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To support a team of artists and arts educators researching alternative spaces and art education in Asia
Learn MoreTo support a team of artists and arts educators researching alternative spaces and art education in Asia
Learn Moresupport to serve as a curatorial assistance at the International Center of Photography in New York Supplementary materials- binder & portfolio
Learn MoreFor research on contemporary arts activities and exploration of new writing initiatives in the U.S.
Learn MoreStudy music composition and jazz improvisation at the Berklee College of Music, Boston, during the 1984-85 academic year.
Learn Moreto observe arts activities, meet with American artists, and create new work in the United States for six months beginning in March 1986
Learn Moresix-week fellowship to observe and participate in contemporary and traditional performing arts activities in 2004
Participate in Light Opera at La Mama Experimental Theater Club, New York, in spring 1983.
Learn Moresupport the participation of noh musicians from Japan in the spring 2007 tour of Theatre Nohgaku's original production, Crazy Jane, to colleges in the Pacific Northwest
support participation of seven playwrights from the U.S. and Asia in a workshop on Noh theater to be held in Tokyo in March 2003
Learn Moresupport participation of choreographers from Japan, Hong Kong, Taiwan, and Korea in a planning meeting in fall 2006 for the establishment of the Homeless Dance Company
Learn Moresix-month fellowship to observe curatorial activities and visit contemporary art museums in the United States
Learn Moresupport creative residency by two members of Hakutobo with the Gang-A Tsui Theater Company in Taipei in summer 2006
Learn Moreto enable a curatorial team from the Academy and the Asian Art Museum of San Francisco to travel to Bhutan in fall 2006 to continue research and planning for an exhibition on arts of Bhutan to be held in 2008
to enable a curatorial team from the Academy and the Asian Art Museum of San Francisco to travel to Bhutan to undertake research and planning for an exhibition on arts of Bhutan to be held in 2008
to continue, in collaboration with the Bernice P. Bishop Museum, Honolulu, a pilot museum training program for the Asia-Pacific area and to enable the following participants to survey museums in the United States: Ajit Simba P. Bais, the National Children's Museum, New Delhi, India; Kai Sen Chew, National Museum, Singapore; Charles C. Y. Chi, National Palace Museum, Taipei, Republic of China; Joseph I. A. Gasing, Sarawak Museum, Kutching Malaysia; Abdul Latif Ibrahim, Muzium Brunei, Bandar, Malaysia; Iftikhar Alam Khan, Aligarh Muslim University, India; Sadao Kosuge, National Science Museum, Tokyo, Japan; Byung Hoon Lee, National Science Museum, Seoul, Korea; Nan Young Lee, National Museum of Korea , Seoul, Korea; Pranowo Martodiardjo, the National Biological Institute, Bogor, Indonesia; Takeshi Ogiwara, National Museum of Western Art, Tokyo, Japan; Mohan Chandra Pande, State Museum, Lucknow, India; Aurora Pelayo, Cultural Research Center, Silliman University, Dumaguete City, Dumaguete City, Philippines; Rosario B. Tantoco, National Museum of the Philippines, Manila, Philippines.
To establish, in collaboration with the Bernice P. Bishop Museum, Honolulu, a pilot museum training program for the Asia-Pacific area and to enable the following participants to survey museums in the United States: Ajit Simba P. Bais, the National Children's Museum, New Delhi, India; Kai Sen Chew, National Museum, Singapore; Charles C. Y. Chi, National Palace Museum, Taipei, Republic of China; Joseph I. A. Gasing, Sarawak Museum, Kutching, Malaysia; Abdul Latif Ibrahim, Muzium Brunei, Bandar, Malaysia; Iftikhar Alam Khan, Aligarh Muslim University, India; Sadao Kosuge, National Science Museum, Tokyo, Japan; Byung Hoon Lee, National Science Museum, Seoul, Korea; Nan Young Lee, National Museum of Korea , Seoul, Korea; Pranowo Martodiardjo, the National Biological Institute, Bogor, Indonesia; Takeshi Ogiwara, National Museum of Western Art, Tokyo, Japan; Mohan Chandra Pande, State Museum, Lucknow, India; Aurora Pelayo, Cultural Research Center, Silliman University, Dumaguete City, Philippines; Rosario B. Tantoco, National Museum of the Philippines, Manila, Philippines
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