Saturday, October 21, 8:30 pm—Pre-concert lecture at 7:30 pm
Inspired by the Zen rock garden of the renowned Ryoanji Temple in Kyoto, which John Cage personally visited in 1962, he composed Ryoanji (1983) using a non-ordinal graphical notation. Embracing Cage’s free-spirited approach to the score, composer/musician/vocal performer Tomomi Adachi (ACC 2009) brings his composition to life in a cutting-edge concert that connects two cities remotely. New York’s International Contemporary Ensemble will perform alongside musicians in Kanazawa City, Japan–Hitomi Nakamura on the ancient hichiriki woodwind and Maki Ota on vocals–streaming live from a tea house. Immerse yourself in the hypnotic 3D visuals depicting the raked sand of the Zen garden created by Dr. Tsutomu Fujinami, a researcher at the prestigious Japan Advanced Institute of Science and Technology, as a captivating backdrop for this one-of-a-kind concert.
A lecture on the origins of John Cage’s fascination with Japanese culture, led by Cage scholar Dr. James Pritchett, precedes the concert.
For this concert, International Contemporary Ensemble members include Michael Lormand (trombone), Lizzie Burns (double bass) and Clara Warnaar (percussion).
To learn more about ticket, click here.