Long March Foundation
enable artists Cai Guo Qiang and Jennifer Ma and scholars Gao Minglu and Ni Zaiqin to participate in a conference on modern art education in China to be held in Yan'an, Shaanxi Province, in June 2006
Learn Moreenable artists Cai Guo Qiang and Jennifer Ma and scholars Gao Minglu and Ni Zaiqin to participate in a conference on modern art education in China to be held in Yan'an, Shaanxi Province, in June 2006
Learn Moresupport residencies by two artists from China in fall 2006 (Wang Wei and Liu Ding)
Learn Moresthree-month fellowship to undertake in South Asia for a book on temporary objects of venertion produced by Shi'i Muslim and Hindu artisans
research at Eklingji temple complex in Rajasthan.
Learn Moreto allow ten artists from India to participate in residencies leading to an exhibition of their work with the Mattress Factory in 2007
support for Barbara Luderoski and Michael Olijnyk to undertake research in India in preparation for the 2007 exhibition New Installations by Indian Artists
support for 3 sound installation artists-Akio Suzuki and Takehisa Kosugi from China
support to invite ten artists to come to the Mattress Factory to create installation works
to participate in the Japan-U.S. Museum Professionals Exchange Program
to support participation of Yayoi Kusama in an exhibition at the Mattress Factory in Fall 1996
Learn Moresupport for residency of Japanese artist Ms. Aiko Miyanaga at McColl
Learn Morethree-month fellowship to conduct research in Japan on the relationship of culture, landscape, and built form
Learn Moresupport for the participation of artists from Asia in technical rehearsals and performances of the production of The First Emperor, scheduled to premier in New York in December 2006
to support the participation of Peking actor, Wu Hsing-kuo from Taiwan in a one-week workshop in New York in May 2006 in preparation for the new production of The First Emporor
Learn Moresix-month fellowship to study and participate theater activities, pursue research on ritual and performance, and observe the relationship of theater and audience in the United States
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