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Caro CHAN

To immerse herself in New York’s theater and stand-up comedy scenes, and learn how actors, writers, and comedians utilize their talents to collaborate and create in ways that foster the city’s rich tapestry and sense of inclusivity.

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I-Hsuen Chen

To enrich his creative practice by exploring how forms of video— including performative images and spatial composition within montage—function as an active performer on stage, serving unique aesthetic applications.

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Florence CHEONG

To explore the origins of New York’s theater scene and participate in workshops uncovering how videography is used in New York theaters.

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Joyce Sahagun GARCIA

To participate in workshops, classes, and in-person dialogues in New York focusing on contemporary practices in video and projection design and exploring immersive visual storytelling techniques.

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Yuuki HORIUCHI

To research American artist Robert Smithson and his contemporaries, focusing on their works across the U.S. countryside, and examining their approach to making and presenting work between the urban and the remote.

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CHEN Jie

To visit art institutions and engage with museum professionals across the United States, broaden her knowledge of global ceramics and art, explore diverse curatorial concepts and practices, and foster international collaborations.

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Karl Alexis JINGCO

To immerse himself in New York’s theater scene and engage with groups championing individuals with disabilities, learning how they create safe, inclusive environments and impactful performances while optimizing available resources.

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J-mee Katanyag

To observe, participate, and engage in decolonized theater and narrative-making practices by New York-based theater institutions, and then apply these learnings in the Philippines to foster social engagement through narrative work nurturing both artists and audiences.

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Anna KURODA

To research sustainable choreography, technique preservation, community inheritance, and the influence of 1970s–80s interdisciplinary collaborations on the field of contemporary dance, particularly through the work and history of Trisha Brown.

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SO Lai Ping

To examine the visual interaction between Cantonese and English in San Francisco's diaspora communities, investigating linguistic transformation in cross-cultural contexts and how art bridges cultural memory and the evolution of language.

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Evelyn YANG Ling

To explore American indie films, visual arts, and New York’s electronic music scene, learning from local artists to inspire and build a diverse film community in Taiwan.

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Wataru MUKAI

To explore how queerness is represented and activism is carried out in the contemporary music and art scenes in New York, reconsidering their own creative practice through interactions with drag performers and queer artists in New York.

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