Aspen Music School Summer Fellowships
To the Music Associates of Aspen to enable Keiko Misawa and Yuko Yamaguchi, Japan, to attend the Aspen Music School in summer 1966
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Search / Filter GranteesBal Bhavan and National Children's Museum
To the Museum of Modern Art, New York, to enable Prem Prakash Garga, instructor, Bal Bhavan, to study and observe art education and museum programs for children in the United States
to the Museum of Modern Art, New York, to provide training in the United States for Indian teachers for Bal Bhavan and to provide for the purchase of art materials.
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To the M.H. de Young Memorial Museum, San Francisco, to enable the following scholars of Asian art to attend the Brundage Sympopsium on Oriental Art, San Fransisco, August 1966: John Ayers, Victoria and Albert Museum, London, England; Te K'un Cheng, University of Malaya, Kuala lumpur, Malaysia; Soon Woo Choi, National Museum of Korea, Seoul, Korea; Vadime Elisseeff, Mus
Learn MoreHasbullah Chalid
To survey university programs in Islamic and Indonesian studies in the United States
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To survey photographic techniques, facilities, and equipment in the United States, Japan, and Europe, in connection with the establishment of photographic archives at the American Academy of Benares
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To attend the Team X Architecture Conference in Urbino, Italy, September 1966, and to survey contemporary architecture developments in Europe
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To publish a Persian language edition of the catalogue of the exhibition Ancient Art from Afghanistan organized by the Asia Society, New York, and shown at the Asia House Gallery, New York; the Los Angeles County Museum of Art; and the National Collection of Fine Arts, Washington, D.C., January-August 1966
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To attend the meetings of the International Music Council, Rotterdam, June 1966
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To attend meetings at the International Centre for the Study of the Preservation and the Restoration of Cultural Property, Rome, April 1965 and March 1966
To attend meetings at the International Centre for the Study of the Preservation and the Restoration of Cultural Property, Rome, April 1965 and March 1966
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To observe contemporary music developments in the United States and to attend the Tanglewood Institute, Lenox, Massachusetts
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To survey contemporary architecture developments in the United States, India, Canada, Europe, and Mexico
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