Sajata Epps
A 2-month Individual Fellowship to engage with artists and community members in Hong Kong and Taipei around sustainability
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Search / Filter GranteesAri Fliakos
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A 2-month Individual Fellowship to record a climate soundscape along the Ganges River in India
a supplementary grant to support documentation work for Ms. Ibarra's Himalayan Glacier Soundscapes project
Support to study indigenous music and attend regional festivals in the Philippines
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A 3-month Individual Fellowship to research street dance and butoh, and attend classes and workshops in Tokyo
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A 6-month Individual Fellowship to research traditional Balinese textiles and conduct comparative study in Indonesia
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A 3-week Fellowship for two collaborating dance artists to conduct an intensive workshop for pre-professional and professional dancers in Manila
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a Project Grant to support the participation of four speakers from Southeast Asia in public programming related to the exhibition Dinh Q. Le: True Journey is Return
A travel grant to support the participation of the three members of The Propeller Group, from Vietnam, in community outreach activities related to an exhibition of their work at the San Jose Museum of Art
to support travel research for San Jose Museum of Art 's director, Susan Krane, and associate curator, Kristen Evangelista, to travel to India in 2011.
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A 3-month Individual Fellowship to research experimental music and body-based performance arts in Tokyo and Kyoto
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A 6-month Individual Fellowship to undertake dissertation research in Bangladesh, Pakistan, and Hong Kong
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a Project Grant to support a 2-month internship at St. Ann's Warehouse for Leonhard Lutgenhorst
Support the participation of Korean dancer Sang Won Kang in the development and performance of Maya, a new work presented at Trinity College and the St. Ann Center in the early 1990's.
To support the production of The Ritual of Solomon's Children by Indonesian theater company Teater Rendra at the St. Ann Center as part of the New York International Festival of the Arts in June 1988 and to enable members of the company to observe performing arts activities in New York
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