Judith Blum Reddy, an outspoken artist who mobilizes satire to critique social systems, agrees with the description a colleague made of her installations “as a form of concrete poetry that combines the maniacal accounting of the bureaucrat with the incomprehensible babbling of the hysteric.” Filmmaker Dev Benegal’s irreverent portrait of this jaunty octogenarian busy in her studio at 80 Wooster Street in New York City—commenting, list keeping, and mapmaking—is a delight. Reddy and her late husband, the master printmaker and sculptor Krishna Reddy, were among the first artists to “occupy” SoHo. Time has not dampened her crusade to make the world a more equitable place.