Antoinette Dwan
Paper conservator, The Baltimore Museum of Art: to visit papermaking studios and meet with conservators in Japan in spring 1987.
詳細はこちらPaper conservator, The Baltimore Museum of Art: to visit papermaking studios and meet with conservators in Japan in spring 1987.
詳細はこちらTo enable Chun Xia of the Beijing People's Art Theater, Huaixing Zheng of the Central Opera Theater in Beijing, and interpreter Lili Liang to observe theater activities in New York following a residency at the O'Neill Center in summer 1987.
To support the production in China of The Music Man and The Fantasticks in spring 1987.
Support the participation of lighting designer Ian Calderon, stage designer Ming Cho Lee, director George White, and costume designer Patricia Zipprodt in a production of Anna Christie, presented in Beijing, China, in fall 1984.
詳細はこちらSculptor, New York: to observe and photograph traditional and contemporary architecture and meet with artists in Japan in spring 1987.
詳細はこちらTo conduct research in China in spring 1988 in connection with a planned exhibition on the textiles of the Tai of Southeast Asia.
詳細はこちらTo study folk arts, crafts, and traditional domestic architecture in Japan in 1987-88.
詳細はこちらTo undertake research in Southeast Asia on developments in contemporary music and related performing arts in summer 1988
詳細はこちらTo travel to China to serve as musician-in-residence with the Shandong Symphony Orchestra in 1987.
詳細はこちらTo support travel and per diem expenses of Japanese designers Eiko Ishioka and Minoru Terada Domberger collaborating on the Houston production of The Making of the Representative for Planet 8.
詳細はこちらTo travel to Manila in winter 1987 as a consultant in the development of theater and performing arts programs at the Ninoy Aquino Park.
詳細はこちらTo study metalworking techniques and to meet with artists and crafts specialists in Japan in spring 1988.
詳細はこちらTo study traditional and contemporary art and architecture and meet with artists in Japan in summer 1987.
詳細はこちら