グランティ・データベース

Bond Street Theatre

国/地域:
• United States

• 2026
• Theater
• United States から Myanmar

To research and identify effective theatre-based practices for addressing conflict-related trauma through an exchange of U.S. and Myanmar artistic methods. New York’s Bond Street Theatre (BST), in partnership with Yangon’s Thukhuma Khayeethe Theatre (TKT), will lead a 40-day initiative grounded in an exchange of artistic and therapeutic methods by the two companies and cross-cultural research comparing mental health issues, practices, and available resources. The site of activities is significant and timely, considering the 2021 military coup’s ongoing impact on psychological distress, social fragmentation, and erosion of trust. BST and TKT will convene their respective Artistic Directors and actor-educators to lead the activities and invite participation from U.S. and Burmese mental health practitioners. Their collaboration aims to identify the most effective theater-based practices in addressing conflict-related trauma and support efforts to integrate these practices into community life.

• 2011
• Theater
• United States から Brunei

Khwanchira (Nual) CHINDAMANEE

• 2026
• Visual Art
• United States から Taiwan

To research and contribute to the preservation of hup taem murals in Isan, Thailand. Over a six-month period, Chindamanee will interview and collaborate with scholars and artisans with expertise in mural preservation, survey murals at local temples to understand and document the historical and methodological aspects of hup taem, and engage with local communities to understand and document the cultural significance of these artworks. Chindamanee hopes to synthesize her findings to develop a community workshop that can raise awareness of the significance of these murals and help preserve the community's cultural heritage.

Daniel DOÑA

• 2026
• Music
• United States から Philippines

To research music written by Filipinx composers for the viola and how their music is presented in the Philippines. Doña’s research will focus on Filipinx composers’ music written for the viola in both solo and chamber music settings. He aims to study scores and manuscripts archived at University of the Philippines, the University of Santo Tomas, and St. Scholastica College. He also seeks insights from local historical musicologists and ethnomusicologists, as well as living composers and members of the string-playing community. Doña hopes that his research and engagement with fellow composers, scholars, and musicians will support his efforts to amplify the voices and contributions of Filipinx composers in the classrooms and concert halls in the Philippines and back home.

Alec GOLDFARB

• 2026
• Music
• United States から India

To pursue an immersive study of Hindustani classical music and expand his understanding of related South Indian approaches. Through a period of focused musical study and cultural immersion, Goldfarb will refine his approach to Indian ragas as a guitarist by learning from artists in Kolkata, Chennai, and other regions and comparing the evolution of traditions across geography, language, and performance practice. He aims to meet performers, scholars, instrument-makers, and archivists whose work intersects with his questions about intonation, tuning, and adapting classical forms to new instruments. In addition to his own growth, Goldfarb hopes that exchanges with these music communities will also advance opportunities to demonstrate how their traditions and ideas resonate on a different instrument and in a different cultural context.

Szu-Han HO

• 2026
• Music
• United States から Taiwan

To deepen her understanding of Taiwanese sound art and build bridges between sound artists in Taiwan and her home state of New Mexico.Ho will immerse herself in Taiwan’s contemporary sound art and experimental music scenes, meeting sound artists, curators, and scholars; practicing deep listening; visiting venues, galleries, and museums; attending workshops; and making field recordings of local soundscapes. She will meet artists and curators across Taiwan’s west coast and spend time meeting indigenous artists on the east coast, with the hope of developing collaborative links between practitioners in Taiwan and New Mexico.

Michelle HỒ

• 2026
• Literature
• United States から Vietnam

To build relationships with local writers, study poetry, and research contemporary literary trends in Vietnam. Hồ hopes to learn about how the poetics of contemporary Vietnamese writers are being formed in an increasingly globalized literary world dominated by English and Western ideologies. By connecting with established and emerging writers and literature professors, she will examine how histories of colonialism, imperialism, and war have shaped the literary landscape, and how various generations in Vietnam have navigated literary production, publishing, and community-building under these conditions. Hồ also plans to attend and host workshops and informal gatherings through which she can cultivate meaningful relationships and opportunities for collaboration with members of Saigon’s literary scene.

Phu HOANG

• 2026
• Architecture
• United States から Vietnam

To examine architectural and cultural links between urban tube houses and rural communal houses in Vietnam. Hoang’s fellowship investigates relationships between these two foundational building types that link domestic and civic life and embody centuries of cultural adaptation, social hierarchy, and climatic response. Through site visits, archival research, and interviews with architects, researchers, homeowners, and community members, Hoang will explore how spatial practices express climate adaptation and shape social and familial life. Hoang’s research aims to deepen cross-cultural dialogue around climate-responsive design and trace how these enduring forms continue to shape architectural thought.

Jessica Su-Yin KWOK

• 2026
• Curation
• United States から Indonesia, Vietnam

To research feminist historiography, performance, and time-based practices in Indonesia and Vietnam. Kwok will investigate feminist and feminized performance practices in the two countries, drawing on methodologies articulated by Indonesian art historian Wulan Dirgantoro. By engaging artists and scholars in Indonesia whose practices exemplify the feminist strategies Dirgantoro identifies, Kwok aims to learn how feminist performance emerged historically within Indonesian art discourse and how practitioners continue to navigate intersections of religion, politics, and agency. In Vietnam, she will meet artists and collectives whose works traverse ritual, domestic labor, and the politics of visibility to understand how feminized gestures and embodied practices articulate critical perspectives on gender, sovereignty, and social constraint. Kwok hopes to learn how feminist performance in both countries circulates through transnational exchanges and shared vocabularies of intimacy and desire.

Britt MOSELEY

• 2026
• Visual Art
• United States から Indonesia

To explore shared models of making and collective learning and to study how creative systems form deeper attunement with one’s environment. Moseley’s audio-oriented, multidisciplinary research will engage Indonesian sound artists, artist collectives, and traditional performers to explore new models of creative exchange and collective learning. Through conversations, studio visits, attending performances, museum visits, and workshops, he hopes to learn how Indonesian communities treat making— pottery, puppetry, instrument building, or collective performance—as a form of shared perception and cultural continuity. Moseley’s fellowship will inform the next phase of his own practice, which is shifting toward collaborative, systems-based art grounded in ecology and community.

Shoko NAGAI

• 2026
• Music
• United States から Korea

To study traditional Korean music and explore the differences and shared sensibilities between Korean and Japanese musical aesthetics. Nagai will engage deeply with the practice, history, and philosophy of Korean traditional music by meeting and studying with musicians across various disciplines in Seoul and other cities and rural communities. Through lessons, interviews, and collaborative observation, she aims to understand not only technical mastery, but also the cultural contexts and lived experiences that shape these musical forms and the intersections and divergenaesthetics. Nagai hopes this fellowship will deepen her capacities as a musician, composer, and cultural interlocutor and inform future works that resonate beyond academic and artistic spheres.

Toni Shapiro-Phim

国/地域:
• United States

• 2026
• Curation
• United States から Thailand

To research the experiences of women artists displaced from Myanmar and residing in Thailand. Shapiro-Phim will explore the lives of these displaced artists—how they express their reality, confront challenges, imagine alternative realities, and experience joy. She will visit centers, schools, and organizations established by and for people from Myanmar, especially those relevant to women artists, and seek opportunities to conduct interviews and observe classes, workshops, discussions, and artistic production. Shapiro also hopes to share her own works that relate to artists from Liberian and Cambodian refugee communities and stimulate conversations on creativity amidst great adversity.

• 1992
• Dance
• United States から Indonesia

To study and document Cambodian performing arts events during the annual Festival of the Waters in Phnom Penh in November 1992.

Oliver WANG

• 2026
• Arts Criticism
• United States から Japan

To explore how American car culture has shaped Japanese aesthetics of design, craft, and self-expression, tracing trans-Pacific exchanges that connect material culture, visual style, and everyday forms of creativity. Wang will conduct fieldwork and interviews with car customizers and event organizers and participants influenced by American automotive culture. He will also visit lowrider hangouts with close connections to counterparts in Southern California, tracing how a visual language of creativity inspired by L.A.’s Chicano community becomes articulated through Japanese cultural contexts. Wang hopes to interpret these practices not only as social phenomena but as acts of aesthetic invention that reveal trans-Pacific artistic exchange and, in parallel, challenge narrow definitions of artistic practice, showing how creativity flourishes beyond galleries and museums – in garages, on city streets, and within grassroots communities.