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Pharel Silaban

To pursue a Doctor of Musical Arts at the University of Kentucky, continuing research to provide Indonesian audiences with an enriching experience of art.

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Endo Suanda

To complete a program of study leading to a Ph.d in ethnomusicology at the University of Washington

To continue to study ethnomusicology in a program leading to the Ph.D. degree at the University of Washington in summer 1994.

to continue to study ethnomusicology in a program leading to the Ph.D. degree at the University of Washington

To continue to study ethnomusicology in a program leading to the Ph.D. degree at the University of Washington during 1990-91.

Continue to study ethnomusicology in a program leading to the Ph.D. degree at the University of Washington during the 1989-90 academic year.

To continue to study ethnomusicology in a program leading to the Ph.D. degree at the University of Washington during the 1988-89 academic year.

Continue to study ethnomusicology in a program leading to the M.A. degree at Weslyan University, and attend performances and other cultural events in New York in fall 1982.

to continue to study ethnomusicology in a program leading to the M.A. degree at Wesleyan University and to attend performances and other cultural events in New York.

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Eko Supriyanto

to continue M.A. program at UCLA

To continue a program of study leading to the M.F.A. degree in the Department of World Arts and Culture at the University of California, Los Angeles

to continue a program of study leading to an M.F.A. degree

to continue a program of study leading to an M.F.A. degree

Graduate study in dance at UCLA

study leading to an M.F.A. degree in the department of world arts and cultures at the University of California

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Minori Suzuki

To research literary and artistic practices in the United States and study how minority stories have been told in the country to discover new or alternative storytelling and styles of writing in Japanese.

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Sir Anril Tiatco

To undergo training in dramaturgy through an apprenticeship under an established dramaturg and learn the latest trends in dramaturgical practice through workshops, forums, and arranging one-on-one interviews with renowned dramaturgs working in New York.

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Melisa Tien

To study and understand two matriarchal, thousand-plus-year-old societies – the Mosuo, or Na people, of China, and the Minangkabau of Indonesia – leading to a work of theater or musical-theater inspired by the experience.

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Wen Xi "Jacqueline" Tong

To look at models of cross-disciplinary arts festivals in the United States, where film and/or music are starting points, to possibly be adapted for a Hong Kong context.

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Arlette Quynh-Anh Tran

To meet organizations, art spaces, and artists with cross-disciplinary and cross-community practices, particularly involving Asian artists and their presence in the New York art scene.

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