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LEE King-chi & Kong CHAN

To research the teaching of traditional music in Korea, focusing on pedagogical fundamentals. In line with their long-term goal of developing training methods for contemporary learners of traditional Chinese theater music, Lee and Chan aim to experience the fundamentals of learning classic Korean music. The duo will undergo individualized instruction on various traditional Korean instruments with a focus on technical skills, ear-training, and music theory, interviewing musicians across generations about their own learning journeys, observing classes, and attending performances. For Lee and Chan, going “back to the basics” is essential to advancing their skills and creativity for future works and developing their own way of passing down and explaining traditional music to local and international audiences.

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Kaichun CHIANG

To explore how prehistoric ritual landscapes can inspire contemporary art through comparative research of Taiwan’s Bei-nan site with South Korea’s Dolmen heritage. Through on-site visits, archival study, and interviews with local scholars and cultural practitioners, Chiang will explore how these prehistoric religious and ceremonial structures can inform contemporary artistic revitalization. Chiang seeks to understand how prehistoric people in both places built their worldviews, honored their ancestors, and shaped their communities. By reinterpreting these ancient stone monuments through a creative practice, Chiang’s fellowship will foster cultural exchange while generating new perspectives on Taiwan’s prehistoric and Austronesian heritage within a broader Asia-Pacific context.

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Shoko NAGAI

To study traditional Korean music and explore the differences and shared sensibilities between Korean and Japanese musical aesthetics. Nagai will engage deeply with the practice, history, and philosophy of Korean traditional music by meeting and studying with musicians across various disciplines in Seoul and other cities and rural communities. Through lessons, interviews, and collaborative observation, she aims to understand not only technical mastery, but also the cultural contexts and lived experiences that shape these musical forms and the intersections and divergenaesthetics. Nagai hopes this fellowship will deepen her capacities as a musician, composer, and cultural interlocutor and inform future works that resonate beyond academic and artistic spheres.

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Sheu Fang Yi

To explore how, within a similar Asian physique, South Korea transforms its quiet traditional roots and innovative energy into a breathtaking vitality on stage and on camera. For this fellowship, "Seeing the Light of the Body," Sheu will be based in Seoul, closely observing how local performing arts practitioners develop highly energized forms of bodily expressions. She will engage with dance companies, theater productions, academic institutions, and film productions, immersing herself within their rehearsals and creative processes. Upon her return to Taiwan, Sheu plans to transform her cultural exchange experience into nutrients for her future creative methods and will share these insights through talks and workshops.

six-month fellowship to observe contemporary dance activities and collaborate with dancers and other artists in China and in the United States during 2006-2007

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Yunhui Hong Charpentier

To conduct research on how people have translated Japanese and Korean by focusing on the violence/hospitality of translation, as well as on how "healing" has been socially and culturally represented in South Korea on the theme of "healing colonial violence and its traumas.”

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Kei Cheuk Leung

To research art and technology trends in Japan and Korea through a two-pronged approach: to respond to technological and artistic demands globally through forms of expression that integrate the latest technologies; and, to incorporate technology into historical and cultural contexts in Hong Kong to usher in new creative practices.

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Qianxi "Chelsea" Liu

To consolidate Liu's current research on the interactive relationship between China and East Asia in terms of its artistic and cultural production, as well as its cross-cultural role in the late 20th century when globalization first took firm hold.

詳細はこちら
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