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Noguchi Museum

to continue support of the partnership between the New York based and Japan based Noguchi Museums.

to support Registrar and Collections Manger, Larry Giacoletti's travel in June 2011 to the Isamu Noguchi Garden Museum in Mure, Japan for the purpose of the continued training of Japanese conservator, Junichi Mori in stone conservation.

to enable Mr. Junichi Mori to participate in stone conservation workshops with Mr. George Wheeler in the United States in summer 2010.

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Northern Illinois University

to support the participation of seven Cambodian artists and scholars in the September 2012 Cambodia Studies Conference.

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Orpheus Chamber Orchestra

To support the 2012 Japan Tour of Orpheus Chamber Orchestra, a musician-led ensemble committed to collaborative leadership, comprising four performances, three facilitated discussions, and a public forum.

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Anouza Phothisane

To observe contemporary performing arts activities in the United States and to participate in the International Choreographers Residency Program at the American Dance Festival in summer 2012.

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Pig Iron Theatre Company

to support a collaboration with Japanese theater director Toshiki Okada in July 2012, leading to the creation of an original theater work.

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Shelley Rice

for a three-week grant to research the work of Chinese photographer and ACC grantee Xing Danwen (1998–2000) in preparation for an exhibition at the Grey Art Gallery at New York University.

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Rubin Museum of Art

To support a symposium, April 28–29, 2012, to take place at the Rubin Museum of Art in New York in association with the exhibition The Tenth Karmapa: Tibet’s Eccentric Master Revealed, the first study and public display of works by Choying Dorje, the Tenth Karmapa (1604-1674), one of the most celebrated artists in the history of Tibetan art.

to support to the participation of two Chinese scholars in the Rubin's symposium, Quentin Roosevelt's China: Ancestral Realms of the Naxi in spring 2011.

to fund exhibition "The Dragon's Gift: The Sacred Arts of Bhutan"

To support the participation of two practitioners of the Bon tradition, currently living in India, in public programs associated with the opening of the Rubin Museum of Art's fall 2007 exhibition, Bon, The Magic Word

to enable Tibetan artist Pema Rinzin from Dharamsala, India to continue his participation in the Museum's Himalayan Artist in Residence Program in New York for six months in 2006

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