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<span class="translation_missing" title="translation missing: ja.search_grantees">Search Grantees</span>グランティを検索/絞り込む

Josephine CHAN

To deepen and sharpen craftsmanship through apprenticeships with masters of conservation, framing, and mounting for traditional Chinese paintings. Through observation, interviews, and visits to museums and collections, Chan seeks to advance her practice in Chinese-style mounting for hanging scrolls and hand scrolls. Parallel to this, she will develop an approach that is personally sustainable and critically informed in balancing traditional aesthetic principles with contemporary artwork conservation thinking. Building on over 10 years of experience in Western archival framing and mount-making, and established proficiency in Chinese lining, Chan seeks to deepen both the technical and conceptual dimensions of her work and broaden her understanding of how historical models, regional variations, and conservation ethics converge in the contemporary presentation and care of Chinese works on paper.

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LEE King-chi & Kong CHAN

To research the teaching of traditional music in Korea, focusing on pedagogical fundamentals. In line with their long-term goal of developing training methods for contemporary learners of traditional Chinese theater music, Lee and Chan aim to experience the fundamentals of learning classic Korean music. The duo will undergo individualized instruction on various traditional Korean instruments with a focus on technical skills, ear-training, and music theory, interviewing musicians across generations about their own learning journeys, observing classes, and attending performances. For Lee and Chan, going “back to the basics” is essential to advancing their skills and creativity for future works and developing their own way of passing down and explaining traditional music to local and international audiences.

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CHAN Ching Wei Trevor

To travel to Colorado to attend workshops at the Aspen Music Festival and School in Summer 2026. Chan was selected for the Lady Fung Music Fellowship to attend workshops at the internationally acclaimed Aspen Music Festival and School. Chan is a final-year student and principal cellist of The Hong Kong Academy for Performing Arts’ Symphony Orchestra. He also performs with the Hong Kong Sinfonietta and Opera Hong Kong. Chan’s participation in the Aspen program offers opportunities to learn from fellow cellists, develop his international network, and further improve his performance practice, as well as expand his ability to collaborate with other talents.

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Serene HUI

To explore how Asian diasporic and multigenerational immigrant artists use archives and theoretical writings to articulate migration, identity, and the construction of place and time, considering future possibilities for interdisciplinary expression.

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YAU Kit Sze Jessy

To observe and learn hands-on processes of architectural regeneration and explore revitalization models that may be applied to villages and abandoned architecture in Hong Kong. Yau is a recipient of the Young Architects Fellowship, awarded by the Hsin Chong Foundation in partnership with the American Institute of Architects Hong Kong Chapter. Through their three-month research fellowship in Kobe, Japan, Yau will participate in diverse on-site activities, including the surveying of abandoned houses; hands-on learning related to regeneration and revitalization models; and interviewing peer professionals and local residents. A graduate of The University of Hong Kong’s Department of Architecture, Yau currently manages heritage conservation outreach initiatives for a Hong Kong nonprofit.

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Paola SINISTERRA

To research mud-resist dyeing traditions and its industrial applications, and to refine expertise in natural dye techniques and sustainable textile processes. Sinisterra will visit and document traditional craft communities in India, focusing on mud dyeing techniques on textiles. Through participatory research, interviews, hands-on learning, and teaching, she seeks to understand local knowledge systems rooted in mud dyeing techniques for textiles. Sinisterra hopes that the fellowship will support the preservation of these textile practices and advance her goal of building an inter-Asian network of artisans and practitioners that facilitates knowledge-sharing and will explore applications of these crafts beyond consumer products.

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Sara TSE & Shirley TSE

To engage with second- and third-generation members of the Hakka diaspora in Malaysia. Sara and Shirley Tse will learn Hakka histories through personal storytelling by residents in Perak Malaysia, where the Hakka Chinese community is concentrated, and retell these narratives in contemporary art forms. They plan to visit locations related to artifacts and stories passed down by their late mother, as starting points for their experience. This immersion will deepen their research with lived experience and expand diasporic histories.

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Christie Hei Yuen WONG

To investigate the influence of socialist realism on photographic practices and image-making in twentieth-century China. Over the course of her four-month trip to Mainland China, Wong hopes to find primary source materials on Maoist-era Chinese photography that can enrich her research on the affective impact of propaganda photographs and related objects. Meeting with local scholars and curators knowledgeable about Mao-era photography and visual culture will provide expertise for her research. Dialogues with contemporary artists and other practitioners in photography and image-based work will help determine connections between her historical research and contemporary art. Wong aims to bring greater global exposure to this genre of Chinese visual culture in Hong Kong and beyond.

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Alex YIU

To research New York’s underground queer experimental music scene and develop comparative perspectives on experimental club cultures. Yiu will immerse himself in New York’s experimental and queer music communities, attending events at established venues, as well as grassroots and queer spaces. Yiu will also join workshops, reading groups, and community discussions to understand how artists and organizers create safety, access, and collective care in nightlife. He plans to have conversations with musicians, producers, and writers about queer nightlife, grassroots music label ecology, and DJ communities, and especially how the Asian diaspora and New York club culture intersect. An innovator, Yiu anticipates that the experience will influence his future projects in music and contemporary art.

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Karen YU

To explore New York’s ecosystem of independent artists and entities, cross-disciplinary communities, and institutions, examining how support structures and audience engagement shape creative practices in performance and sound. Yu’s research will focus on how organizations of different scales collaborate, sustain artistic production, and cultivate audiences open to experimental or unfamiliar listening. Performances, exhibitions, public programs, and informal gatherings will serve as key sites of study, while conversations with artists, curators, and programmers will offer insight into support systems and community-building approaches shaped within the dense environment of New York. Insights into these curatorial strategies and listening-focused experiences will inform her curatorial practice and efforts to develop inclusive, accessible listening spaces and approaches.

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Caro CHAN

To immerse herself in New York’s theater and stand-up comedy scenes, and learn how actors, writers, and comedians utilize their talents to collaborate and create in ways that foster the city’s rich tapestry and sense of inclusivity.

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Mo LAI Yan Chi

To investigate how stories are told in Japan through the lens of classical and contemporary Japanese theater forms—including Noh, Kabuki, Bunraku, and Butoh—to better understand the artistic aesthetics and styles as a multidisciplinary art form and "total theater" practice.

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