Indira Gandhi National Centre for the Arts
to support American scholar David Napier and Balinese performer I Nyoman Catra in upcoming seminar, Mind, Man and Mask
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Search / Filter GranteesJim Henson Foundation
Support Japanese puppetry artist Hoichi Okamoto's participation in the International Festival of Puppet Theater, scheduled to be held at the Joseph Papp Public Theater in New York in September 1994
to support Asian programs, including the work of Japanese theater designer and puppet artist Jusaburo Tsujimura and Chinese handpuppet artist Yang Feng, in the International Festival of Puppet Theater at the Public Theater in New York in September 1992
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observe contemporary arts activities and meet with artist and performers, and development new work,
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to pursue theater research in Japan in connection with the Kabuki Translation Project
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Research on puppetry traditions in Southeast Asia. Applying with Kathy Foley.
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to continue creative activities in the United States and to support a performance of Dream City I at Pace University in New York
undertake an internship at the American Repertory Theatre and to observe contemporary arts in the U.S.
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to observe contemporary theater activities and to participate in theater and dance workshops and classes in the United States
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to observe contemporary theater activities, participate in theater-training workshops, and study the relationship between culture and artistic creativity in the United States
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To complete a program of study leading to the Ph.D. degree in performance studies at the Tisch School of the Arts, New York University.
To continue to study in a program leading to the Ph.D. degree in performance studies at the Tisch School of the Arts, New York University, in 1994-95.
Continue to study in a program leading to the Ph.D. degree in performance studies at the Tisch School of the Arts, NYU.
To continue to study in a program leading to the Ph.D. degree in performance studies at New York University
To begin a program of study leading to the Ph.D. degree in performance studies at New York University.
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To explore possibilities for Japanese-American performance collaborations with new internet-based video conferencing and multimedia communications technology
to observe traditional and contemporary theater activities in Japan and to explore possibilities for Japanese-American performance collaborations utilizing new Internet-based video-conferencing and multimedia communications technology
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