Anton Juan
To pursue research on Native American cultural traditions in the United States in spring 1994 in connection with the development of a new collaborative music-theater piece.
詳細はこちらTo pursue research on Native American cultural traditions in the United States in spring 1994 in connection with the development of a new collaborative music-theater piece.
詳細はこちらTo enable artistic director Joseph Hanreddy and playwright Steven Dietz to travel to Japan in summer 1994 to confer with colleagues at the Institute of Dramatic Arts, Tokyo, in connection with the development of a collaborative theater piece based on the novel Silence by Shusaku Endo.
Enable Joseph Hareddy, artistic director of the Milwaukee Repertory Theater, to travel to Japan in June 1993 to collaborate with colleagues at the Uinstitute of Dramatic Arts, Tokyo, in developing international theatrical exchange programs.
詳細はこちらto support a performance by the contemporary Japanese performance group Dumb Type Theater as part of the New York International Festival of the Arts in June 1988
詳細はこちらTo provide support for the collaboration of Asian artists on the production Big Wind in Asia in fall 1994.
Support the participation of artists from Asia in the San Francisico Mime Troupe's production of Offshore in summer 1993.
to enable theater director Dan Chumley to present workshops in Hong Kong and Tokyo in April 1992
to enable playwright Carlos de la Paz from the Philippine Educational Theater Association (PETA) in Manila to be in residence at the San Francisco Mime Troup in December 1991
詳細はこちらTo enable Korean directorJeong-ok Kim to participate in SITI's International Exchange Forum in September 1994.
詳細はこちらTo enable Beijing opera teacher Yisong Fan from the Shanghai Theatre Academy to direct theater workshop, "Shakespeare and Beijing Opera" at Tufts University in summer 1994.
詳細はこちらTo enable theater director Margaret Booker to participate in the Beijing '94 Stage Design Symposium at the Central Academy of Drama in China in December 1994.
詳細はこちらTo supplement a grant from the National Endowment for Culture and Arts, Taipei, in connection with observation of theater activities in the United States in fall 1994.
詳細はこちらTo complete a program of study in theater leading to the Ph.D. degree at the University of Wisconsin, Madison, in 1994-95.
詳細はこちらPursue research in Japan on the stage management and production practices of the Suzuki Company of Toga
詳細はこちらProvide a grant supplement for participation in the Shenandoah Playwright Retreat in Staunton, Virginia, in summer 1993,
To observe contemporary theater activities in the United States
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