce music with musician Katherine Whatley and sake brewer Kazuyo Fukao based on traditional sake production practices and field recordings.

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Mariska Febriyani

To contribute to the advancement of the Indonesian dance scene after an immersive experience in New York’s vibrant dance world and professional dance management scene.

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Antonette Go

To attend classes in New York and acquire innovative techniques to empower local artists and foster narratives rooted in experiences, contributing to the enrichment of the Philippine cultural landscape.

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Souya Handa

To conduct on-site research on the Manhattan Project, providing a multifaceted perspective on his artistic practices on Hiroshima, as well as conduct research on Asian artists in the United States working on postcolonial themes.

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