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Bridge for the Arts and Education

To conduct a workshop series facilitated by five artists from Malaysia and Japan involving open rehearsals and artist's talks to explore the link between Asian performance and the theme of death and rebirth through philosophy, movement, and sound.

A music workshop and open forum for artists from Asia coming to Japan to participate in a production of the Mahabharata that will be held as part of the official cultural events for the 2021 Olympic Games in Tokyo.

A 6-month Organization/Project Grant to support a joint film project around Hiroshi Koike’s Mahabharata Series with participating artists from nine countries across Asia

to support cross-cultural workshops in Jogjakarta for performing artists from Japan and Southeast Asia to create a collaborative interpretation of the Mahabharata

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Woojin Kim

To research the endangered minority language situation and language policy in East Timor and Indonesia and conduct research and interviews on the digital extinction of verbal and written languages, with a focus on Asian languages in United States.

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Ausen Lee

To visit different communities involved in independent art in Indonesia, history, reflective architecture, and culture in Hiroshima and Okinawa, and contemporary art in Thailand to understand the spirit of collaboration in different political situations and cultures.

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Melisa Tien

To study and understand two matriarchal, thousand-plus-year-old societies – the Mosuo, or Na people, of China, and the Minangkabau of Indonesia – leading to a work of theater or musical-theater inspired by the experience.

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Wild Projects

To research through a cultural lens the move of the Indonesian capital, Jakarta, to East Kalimantan on Borneo, including the voices and cultural activities of generation Z and generation Alpha Indonesians.

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Edward Herbst

To restore and edit, research and interpret, document, explain, and repatriate extensive film footage and photographs taken in Bali by Gregory Bateson (in collaboration with Margaret Mead between 1936–39) and by Jane Belo from 1931–38 with a focus on childhood in 1930s Bali, including games and free play; dance and drama; rites of passage; trance; ritual activities; and everyday life.

(Bali 1928 and Library of Congress-to-Bali Repatriation Project) to support research and documentation leading to the re-release and repatriation of the first published recordings of music in Bali, and extensive film footage and photographs taken between 1930 and 1939

(Bali 1928 and Library of Congress-to-Bali Repatriation Project) to support research and documentation leading to the re-release and repatriation of the first published recordings of music in Bali, and extensive film footage and photographs taken between 1930 and 1939

To conduct research in Indonesia concerning repatriation strategies for the first published recordings of music in Bali

Next stage of research among older musicians and performing artists in Bali in connection with annotated study of archival recordings

to participate in a seminar on Indonesian performing arts to be held at the National Academy of the Arts in Solo and to undertake music research in Bali

to conduct resarch in Indonesia on the role of vocal music in the performing arts of Bali

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Maho Watanabe

To travel to Indonesia and Vietnam to meet and research with collaborators of "TERASIA - Theatre for Traveling in the Age of Isolation," a long-term project exploring views on life and death in various parts of Asia.

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Yayasan Kelola

For the fourth and final year of the Southeast Asian Choreographers Network program in 2021-2022.

A 6-month Organization/Project Grant to provide for the third year of the Southeast Asian Choreographers Network Program, adapted as a virtual program with online workshops for dance artists in Indonesia, Cambodia, Vietnam, and Thailand.

to support further development of the ACC-Kelola-ADF Southeast Asia Choreographers Network by facilitating the participation of 4 choreographers in the 2019 International Choreographers Residency program at American Dance Festival, and organizing a workshop in Indonesia for network participants

a Project Grant to support the participation of choreographers from Indonesia, Vietnam, Thailand, and Cambodia in a one-week collaborative platform in Indonesia

to support a performing arts exchange pilot program between Indonesia and Cambodia

to support the organization of collaborative workshops and fellowship programs in 2008 and 2009

to support a choreography workshop to be conducted in Solo, Indonesia, under the direction of Lin Hwai-Min from July 26- August 9, 2007

Supplementary grant to support additional expenses in connection with the Lin Hwai-Min choreography workshop held in Indonesia, July 26- August 9

to support an arts management workshop directed by Laurie Uprichard in Solo, Central Java, from August 28 through September 1, 2006

to help support Kelola's administrative expenses in organizing collaborative workshop and fellowship programs with the ACC in 2005 and 2006

support Kelola's administrative expenses in organizing collaborative workshop and internship program with the ACC in 2005

to support a workshop in Jakarta on international touring for performing arts groups directed by Rachel Cooper of the Asia Society in March 2005

to support a workshop in Solo on performing arts networks directed by Norikazo Sato of the Japan Contemporary Dance Network, from November 29 to December 3, 2005

to help support Kelola's administrative expenses in organizing collaborative workshop and internship programs with the ACC in 2004

To support a lighting workshop that will be led by Clifton Taylor in Indonesia in June 2003

For administrative expenses in organizing collaborative workshop and internship programs with the ACC in 2003-2004

for administrative expenses in organizing collaborative workshop and internship programs with the ACC in 2001-2002

to support a workshop in festival management led by Joe Wilson

to enable Amna Kusumo, director of the Kelola Foundation in Indonesia, to survey cultural institutions and arts management practices in Asia

to enable Jennifer Tipton to conduct a professional lighting design workshop in Indonesia in February 2000

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