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ホームグランティ・データベース

グランティ・データベース

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Atiqa KAWAKAMI & Kimi IDONUMA

To study alternative film networks in Asia, focusing on collectives that, under challenging political and social conditions, create spaces for screening, production, and education independent of commercial cinema. In Indonesia, they will learn about community management and engagement with local residents, while exploring collaborative workshops and screenings addressing colonial histories between Japan and Indonesia. In Thailand, they will visit Wiwat Lertwiwatwongsa and examine how he has developed screenings, a short film festival, and publishing activities in collaboration with organizations of various scales through the Bangkok Experimental Film Festival and the Filmvirus group. They intend to share their insights in ways that contribute to the development of a sustainable network of film collectives across Asia.

詳細はこちら

Li-chin Li

To conduct field research on the cultural roots, traditions, and historical creative practices of the sheng in China (Mainland), Indonesia, and Thailand. Li will trace and examine the historical development and cultural trajectories of Chinese ethnic sheng, Thai bamboo sheng, and the preservation of sheng craftsmanship in Indonesia. She will study instrument-making techniques with local sheng artisans, and shadow master craftsmen in sourcing raw materials in order to understand the cultural and ritual significance behind the instrument-making process. She aims to map a trans–Southeast Asian “cultural geography of the sheng,” whilst establishing connections with local art institutions to further deepen her understanding of sheng culture through cultural immersion.

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Toni Shapiro-Phim

To research the experiences of women artists displaced from Myanmar and residing in Thailand. Shapiro-Phim will explore the lives of these displaced artists—how they express their reality, confront challenges, imagine alternative realities, and experience joy. She will visit centers, schools, and organizations established by and for people from Myanmar, especially those relevant to women artists, and seek opportunities to conduct interviews and observe classes, workshops, discussions, and artistic production. Shapiro also hopes to share her own works that relate to artists from Liberian and Cambodian refugee communities and stimulate conversations on creativity amidst great adversity.

To study and document Cambodian performing arts events during the annual Festival of the Waters in Phnom Penh in November 1992.

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Cheng-Han Wu

To research new play development systems and build connections with theatres in Indonesia, Thailand, and the Philippines. Through interviews, institutional visits, and onsite observations across the three countries, Wu will examine how storytelling practices differ between East and West, and across Asian cultures; what dramaturgical structures define Indonesia, Thailand, and the Philippines; and how Taiwanese dramaturgy fits within Asia’s wider narrative landscape. Wu will meet playwrights, dramaturgs, directors, and programmers of theater festivals over the course of his fellowship. He hopes the experience will open pathways for future cross-cultural collaborations and creative ventures and directly inform his dramaturgical practice.

To visit new play development centers in New York City and interview literary managers, resident dramaturgs, and playwrights-in-residence.

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Yayasan Studio Klampisan Banyuwangi

To exchange practices in socially engaged art and performances with theater companies and professionals in Thailand. Studio Klampisan will organize a two-month series of exchange activities and dialogues seeking to compare their intermedial dramaturgy and community-oriented work methodologies with counterparts in Thailand, a country that also shares a complex history of democratization and similar pre-colonial cultural roots. They will conduct immersive ecosystem mapping in Bangkok, study the socially engaged art of the late artist-activist Thanom Chapakdee, and execute field visits and interviews from which they hope to learn how independent artists sustain their work and refine their own methodological framework. Studio Klampisan expects that the exchange will strengthen their organizational capacity, expand opportunities for regional dialogue and relationships, and promote others’ understanding of East Javanese perspectives.

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Bridge for the Arts and Education

To conduct a workshop series facilitated by five artists from Malaysia and Japan involving open rehearsals and artist's talks to explore the link between Asian performance and the theme of death and rebirth through philosophy, movement, and sound.

A music workshop and open forum for artists from Asia coming to Japan to participate in a production of the Mahabharata that will be held as part of the official cultural events for the 2021 Olympic Games in Tokyo.

A 6-month Organization/Project Grant to support a joint film project around Hiroshi Koike’s Mahabharata Series with participating artists from nine countries across Asia

to support cross-cultural workshops in Jogjakarta for performing artists from Japan and Southeast Asia to create a collaborative interpretation of the Mahabharata

詳細はこちら

Qianxi "Chelsea" Liu

To consolidate Liu's current research on the interactive relationship between China and East Asia in terms of its artistic and cultural production, as well as its cross-cultural role in the late 20th century when globalization first took firm hold.

詳細はこちら
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